Old Chinese Copper Bell / Around the Qing Dynasty 1800s/ Buddha Statue Bell

This wooden statue is a relic from Japan's Edo period, and within it lies a deep history that transcends time. Originally, it was part of a more intricate statue, likely adorned with...

This wooden Buddhist statue was made in the late to late Edo period. It is thought to be a statue of Kannon Bodhisattva. It was originally placed in a shrine and was painted, but the...

This is thought to be part of the decoration of a gilt-bronze Buddha made in ancient China, from the late Ming to the Qing dynasties. It is thought that it is probably an ornament t...

This is an introduction to a slightly unusual item. This is a wooden sword possessed by the Buddha statue. Only the sword remained. Gods such as Fudo Myo, who reign as Buddhist guardians...

Chinese Qing Dynasty Bronze Statue of Seated Happy Maitreya Buddha. A Chinese bronze statue from the late 18th century Qing Dynasty period is ca...

A finely carved Bamboo representing a sage Chinese Qing Dynasty, 19th century Good condition as shown in the photos Height 25.5 cm Beautiful aged patina

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A fine antique Chinese Qing Dynasty (1644-1911) cloisonne shallow bowl, circa 1880. The bowl is finely decorated with gold spiral cloisons on a black enamel ground, to the center is ...