Pair of 18th Century Chinese Porcelain SE Asia Bencharong Flower Rocks Plate

Nice, rare and beautiful colors in enamel in the shape of a flower. These wares and their specific characteristics of wild colour and thick enamel have all the characteristics that we can also find in Straits and Bencharong wares. We quite often find whole collections of these thick ennameled & bright coloured 18th c plates stuck together in Dutch Indonesian...

A very nicely decorated jar. 18th century Chinese made for the SE Asian / Thai Market. Very rare! Condition Overall condition very good only some enamel loss. 190 x 183 mm Pe...

A very nicely decorated bowl. Extremely well painted and rare with elephants/tigers and figures. Condition: Overall condition 2 restored chips to rim, some kind of paste and pa...

A very nicely decorated bowl. Extremely well painted and rare Condition Overall condition very good 1 hairline. 145 x 74mm Period 18th century Qing (1661-1912).

Nice, rare and beautifull dishes. Flowers all around. Additional information: Material: Porcelain Type: Altar Dish Region of Origin: China Period: 18th century Qing (1661 - 1912) C...

Top Quality Guangxu or early republic lidded bowls. Marked with a leaf. A very unusual decoration of dragons and Lychee fruit. Lychee The Lychee or Lichee is best known for its...

Antique Chinese Porcelain Bowl for the Thai Market, 18th century. Bencharong enamel decoration with Buddhist imagery on a black background. This classic porcelain bowl form having a raised narrow foot rim and slightly everted mouth rim is richly decorated in bright polychrome enamels much favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colours used to decorate such porcelain. This bowl is decorated with typically Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming pink kranok motifs. This design is framed by two floral bands top and bottom and another double band on the interior mouth rim. The interior glazed in a soft turquoise green and remnants of a floral pattern roundel on center. Sets of porcelain such as this example were commissioned from the Jingdezhen kilns in China and exported to Thailand. 6-7/8 in. in diameter x 3-5/8 high (17.5 x 9cm) 16.7 oz. (475g.) Ayutthaya Period, 18th century. Provenance: German Private Collection. For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

OR19067 A large and stunning antique Chinese Qing porcelain charger decorated in the famille rose palette with scattered floral designs on a turquoise ground and set around five Chi...

A pair of famille verte porcelain plates, the left made in China during the Kangxi period (r. 1662–1722) and the right a copy by Meissen made circa 1740. Chinese porcelain has alw...

This pair of beautiful Chinese porcelain plates were hand painted in the Famille Rose style in the mid-18th century. The center of each plate is painted in delicate colored enamels....

Chinese plate, 18th century Measures: H. 2 Dia. 23 cm H. 0.7 Dia. 9 in.

Beautiful small white porcelain plate decorated with different flowers such as petunias and phlox. Leaves seem to fly. A small plum is hidden on the back of the plate. We discover a work of extreme finesse. The lines are very fine and delicate. The arrival of porcelain in Europe was linked to the development of shipping and international trade. Porcelain was very popular in Europe because of its lightness and durability. The importation from China is linked to the lack of mastery of this technique by the Europeans. The French, Dutch and British East India...