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Japanese Lacquer Sutra Box with Imperial Mon, Kyobako, Edo Period, 18th Century

$6,000List Price

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Japanese Lacquer Incense Box, Kogo, Momoyama or Edo Period, 16th/17th Century
Located in Austin, TX
A wonderful Japanese lacquer incense box, kogo, with a design of plovers in flight, late Momoyama or early Edo Period, circa 1600, Japan. The small box, called a kogo, was used to s...
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Antique Early 17th Century Japanese Edo Lacquer

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Japanese Lacquer Writing Box, Suzuribako, Edo Period, 18th Century, Japan
Located in Austin, TX
An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...
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Antique 18th Century Japanese Edo Lacquer

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Gold, Silver, Copper

Japanese Edo Period Igarashi School Long Lacquer Box, Tanzaku-Bako
Located in Austin, TX
A stunning Japanese Edo period lacquer tanzakubako, box for poem cards, late 18th-early 19th century, Edo Period, Japan. Attributed to the Igarashi School, this box is masterfully ...
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Antique Early 19th Century Japanese Edo Lacquer

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Mother-of-Pearl, Lacquer

Japanese Momoyama Period Black Lacquer and Mother of Pearl Box, 16th Century
Located in Austin, TX
A fine and unusual Japanese black lacquer and mother of pearl inlaid box, Momoyama Period, 16th century, Japan. The large box and cover featu...
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Antique 16th Century Japanese Edo Lacquer

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Lacquer, Abalone

Japanese Maki-e Lacquer Document Box, Edo Period, early 19th Century, Japan
Located in Austin, TX
A spectacular Japanese maki-e lacquer lidded box, possibly a writing box, suzuribako, decorated with images of folding fans, ogi, Edo Period, earl...
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Antique Early 19th Century Japanese Edo Lacquer

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Coral

Japanese Lacquer Smoking Box, Tabako Bon, Edo Period, 19th Century
Located in Austin, TX
A very fine Japanese maki-e lacquer decorated tabako bon, or smoking box, late Edo Period, mid-19th century, Japan. The elegant smoking box of black lacquer decorated with a wonderful gold lacquer takamaki-e design of a gnarled and elegantly twisted plum tree with branches in full bloom. A border of golden cranes in flight to the top. The smoking box, called a tabako bon, is comprised of an open section at the top with inset with two cylindrical metal canisters...
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Antique Mid-19th Century Japanese Edo Lacquer

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Lacquer

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Exquisite Japanese Lacquer Maki-e Hand Box Kobako Edo Period
Located in Atlanta, GA
An early Japanese lacquer Maki-e decorated kobako (small storage box) circa 18th century (Edo period). Based on its form and size, this kobako was possibly used as a Chabako to store the accoutrements for chado (tea ceremony). The lidded box is of rectangular form with bevel design on all edge that softens the appearance. The entire surface was densely covered with a background of nashiji. Elaborate Maki-e techniques were used on each side to showcase a distinct landscape or floral design within a cartouche panel. On the surface of the lid, a mountainous landscape rises from the edge of the water. The poetic composition is akin to a traditional ink scroll...
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Antique 18th Century Japanese Edo Lacquer

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Japanese Lacquer Maki-E Scroll Box Fubako by Kansonsai Edo Period
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A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...
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A Japanese ink stone box (known as Suzuribako) with exquisite maki-e decoration from Edo period (circa mid-18th century). The box features a rectang...
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Antique 18th Century Japanese Edo Lacquer

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Signed Mid 19th C. Edo/Meiji Period Miniature Lacquer Stacking Cabinet, Japan
Located in Oxfordshire, United Kingdom
The highly decorated tray in the form of a table frames a series of three stacking boxes, a further three lidded boxes and a tray concealed within, raised on ogee bracket feet. This...
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Antique 19th Century Japanese Meiji Lacquer

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Japanese Samurai Abumi Stirrups Lacquer Edo, 18th Century
Located in Dallas, TX
Japanese Samurai Abumi Stirrups lacquer Edo late 18th century, early 19th century. Measures: 12 inch length, 10 inch height, 5.5 inch width. AVANTIQUES is dedicated to providing an...
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Japanese Lacquer Box with Fine Maki-e Decoration Meiji Period
Located in Atlanta, GA
A lacquered wood box with lid from Japan circa 19th century Meiji Period. The finely decorated box was used to store paper slips and small documents on the desk. It is overall finished with black lacquer (kuro) with sparse Mura-Nashiji effect outside and on the top surface of the lid, there are three Komainu, (sometimes known as Shishi or Japanese lions) frolicking and forming a circle in lively motion. Komainu are auspicious animals in Japanese cultures in both Shinto and Buddhism tradition. Originally from China, these animals symbolizes guardians to ward off evil spirits. Hiramaki-e was used in combination with carving and combing to render the lions with various surface textures. A gilt border with an slight angle was given to the lid and even the thin band is decorated with miniature floral scrolls. The interior of the box was finished in a dense nashiji. Underneath the lid, a cluster of peonies open lavishly by two gentle mounts. Takamaki-e (high relief) in both gold and silver were...
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