Pair of Oribe Mandarin Ducks Screen Holders, Japanese, Meiji period

Saki-ori farmers coat, Northern Japan, Meiji period A very heavy and substantial saki-ori coat, made of cotton with an indigo kasuri lapel. Several patches of hand sewn stitching ...

Antique Japanese Medicine "Kanban" (Shop Sign) with mirror, Meiji Period. The Medicine being advertised is a soothing cream used to relieve itchin...

Tenjin-Sama, Shinto Deity of Learning and Wisdom, Meiji Period Tenjin,-Sama, Deification of Sugawara no Michizane, was a famous scholar, poet and politician of the Heian period. In...

Japanese horse trapping, "Uma-No-Haragake", Tsutsugaki, cotton, Meiji period This type of haragake is called yuiage ("tied up"). The central portion covered the belly of the horse an...

Japanese Kimono storage box, constructed of wood and bamboo, painted black with family crest painted in red on the sides. The top has wood slats, which ...

19th century antique Japanese Meiji bronze floor lamp. This finely cast, well composed, pedestal lamp depicts mythical creatures on the base, cranes in high relief on the stem are...

A small and finely decorated Japanese Satsuma tripod incense burner (koro), signed Kyozan, Meiji period, circa 1900, Japan. The censer, koro, with a compressed body supported by t...

A fine and elegant Japanese Satsuma tripod incense burner, koro, with pierced metal lid, signed Eizan (?) Meiji Period, late 19th century, Japan. The koro, or censer, features a stoneware body of slightly compressed globular form, supported on three short and squat legs. The wide mouth with a recessed metal rim, and topped by an openwork metal lid topped with overlapping chrysanthemum blossoms of silver repousse. The body of the koro finely painted with fan shaped cartouches. The fans in the foreground with sprays of blossoming chrysanthemum. The fans in the background with intricate geometric brocade designs. The shoulder of the incense burner decorated with cartouches formed as stylized chrysanthemum petals, and intricately decorated with geometric and floral brocade designs. The painting finely done in raised gilt and polychrome enamels, including the highly desirable gosu blue...

Japanese Satsuma Earthenware Vase, Meiji Period, 1868-1912, of baluster form, the decorated in poly-chrome enamels and gilt on a clear crackle glaze with a Daimyo procession, the nec...

18 Inch Japanese Imari Charger - very large and decorative. The mixed illustrative painted scenes are with great pattern and texture, and mixed with floral and organic images of blos...

Japanese Meiji Satsuma polygonal vase with four panels. Each panel shows a different scene. Fine gilding and hand enameling. Marked on the bottom with shimadzu mon.

On offer is a rare ceramic bowl with overglazed design by the famed Japanese ceramic artist Makuzu Kozan (1842-1916), circa 1906-1916. The bowl is rather unusual from the potter's repertoire with its unique glaze colors and decoration, and it likely belonged to a small series that Kozan made in and after 1906. A bowl of similar glaze and nearly identical dragon motif was recorded as a diplomatic present to the British royalty Arthur Connaught (1883-1932) when he represented King Gorge V in Japan in 1906. Other pieces, such as this bowl, were likely made with similar materials and designs afterwards. Essentially round in form, the bowl has a generous volume with six harmonious lobes. The bottom of the interior showcases a coiled dragon in red, green and gold slithering on a cobalt blue background. The roundel shares an echoing lobed perimeter, which is further outlined by red and turquois bands and rising sun design. The exterior of the bowl features six stylized Japanese camellias...