19th Century Burmese Red Lacquer Painted Hsun-Ok

A resplendent Burmese Mandalay period offering vessel, called a hsun-ok, early 20th century. The shape is reminiscent of a stupa, a Buddhist architectural monument honouring a sacre...

A finely decorated set of 3 red lacquer sake cups, sakazuki, featuring views of Mt. Fuji, Meiji period, circa 1900, Japan. The lacquer sake cups, called sakazuki, of traditional p...

A gorgeous Burmese carved and gold leafed teakwood stand and cover for a kammavaca manuscript, late 18th or early 19th century, Burma. The manuscript chest is heavily rococo influenced, speaking to the French presence in the region at the time. The carved teak stand is formed as a raised platform set upon four large scrolling acanthus leaf feet, with carved flour-de-lis to the apron. The cover for the stand is also carved from teak, and features a series of rectangular cartouches, each set with a red foil backed glass "gem", surrounded by shell inlay, and embellished with green and silver foil backed glass sequins. The top of the cover features the same design motif, with the addition of thayo lacquer design elements, and is strongly reminiscent of Tibetan manuscript...

A very fine Japanese maki-e lacquer decorated tabako bon, or smoking box, late Edo Period, mid-19th century, Japan. The elegant smoking box of black lacquer decorated with a wonderful gold lacquer takamaki-e design of a gnarled and elegantly twisted plum tree with branches in full bloom. A border of golden cranes in flight to the top. The smoking box, called a tabako bon, is comprised of an open section at the top with inset with two cylindrical metal canisters...

A Burmese gilt dry lacquer monumental head of the Buddha, Shan States, Myanmar (Burma), early 20th century. This monumental dry lacquer and gilt head ...

A spectacular Japanese lacquer and porcelain inlaid display cabinet on stand, kazaridana, Meiji Period, late 19th century, Japan. The sumptuous kazaridana of traditional display cabinet form, with several shelves and enclosed spaces for display and storage. The cabinet decorated all over in beautiful maki-e lacquer against a dense nashiji ground and inset with blue and white Arita porcelain plaques. The front of the cabinet of asymmetric design, with two open display shelves at staggered heights, and several doors enclosing storage areas of various shapes and sizes, including one hinged corner door, two pairs of sliding doors, and one pair of hinged doors opening to reveal a rounded inset corner shelf. A pair of drawers below complete the cabinet. All supported on a separate tall fitted stand. The corner door decorated with a bold scene of a samurai warrior fighting a demon. This most likely depicts the warrior Watanabe no Tsuna battling the demon Ibaraki-doji at Rashomon gate, in which Watanabe no Tsuna attempts to help a young girl return home, carrying her on his back, only for the girl to turn into a demon, which he then must fight. The top pair of sliding doors with a scene of a man playing the sho, a Japanese mouth organ, along the banks of a river with a waterfall in the background. The bottom pair of sliding doors with a waterfall scene on one side, while a scholar lounges with his attendants on the other. The pair of hinged doors finely decorated with a pair of fully armored samurai. The two drawers wonderfully decorated in the kodaiji style with a stream of rushing water and various plants and grasses. The cabinet is decorated in the round, with the top, sides, and base of the cabinet decorated with various scenes of flowers and birds, and inset with blue and white Arita porcelain plaques in the form of traditional fan. The fans painted...

This pair of Small Lacquered Offering Vessels are know in Myanmar as "Hsun Ok". These vessels were once used to carry food and offerings to and from the monast...

This pair of Lacquered Offering Vessels are know in Myanmar as "Hsun Ok". These vessels were once used to carry food and offerings to and from the monastery. T...

Burmese (Myanmar) lacquer ware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typically, bamboo and wood are used as a frame or base in making lacquer work. This covered offering vessel is called a “Hsun Ok...

Antique Large Burmese Hsun-ok, a ceremonial food offering box to present to a monastery, a covered cylindrical stupa box form decorated in Mandalay style with mirrored glass, raised ...

Late 19th-early 20th century lacquer standing offering dish, Burma Beautifully lacquered in gold and red pigments, such offering dishes were designed to serve meals for monks, hig...

Late 19th or early 20th century lacquer and bamboo offering vessel, Hsun Ok, Pagan, Burma A large offering vessel composed of four pieces, a base, a large food bowl with lid and the...