20th Century Ceramics

the body of this small marvelous vase is painted with a scene of a puppet show vendor with his wood backpack, on top of the backpack there are toys and dolls, he is surrounded with a group of 6 children, and on the background you can see a village. on the other side of the vase there is an amazing painting of flowers and on the sides there are two amazing strong pine trees, the amorphous background is decorated in a "Tortoiseshell" color and design that gives it a real character and which is quite rare to see on satsuma pottery. all the vase is over richly overpainted over the glaze with gold, which gives it its depth and realism. signed Kyoto Kinkozan zo, and sealed Kinkozan zo Kyoto’s Satsuma: The painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation Kinkōzan Sōbei (1824–1884). The Kinkōzan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shōren'in, a temple closely tied to the imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkōzan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyō Satsuma...

Meiji Period Diminutive Satsuma Baluster Vase. This Japanese Satsuma vase from the late Meiji period is hand painted and gilt decorated with a Japanese landscape in exquisite detail...

Exquisite Japanese late-19th century Imari Meiji period (circa 1880) signed porcelain charger in iron-red, cobalt blue and green. It showcases three panels with floral pattern on a dramatic gold background with shishi lions strolling. The panels are set against a stunning cobalt blue background adorned with generous gold details. The three small circles around the rim showcase plum blossom, pine and bamboo patterns, together they create a stunning auspicious “sho-Chiku-bai”. This stunning contrast creates a beautiful scene that invite the viewer to get closer to explore the details. The reverse side is decorated with underglaze cobalt blue hand-painting with the artist signature at the center.  The late father of the collector of this exquisite pair, who operated one of the leading kilns in the historic Imari-Arita region of Japan, travelled extensively to Europe in the early 1960s with a mission that he led, to purchase and bring back to Japan antique ceramics...

Japanese Meiji period satsuma scalloped shaped bowl. The bowl of beautiful form with gilt pin-striping and dotting to the accented areas. The exterior decorated with multiple fish swimming around the outside with small flower sprays between. To the inside a painted netting covers the bowl with butterflies and further floral sprays. The centre decorated with representations of each of the woodcut prints from Hiroshige's Tokaido gojusan tsugi (53 Stations of the Tokaido Road). To the base a stylised cartouche signature within an oval for Suizan.  This Japanese satsuma bowl...

A gorgeous 19th-Century Japanese Meiji Period Imari porcelain charger with a hand painted floral design in the traditional Imari colors. This fine large plate has lovely scalloped ed...

A Japanese Meiji period blue and white porcelain planter from the 19th century, with landscape scenes. Created in Japan during the Meiji period, this circular planter features a blue and white decor depicting exquisite landscape scenes with architectures surrounded...

Very fine quality Japanese Meiji period Satsuma tripod censer with a foo dog finial. wonderful painting quality.

Exquisite Meiji period Japanese Kutani sculpture of a sleeping cat in fine porcelain, inspired by the small wooden sculpture at the entrance of...

This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...

This massive Japanese Arita plate was made in Hizen, circa 1890-1910s, at the end of Meiji period by a potter named Takeshige Yoshisuke who was active in A...

Nice quality hand painted Satsuma plates. Also marked at base. Condition / Overall condition: Perfect. Size 184 x 30 mm approx. Period 19th century Meiji Periode (1867-1912).  

Exquisite late 19th century Japanese Fukagawa porcelain charger, circa 1890s, Meiji period (1868-1912).It depicts rocks and auspicious chry...