Japanese Silver Cloisonné Vase by Ando Jubei Meiji Period

A beautifully decorated cloisonné vase with silver rims by Ando Jubei (1876-1956), the celebrated Japanese Shippo studio. The piece is dated to late Meiji to early Showa period circa...

Japanese cloisonné enamels are known as shippo-yaki and the mid-19th century saw the production of very high quality wares in the early centers Nagoya. One of the most renowned works...

A Japanese cloisonne vase by Ando Company circa 1910-30s, end of Meiji to Tasho period. The vase takes an archaic Chinese bronze vessel form know...

A Japanese cloisonne vase in bottle-form made by Ando Jubei (1876-1963) circa 1910-20s (late Meiji to Taisho period). The vase features a completely smooth surface without showing an...

An exquisite Japanese sterling silver ornamental bonbon dish, circa 1890-1900. The piece was rendered in the shape of a stemmed branch of chrysanthemum blossom and was made for export market. Both botanically realistic and stylish, the piece showcases a high degree of artisanal sensitivity and technical ability of the silversmith who created this lovely piece. The petals that form the exteriors were outlined with deep and fluid relief lines of sculptural quality. The branches and leaves were rendered with attentions to the smallest details, with molding and surface texturizing using chasing in contrast with hammering. The interior of the dish is equipped with a conforming inner dish and when it is taken out, revealing the chased lines. The piece, although practical, is basically an okimono in sculptural form, a work of art on its own. It weighs about 22 ounces. Under the dish, it is marked "Pure Silver" in Kanji and SM in a rectangular cartouche. The research (carried out by Adrien Von Ferscht, an expert and author on Asian Export Silver) identified it to be Sadajiro Musashiya...

This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base. Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792. A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...

Behold the remarkable beauty of a rare Ando Jubei wireless cloisonné vase. This masterpiece, adorned in a extraordinary canary yellow enamel, p...

A masterpiece of Ando Jubei wireless cloisonné vase. In his signature green enamel, portraying an intricate arabesque design of a blooming clem...

A very rare offering of pair of beautiful Ando Jubei (1876-1956) Rose vases in excellent condition. In classic form with elegant raised shoulders, the master artist employed superb w...

Japanese cloisonne enamel vase. The vase of globular form with tightly pinched neck and splayed opening decorated with a fine red ground enamel worked with wire and musen-shippo (wireless technique) with a central white rose with yellow tips surrounded by red leaves. The base signed to the centre with the Ando company mark and silver Jungin mark to the rim tashio-showa period. Notes Ando Cloisonné...

Japanese cloisonne enamel vase of large globular form, boldly decorated with a pastel green glaze surrounding florets of stylised peony flowers Tashio-early Showa period. The base signed to the centre with the Ando company mark and Jungin silver mark to the rim. Notes Ando Cloisonné...

Japanese cloisonne enamel Chrysanthemum vase Tashio-early Showa period. The vase of bulbous form boldly decorated with a vivid green base enamel and...