Japanese Cabinet, Japan Edo Period

Precious and rare small kazaridana lacquered on all sides with two drawers and three panels decorated with fish, landscapes and birds. The removable panel reveals a locker with a sma...

Exceptional suzuribako, the outside of the lid decorated with a bird of prey attached to its perch, the inside decorated with an old cherry tree in blossom behind faggots. The interi...

Rare Japanese Shibayama cabinet with multiple drawers and sliding panels. The two central leaves reveal a precious compartment with mult...

Important Arita porcelain dish, with polychrome decorations in blue reserves of different shapes, the coral background embellished with phoenixes and flowers. Japan, 18th century.

Arita porcelain dish with decoration of a shishi among peonies. Apocryphal Chenghua mark on reverse. Japan, 18th century

Important vase with gadrooned body in Arita porcelain with blue, coral and gold decoration of flowers in reserves on a background of lattices and foliage. Japan, 18th century.

A fine and unusually large Japanese table cabinet or jewelry chest with yosegi marquetry work and lacquer paneled doors, Meiji period, late 19th century, Japan. The oversized tab...

A spectacular Japanese lacquer and porcelain inlaid display cabinet on stand, kazaridana, Meiji Period, late 19th century, Japan. The sumptuous kazaridana of traditional display cabinet form, with several shelves and enclosed spaces for display and storage. The cabinet decorated all over in beautiful maki-e lacquer against a dense nashiji ground and inset with blue and white Arita porcelain plaques. The front of the cabinet of asymmetric design, with two open display shelves at staggered heights, and several doors enclosing storage areas of various shapes and sizes, including one hinged corner door, two pairs of sliding doors, and one pair of hinged doors opening to reveal a rounded inset corner shelf. A pair of drawers below complete the cabinet. All supported on a separate tall fitted stand. The corner door decorated with a bold scene of a samurai warrior fighting a demon. This most likely depicts the warrior Watanabe no Tsuna battling the demon Ibaraki-doji at Rashomon gate, in which Watanabe no Tsuna attempts to help a young girl return home, carrying her on his back, only for the girl to turn into a demon, which he then must fight. The top pair of sliding doors with a scene of a man playing the sho, a Japanese mouth organ, along the banks of a river with a waterfall in the background. The bottom pair of sliding doors with a waterfall scene on one side, while a scholar lounges with his attendants on the other. The pair of hinged doors finely decorated with a pair of fully armored samurai. The two drawers wonderfully decorated in the kodaiji style with a stream of rushing water and various plants and grasses. The cabinet is decorated in the round, with the top, sides, and base of the cabinet decorated with various scenes of flowers and birds, and inset with blue and white Arita porcelain plaques in the form of traditional fan. The fans painted...

A exquisite, fine quality Meiji period (1868-1912) Japanese black lacquer cabinet on stand with wonderful scrolling gilded decoration. H...

This refined object dates to the first half of the 19th century, and was probably used for obi, kimono sashes, which were hung over it. The gold decorations on the black-lacquered g...

A fine Japanese pictoral style lacquer cabinet with gilt-metal mounts Kyoto, Edo period, 1670-1690 Decorated in Japanese relief lacquer work, black lacquer ground decorated...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...