Metalwork

Japanese Meiji period fine pair of scroll weights decorated with shakudo and silver samurai figures. The weights fill solid and heavy. One of the weights has Japanese writing ( see i...

Chinese export repousse beaker, circ 1890. Wieght 3.3 oz., 4 3/8" tall

A Meiji bronze vase by Nobuhira, of baluster shape with a spirally twisted neck, the body decorated with four high relief crabs and several partially...

Group of fourteen Japanese Meiji period gilt metal plaques Japanese, Late 19th Century Height 2cm, width 2cm These beautiful Japanese Meiji period plaque...

From the 1890s until his death in 1914, John Bradstreet, the important American Arts and Crafts furniture and interior designer, worked from The Crafts House, his landscaped orientalist compound in Downtown Minneapolis. There, he also received his clients, and dealt in Asian art acquired on frequent trips to the Far East. He used similar bronze Japanese lotuses...

An archaic bronze vessel in flattened flask form with ring handles and mottled red and green patination.

This vintage cast iron mortar from China's Shanxi province is patterned in low relief with a simple floral design. Originally used in a traditional ap...

Chinese Export silver repousse sauce boat with dragon handles. Marked for Luen Wo.. Very fine decoration. 7 1/4" long, 4 " tall, 3 1/2", 7 oz weight.

This vintage cast iron mortar and pestle from is from China's Shanxi province and is patterned in low relief with floral motifs. It...

Set of three Japanese bronze vases Measures: high 27 cm diameter 9 cm high 27 cm diameter 7 cm high 21 cm diameter 7 cm.  

Fragment of Bronze Head of Buddha Thailand 16th Century

Nice pair of Bronze Bracelets,Southeast Asia 11-13th Century

Very antique and rare almoner trays from Samarkanda or Bokara - Ghaznevide Dinasty from 11th-12th century A.D. Interesting for Your desk! From private collection - O/1655.

Chinese Export silver tankard with detailed repousse dragons and dragon handle. The tankard is 5 3/4" tall, 3 1/4' in diameter, 4 1/8" at the handle....

The bow tie chair is a perfect example of Zhoujie’s philosophy of actionless. Like a force of an airplane, polymerizing inward and flowing with natural ...

Beautiful necklace of cultured pearls, extra quality (Akoya Japan) and amethysts. 11 mm diameter Secure clasp and 18k golden silver hinges. Long: 50 cm.  

Beautiful necklace of cultured pearls, extra quality (Akoya Japan) and amethysts. Measure: 11 mm diameter Secure clasp and 18k golden silver hinges. Long: 50 cm.  

A pair of Meiji period solid silver bowls by Eigyoku, each of lobed oval form on four scroll feet, deeply embossed with continuous chrysanthemum hea...

This exquisite cloisonné set, meticulously crafted, is a testament to the timeless artistry of this ancient technique. Each piece, adorned with intricate...

In the shape of kaede leaves. Used on top of a large festival cart carried through the streets.

Chinese silver censer, circa 1910. Drum-form agate body set in silver gilt mounts with scrollwork and lunettes. Leaf-capped side bracket handles. Upward tapering support and stepped ...

A most unusual silver and gold leaf cloisonné vase by Sukiku, 1981, the ovoid body decorated in abstract designs with wispy silver shapes and moriage gold leaf scattered over a mottl...

A Showa period lacquered metal vase, decorated with one silvered and one gilt carp on a planished ground, signed. Japanese, c1930.

A Chinese paktong basin, engraved with scenes of many children at play and before pagodas, within borders of shou characters, bats and flowerheads, the flattened rim with vases of flowers and lingzhi, swords, lotus pods...

Exceptional set of 3 Bronze Recipients with decorations and beautiful green patina, called Thap Dong Song period, 2000-1000 BC South East Asia, Vietnam. Measures: Height 22 cm, di...

Exceptional Set Of 9 Pectoral Ornaments South East Asia,Cambodia,11-13th Century broze material with great oxidation patina stands with different heights 21/22/23/23/25/27/27/27/30 c...

Of typical form with a shibuichi ground worked in shakudo, silver and gold with a central continuous frieze showing a 3-toed dragon amongst roiling clouds and spume-flecked waves, the shoulders with fields of shakudo bosses between triple vertical lines, the knop formed by paired dragons...

Brass tray with paisley design.

This Chinese Vintage Bronze Kneeling Down Buddha Candle Holder Statue is rare and special. Unlike traditional Buddha sculptures that depict the figure seated in meditation, this par...

Old collection of this Vintage Bronze Two Sided Sitting Man on Lotus Stand, unique style and exquisitely carved, it is a truly unique and special collectib...

This Vintage Bronze Man Burner from China is a truly unique and special collectible piece. Burner Details: Material: bronze 30 cm high 16 cm wide and 10 cm deep Originating from C...

Beautiful necklace of cultured pearls, extra quality (Akoya Japan) and amethysts. 11 mm diameter Secure clasp and 18k golden silver hinges. Long: 50 cm.  

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...