Japanese Lacquer
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Period: 18th Century
Place of Origin: Japanese
Inro by Mochizuki Hanzan (1743-90?) Edo Period, 18th century
Located in Milano, IT
Mochizuki Hanzan (1743-90?)
Edo Period, 18th century
Decorated with inlaid colored ceramic with a stag and maple leaves
Height: 8.4 cm
Sealed Hanzan
Mochizuki Hanzan (1743-90?...
Category
18th Century Antique Japanese Lacquer
Materials
Wood
Antique Japanese Lacquer and Inlay Kang Table from Ryukyu Island
Located in Atlanta, GA
A small low table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent island cou...
Category
18th Century Edo Antique Japanese Lacquer
Materials
Mother-of-Pearl, Lacquer
Antique Japanese Lacquer and Inlay Table from Ryukyu Islands
Located in Atlanta, GA
A small square-form table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent is...
Category
18th Century Edo Antique Japanese Lacquer
Materials
Mother-of-Pearl, Lacquer
Suzuribako decorated with a bird of prey in maki-e, Japan Edo period
Located in Saverne, Grand Est
Exceptional suzuribako, the outside of the lid decorated with a bird of prey attached to its perch, the inside decorated with an old cherry tree in blossom behind faggots.
The interi...
Category
18th Century Edo Antique Japanese Lacquer
Materials
Wood
Japanese landscape pine kobako box Edo period 18th century
Located in PARIS, FR
Rectangular black and gold lacquer kobako box decorated with pine trees in a mountain landscape in takamaki-e, kirigane and hiramaki-e lacquer. Background in nashi-ji lacquer. Surmou...
Category
18th Century Antique Japanese Lacquer
Materials
Gold
Japanese golden kobako flowers Edo period 18th century
Located in PARIS, FR
Quadrangular kobako box decorated with flowers in gold and blue lacquer with aogai inlay. Lid and sides in fundame lacquer, underside and interio...
Category
18th Century Japonisme Antique Japanese Lacquer
Materials
Gold
A Japanese Lacquer Inro Depicting A Daikokuten With His Hammer
Located in Milano, IT
Japanese lacquer inro depicting a Daikokuten with his hammer watching children, next to a Matsu plant.
Excellent quality decoration with relief details, shine and original patina.
...
Category
Mid-18th Century Japonisme Antique Japanese Lacquer
Materials
Lacquer
Edo Maki-e Japanese Box
Located in Brescia, IT
Japanese box with lacquer lid finely decorated with Maki-e, dating from the 18th century, mid-Edo period.
The box is of special size to preserve important calligraphy.
All sides of ...
Category
Late 18th Century Edo Antique Japanese Lacquer
Materials
Gold Leaf
Japanese peony basket lacquered box Edo
Located in PARIS, FR
Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hirama...
Category
18th Century Edo Antique Japanese Lacquer
Materials
Gold
Antique Japanese Inro by Shigehide Edo Period
Located in Atlanta, GA
This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...
Category
Late 18th Century Japonisme Antique Japanese Lacquer
Materials
Wood, Lacquer
Japanese Lacquer Writing Box, Suzuribako, Edo Period, 18th Century, Japan
Located in Austin, TX
An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...
Category
18th Century Edo Antique Japanese Lacquer
Materials
Gold, Silver, Copper
Japan, Late 18th Century Gold Lacquer Inro by Kajikawa, Edo Period
Located in PARIS, FR
Late 18th century Inro by Kajikawa. Edo period
Beautiful inro in gold lacquer representing a continuous landscape on both sides.
The interior in Nashiji lacquer.
Some small traces...
Category
18th Century Antique Japanese Lacquer
Materials
Lacquer
Black and Gold Lacquer Suzuribako 'Writing Set'
Located in PARIS, FR
Black and gold lacquer suzuribako (writing set) in takamaki-e on a nashi-ji background representing two tigers near rocks, bamboos and plum blossoms in a night landscape. Inside of the lid with a lake landscape.
The interior of the suzuribako is composed with an inkstone, topped by a copper water bucket in the shape of a chrysanthemum on the left side, with a brush and a small knife. It includes in the right part a storage compartment.
Inscription under the inkstone "Inkstone made by Nakamura Chobe".
Although the tiger is not native to Japan, it has a high symbolic. The figure of courage was introduced by Buddhism from China. According to the Chinese tradition, the tiger is from one of the stars of the Great...
Category
Late 18th Century Antique Japanese Lacquer
Materials
Lacquer
Japanese Lacquer Maki-E Scroll Box Fubako by Kansonsai Edo Period
Located in Atlanta, GA
A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold.
Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...
Category
Late 18th Century Edo Antique Japanese Lacquer
Materials
Wood, Lacquer
Pair of Fine Japanese Export Lacquer Cutlery Knife Boxes, 18th Century
Located in Amsterdam, NL
A pair of fine Japanese export lacquered cutlery boxes
Kyoto or Nagasaki, late 18th century
H. 33.5 x W. 24 x D. 21 cm
The bow-fronted boxes with sloping lids flat at the top are made of hinoki wood (Cypress), coated with Japanese paper and decorated in lacquer with scattered gold birds and flowers on a nashiji background. The Japanese mounts are made of copper and both boxes still have internal partitions to keep the cutlery upright.
The form of these boxes is similar to a pictorial-style knife box in the collection of the Groninger Museum (inv. 1989- 347), dated between 1730 and 1780, but the style of the decoration is more like that on a knife box in the Peabody Essex Museum in Salem (inv. E62271), which was brought to Salem by James Devereux, Captain of the Franklin, in 1799.
Provenance:
Henriette Jeane Christine van Neukirchen, called Nyvenheim (1807- 1849) and Nicolaas Johan Steengracht van Oostcapelle (1806-1866), thence by descent to the last owners, Ludolphine Emilie baronesse Schimmelpenninck van der Oye (1944) married in 1969 to Roland Daniel van Haersma Buma (1944), the last residents of castle Duivenvoorden near Voorschoten and the great-great-granddaughter of Nicolaas Johan Steengracht van Oostcapelle.
There is no evidence that Nicolaas Johan himself, or any of his or his wife’s ancestors had ever been in Japan. However, Nicolaas’ grandfather (Nicolaas Steengracht, 1754-1840) was a director of both the VOC and WIC (West Indies Company...
Category
Late 18th Century Antique Japanese Lacquer
Materials
Silver
Lacquer Potpourri
Located in Stamford, CT
Lacquer Potpourri box and cover with ormolu mountings from 18th century Directoire Japan/ France.
Category
18th Century Antique Japanese Lacquer
Materials
Lacquer
Japanese, Black Lacquer, Chrysanthemum Shaped Incense Burner 'Koro'
Located in Hudson, NY
With chrysanthemum motif and a gilded bronze lid. Includes unsigned collector's box. Interior measurements: 7 1/2" opening, 5 1/4" deep.
Category
Late 18th Century Antique Japanese Lacquer
Materials
Lacquer
Japanese, Black Lacquer, Chrysanthemum Shaped Incense Burner 'Koro'
Located in Hudson, NY
with chrysanthemum motif and a gilded bronze lid. Includes unsigned collector's box. interior measurements: 7 1/2" opening, 5 1/4" deep.
Category
Late 18th Century Antique Japanese Lacquer
Materials
Lacquer
Antique Japanese Lacquer and Inlay Box from Ryukyu Island
Located in Atlanta, GA
A lacquer presentation box with mother-of-pearl inlays from Japanese Ryukyu Islands circa 17-18th century. The lidded box in rectangular form with rounded corner is a classic example...
Category
18th Century Japonisme Antique Japanese Lacquer
Materials
Mother-of-Pearl, Lacquer
Rare Japanese Sumi-E Lacquer Inro Yamada Jokasai Edo Period
Located in Atlanta, GA
A three-case lacquered Inro by Yamada Family circa 18th-19th century Edo period. The inro with slight rounded form is of Kano style and vividly depicts a dragon slithering among the ink clouds on a gold background. Sumi-e togidashi (ink togidashi) technique, in combination with Hiramaki-e, were employed to create the dreamy ambience of this piece. The dragon has a painterly appearance inspired by Chinese ink painting that was often seen on the Japanese folding screens. The back of the Inro was sparsely decorated with the shifting patterns of the darkening clouds with an emphasis on the space intentionally left empty. Jokasai was signed to the base. On the front of the inro there is another miniature signature Hakugyoku Hogen, which is one of names used by Kano Michinobu (1730-1790). The dragon is evidently one of his designs (see reference below).
Established by a member of Yamada family in the 17th century, the clan was one of the most prominent lacquer artisanal family for the next 200 years until the end of Edo period in the 19th century. Most members signed their work simply with Jokasai making the identification of the individual artists somewhat impossible. The current Inro on offer, compared to many other pieces by Jokasai, has an uncommon Kano style done in Sumi-e togidashi.
Another unusual feature of this piece is that the interiors of the inro was decorated with an interesting gold mosaic inlays (kirigane) on a dark lacquer background, giving it a jewel like quality.
For another Inro by Jokasai of a similar style using Sumi-e togidashi but depicts a tiger, see Wrangham collection, no.353, which was offered for sale as lot 256 in Bonham's London Auction: The Edward Wrangham Collection of Japanese Art Part I. 9 Nov 2010.
For an ink scroll...
Category
18th Century Japonisme Antique Japanese Lacquer
Materials
Wood, Lacquer
Extremely Japanese Rare Lacquer Plaque Depicting Russian St. Petersburg
Located in Amsterdam, NL
An important Japanese lacquer Maki-É Panel Depicting St. Petersburg on the River Neva, with the winter palace on the left and the academy of science on the right, 18th century.
Nagasaki, 1780-1800
In black lacquer on copper, the front decorated in maki-é, the back inscribed, Vue Perspective des Bords de la Neva en descendant la Rivière entre le Palais d'hyver de sa Majesté Impériale et les batiments de l'Académie des Sciences à St Petersburg in gold and inlaid with flowers in mother of pearl.
Measures: H 23 x W 39 cm
The present plaque is identical to one in the Museum of Japanese History in Sakura and another one in the Museum of Peter the Great in St. Petersburg. (see: Oliver Impey & Christiaan Jörg, Japanese Export Lacquer, 1580-1850, p. 52-53)
This last one was given to Catherine the Great in 1794 by the Swedish medical doctor Johan Arnold Stutzer who had served with the VOC in Deshima in 1787-1788. Apparently, such plaques were not unique and may have been made in several copies. This was certainly the case with the smaller lacquer oval portrait medallions (see for instance Uit Verre Streken, June 2017, no. 62)
The scene of St. Petersburg was copied from an optical print taken by Stutzer to Japan, as shown by Yasumasa Oka of the Kobe City Museum. Stutzer in his diary writes: “I am the first to bring them (i.e. the Japanese) original pictures such as a view of St Petersburg and of Rudolf XV on horseback and try to have them made (in lacquer). According to the Japanese, it is the first time that these two pictures will be copied. Other products that I also ordered, for example, pictures of sea battles, are also appreciated as absolute masterpieces”.
For two lacquered plaques depicting the sea battle of Dogger Bank in 1781 between the Dutch and the English navies, see Uit Verre Streken, December 2013, nr. 39 and March 2015, nr 56. Johan Strutzer at the same time also presented six beautiful Japanese glass telescopes to Catherine the Great of Russia, like the two Japanese glass telescopes illustrated in Uit Verre Streken, March 2015, item 59 and 60 and the one in the Kobe City Museum (illustrated in: Japan Envisions the West, 16th-19th Century Japanese Art...
Category
Late 18th Century Antique Japanese Lacquer
Materials
Copper
18th Century Japanese Altar Table
Located in New York, NY
This lacquered 18th century Edo period altar table was probably made for the private shrine of an aristocratic home. There, it would have been placed before an image of a deity, and ...
Category
Early 18th Century Edo Antique Japanese Lacquer
Materials
Brass
Japanese Samurai Abumi Stirrups Lacquer Edo, 18th Century
Located in Dallas, TX
Japanese Samurai Abumi Stirrups lacquer Edo late 18th century, early 19th century.
Measures: 12 inch length, 10 inch height, 5.5 inch width.
AVANTIQUES is dedicated to providing an...
Category
Late 18th Century Edo Antique Japanese Lacquer
Materials
Iron
18th Century Japanese Lacquer Writing Box and Tray Set
Located in Hudson, NY
Wheels Submerged in flowing water motif, believed to be a subject popular in samurai families. Example of the same subject matter in Tokyo National Museum.
Category
18th Century Antique Japanese Lacquer
18th Century Makie Paper Storage Lacquered Box
Located in Fukuoka, JP
Makie Paper Lacquered Storage Box Depicting Cranes.
This early paper lacquered storage box is a stunning example of Japanese craftsmanship. It is dated to the Edo period, 18th-19th ...
Category
18th Century Edo Antique Japanese Lacquer
Materials
Wood, Lacquer
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