Satsuma ceramic plate adorned with polychrome and gold decorations

Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies...

Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorne...

Satsuma bowl decorated with a striking landscape that evokes the beauty and serenity of the Japanese hills, with a gently flowing river surrounded by trees and mountains. The bowl i...

Satsuma ceramic lobed bowl adorned with raised enamels and fine gold details, depicting a vibrant landscape within. Characters and traditional Japanese home...

Satsuma vase, with slender neck and terminal part adorned in pure gold decorated with a garden of chrysanthemums, made with enamel and gold in relief. Different varieties of chrysan...

Drop-shaped bronze vase, with peonies in relief, decorated to simulate a delicate and light fabric that ends with a bow near the top of the neck. Using mixed metals to create visual...

A pair of Satsuma ceramic plates made by Kinkozan studio circa 1880-1900s during the late Meiji Period. Each dish features miniature enamel decoration o...

A satsuma ceramic dish made by Kinkozan studio circa 1980-1900s in the late Meiji Period. The dish with a thick robust wall is supported by a large ring base and features finely deta...

A large Japanese ceramic vase from end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is of a moon jar shape and finely decorated with kinran-de (gold paint) on a cream white background with even fine crackles. What sets this particular vase apart from many lower quality and mass-produced pieces is the meticulously renditioned surface decoration. Lavishly gilded with a continuous design, the carefully composed imagery depicts an elaborately decorated float cart in a festival parade. A group of people are seated within the float with a woman and a child standing in the front. Surrounding the float are streams of marchers dressed...

A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...

Vintage hand painted and handcrafted ceramic wall decorative plate with polychrome deer scene. It has a beautifully hand painted scene with deers enjoying the outdoors , surrounded by flowers in blue and white, turquoise, light and dark green foliage. An Islamic ceramic...

Description: Lovely Chinese Porcelain Famille rose charger with nice green enamels. We think it could be a pre Bencharong / Pre Nyonya plate/charger. We call this style Pre Bencharong because it has many features of later bencharong / south east Asian wares, but it is older. Often these plates are dated to Qianlong period 18th century. They are also in several books. The interesting thing is you can already see the thick enamel used on Bencharong wares and the vibrant colors that are so typical for straits porcelain...