Large Baluster Japanese Copper Vase, 1920s

Natural wood cabinet opening with two doors in the upper part and four drawers in the lower part, decorated with light and dark wood marquetry of wind roses and framed with nets. Arc...

Large vase decorated with rolled rattan rods and wooden slices. France, 1970s.

Wooden mirror. France, 1920.

"Sintra" big green glazed terracotta vase. Made in Portugal. Barracuda edition.

Pair of green and black glazed ceramic vases, Primavera. France, 1930s.

Nizwa black clay floor lamp resting on a circular bronze base. Barracuda edition, made in Portugal.

This is a plate which was made in Japan in Taisho era (around 1920s). It was made with Imari yaki technnique. This imari plate is made by Gekkyuu, there is a signature on the plate...

3-613 Japanese copper clad ceramic bud vase/sculpture Ceramic vase clad in molted copper.

Fabulous Japanese Satsuma Baluster vase, small sized. Unmarked Condition Overall condition 1 frit to rim, further crackled as usual. Size: 125mm Period Meiji Periode (1867-19...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

Very charming pair of large 19th century Chinese export porcelain Famille rose baluster vases, multi-panel motif decorated with palace figures within courtyard and pavilion settings,...

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.