Fine Japanese Lacquer Cranes and Pine Trees Ryoshibako - Paper Box

Black and gold lacquer sageju-bako (picnic box) decorated with floral motifs in hiramaki-e. It includes a sake bottle, a four-compartment box with nashi-ji lacquer inside, a simple tray and a hollow tray. At the top, there is a bronze handle for transport. The sageju-bako is divided into four superimposed boxes for food on the left; a simple tray, a sake bottle and a hollow tray on the right. They are in the shape of a plum blossom. On the top, on both sides a phoenix. The phoenix (hôo) has an imperial and solar symbolism. This auspicious bird also embodies virtues taken from the teachings of Confucius (such as goodness, righteousness and wisdom). The left boxes are patterned with turtles, plum tree, bamboo, cherry blossoms, water plantains near rivers. The two trays on the right have a shell and seaweed pattern. The sake bottle is decorated with a plum tree and bamboo. On the sides, calabash decoration. Borders in saya (or sayagata) pattern, composed of Chinese swastikas...

Kobako in nashiji lacquer of square shape with a hira maki-e décor of a blossoming cherry tree. Both of the four sides are adorned with golden lacquer cherry flowers, represented i...

Tebako box with three compartments in golden and nashi-ji lacquer, decorated with golden, red, and kirigane lacquer, golden persimmon tree leaves, among rocks. The compartments are of increasing size from the top. The decoration is in continuity. Persimmon has been cultivated in southern China for more than 2500 years and is believed to have been introduced to Japan in the 8th century. The veneer is a tree with very hard wood, similar to ebony. According to a legend, one specimen survived the atomic bombing of Nagasaki on August 9, 1945, close to the epicenter. It is therefore in Japan a symbol of strength and longevity. It is also the national fruit of the country. It is eaten as a traditional dish during New Year's Day celebrations. Tebako literally means "portable box...

Rectangular and flat lacquer Kobako (small box) representing a furoshiki knot seen from above. Fundame background, furoshiki in takamaki-e with floral pattern, inside the folds of the fabric with black and gold sayagata pattern with togidashi maki-e technique. The saya (or sayagata) pattern is composed of Chinese swastikas...

A large and magnificently decorated Japanese lacquer document box, ryoshibako, signed Umeboshi/Baikyo, late Edo or early Meiji Period, mid 19th century, Japan. The large document box, ryoshibako, of tall, rectangular shape with rounded corners, and fitted with an inrobuta (flush-fitting) cover with beveled edges. The exterior of this exquisite box is decorated all over with fifteen different raised reserves shaped as uchiwa (paddle) fans against a lush and intricate krikane ground imitating shagreen. The uchiwa shaped reserves all of takamaki-e, and exquisitely painted with designs of animals, flowers, and landscapes in silver, gold, maki-e, hiramaki-e, and takamaki-e, with kirikane, nashiji, and polychrome embellishments, upon gold lacquer fudame grounds. The interior of the lid is nothing short of spectacular, featuring a large design of a magnificent and beautifully detailed rooster and hen with chicks gathered around a lazy stream. Large stalks of chrysanthemum bloom behind them. All against an ethereal nashiji ground. The cover of the box features five reserves: 1. Three minogame (turtles with long tails), symbolizing longevity 2. "Narihira Crossing the Sumida" from The Tales of Ise...

A Japanese roiro lacquer scholar combo box with an upper tier of inkstone box (Suzuribako) and a lower document box (Ryoshibako) circa 1910-30s (end of Meiji to Showa period). The high glossy box was beautifully decorated with an image of the famously eccentric Buddhist monks Hanshan and Shide (known in Japan as Kanzan and Jittoku). Often as a pair, they have been a popular motif in Japanese Zen painting...

This exquisite Meiji-period lacquer document box known as a ryoshibako showcases the meticulous artistry of maki-e, a technique of raised lacquer decoration. Adorned with gold and vi...

Japanese Nashiji lacquer tray with crane and wave design, this exquisite tray is a masterful example of multiple lacquer techniques using gold (including maki-e and takamaki-e). This...