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Contemporary Japanese Urushi Lacquer Sculpture

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Old Round Plate with Japanese Lacquer / Meiji-Taisho / Urushi
Located in Sammu-shi, Chiba
A wooden vessel used from the Meiji era to the Taisho era. Probably a beech tree. It is made by hollowing out. It's very cool, isn't it? It is a lacquered tall foot round tray made ...
Category

Mid-20th Century Japanese Taisho Lacquer

Materials

Beech, Lacquer

Vintage Urushi Red & Gilt Lacquer Tray & Six Cups with Box - Japan - Mid 20th C.
Located in Chatham, ON
Vintage Urushi red lacquer tray with six stemmed cups - each cup gilt decorated with a different floral, leaf or bamboo specimen - the tray gilt decorated wit...
Category

Early 20th Century Japanese Anglo-Japanese Lacquer

Materials

Lacquer

Japanese Showa Period Dry Lacquer Sculpture of a Duck
Located in Hudson, NY
Showa Period (1926 - 1989) sculpture of a duck resting with its head tucked into its wings. Dry lacquer, or kanshitsu, is a process of layering and manipulating lacquer soaked cloth ...
Category

Early 20th Century Japanese Showa Lacquer

Materials

Lacquer

Rhino Contemporary Japanese Lacquer Art by Someya Satoshi
Located in Atlanta, GA
Japanese Lacquer Rhino Sculpture by Someya Satoshi (1983-). A hand-molded lacquer sculpture that depicts a fantasy beast "Rhino". The artist uses century-old traditional techniques and symbols but with an innovative contemporary energy that borders mysticism, shamanism and surrealism. Found objects were equally treated as part of the meticulous designs as the elaborate Maki-e and shell inlays. According to the press of Honolulu Museum of Art: "Someya Satoshi has been described as “one of the most significant contemporary lacquer artists working in Japan today.” (Japan Times, 12 Dec. 2013) His work combines objects of daily use, such as bathing buckets, serving trays, and soup bowls, with a wide array of natural materials, including animal bones, horns and antlers, sand, stones, leaves and branches. In the process, he implements a range of traditional lacquer methods passed down from pre-modern eras, such as the kanshitsu or “dry lacquer” technique, the origins of which date to Japan’s Nara period (710–784). After creating his forms, he embellishes them with designs inspired by calligraphy, traditional Japanese textile patterns, and even contemporary manga or comic books. His work defies ordinary definitions of lacquer art and successfully challenges the perceived limits of this extremely difficult and, in some ways, most conservative of traditional Japanese art forms". His work was exhibited in US such as Honolulu Museum of Art, Minneapolis Institute of Art, Morikami Museum etc. For a complete resume of the artist, see the artist's page in Imura Art Gallery. Reference: For a very similar Bull Sculpture see Hard Bodies Contemporary Japanese Lacquer...
Category

Early 2000s Japanese Japonisme Lacquer

Materials

Rope, Wood, Lacquer

Japanese Lacquer Box
Located in New Orleans, LA
This exquisite Meiji-period lacquer document box known as a ryoshibako showcases the meticulous artistry of maki-e, a technique of raised lacquer decoration. Adorned with gold and vi...
Category

Antique 19th Century Asian Meiji Lacquer

Materials

Gold

Japanese Lacquer Tray
Located in New Orleans, LA
Hailing from illustrious Meiji-period Japan, this lacquer tray showcases the mastery of Japanese craftsmen. Precious materials are precisely inlaid in the lacquer base, creating an a...
Category

Antique Late 19th Century Japanese Meiji Lacquer

Materials

Silver

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