Signed Japanese Inro with a Signed Round Lacquer Netsuke

A wooden vessel used from the Meiji era to the Taisho era. Probably a beech tree. It is made by hollowing out. It's very cool, isn't it? It is a lacquered tall foot round tray made ...

Removable bronze top, with gold drip pattern at top. Cresting ocean waves on bottom with raised silver sea spray.

The Inro is comprised of three stacked compartments and features a deer motif with mother of pearl accents, an ojime and a wooden frog netsuke. Inros were used to store items like m...

A fan shape black lacquer tray from Japan circa 1910-30s, late Meiji to early Showa era. Elaborated decorated with a bundle of yomogi blossom in a very fine Maki-e technique using both gold and silver powders. There is a Japanese symbol on the top left, which represents yomogiu, stemming from yomogi (蓬), a wild plant that belongs to the chrysanthemum family and widely grown in Japan. This name yomogui is from a scene in the Tale of Genji...

Beautifull Inro of three compartments made in kinji lacquer with an hiro maki-e ornament chrysanthemum flowers of gold and silver lacquer. Inside is in fundame lacquer. Signed by J...

With chrysanthemum motif and a gilded bronze lid. Includes unsigned collector's box. Interior measurements: 7 1/2" opening, 5 1/4" deep.

This is a wooden stand made from the Edo period to the Meiji period. Originally, it was a stand for installing a Buddha statue, but it seems that only this stand remained after the ...

A Japanese Taisho period circular red lacquered hibachi from the early 20th century, with metal liner and lateral handles. Used for cooking or w...

A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner. Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece. Provenance: This inro was purchased as lot 349 in Christie's New York sale Japanese...

A fine Japanese export black and gold lacquered pictorial-style dish Nagasaki or Kyoto, 1680-1720 The dish with wide flat rim of Keaki wood (Zelkova species) in black lacquer with...