Gilt Ceramics

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

I bought a very nice vase with white porcelain and blue dye. This is a sake bottle called Imari ware in Japan. Imari ware is a kiln with a long history that began in the 17th cen...

A Palace Size Japanese Meiji Period (1868-1912) Blue and White Vase with Phoenix Decoration. This vase is absolutely beautiful with an incredible array of hand-painted blue decoratio...

Beautiful Japanese Moriage vase, late 19th century-early 20th century. Free shipping within the United States and Canada.

3-674 Japanese artist made glazed ceramic vase.

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...

Very beautiful baluster-shaped ribbed vase in Japanese porcelain decorated with birds and flowers, in cobalt blue, iron red and white colors. Two sides of the vase are decorated with...

A Japanese Meiji period blue and white porcelain planter from the 19th century, with landscape scenes. Created in Japan during the Meiji period, this circular planter features a blue and white decor depicting exquisite landscape scenes with architectures surrounded...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

Tall and exceptionally made Kyo-ware porcelain jar (tsubo) with a naturalistically relief design of a coral-coloured net stretched around the body. On the shoulder hangs a beautifully draped red...