Early 17th Century Porcelain Apothecary's Blue & White Bottle Jar

A finely decorated late 19th century Kutani porcelain vase, of bottle form. Meiji Period (1868-1912). Condition: Rim chip restored.

A set of three Chinese Export style porcelain leaf dishes, decorated with red, blue, green and gold glazes upon a white ground, each depicting the Great Seal of the United States: A ...

An early 20th century white porcelain sleeve vase, the trumpet neck above a baluster body. Now wired as a table lamp. Dimensions refer to height of vase and base only. Wired an...

An early twentieth century blue and white glazed Delft pottery vase, of hexagonal baluster form and decorated throughout with chinoiseries. Now mounted as a lamp on a water gilded ba...

This special antique stone Vishnu statue, originating from Nepal and believed to date back to the 17th century or earlier, is a remarkable piece of sacre...

Qing Dynasty pair of antique 18th century Chinese blue and white porcelain jars and covers ,the lids with lions form fini...

Sharing this lovely and unusual Chinese porcelain incense burner from the late Ming period, Tianqi period most probably. Jingdezhen made for ...

Unearth the ancient whispers of India’s sacred architecture with this Antique stone temple fragment, a 17th-century relic (or possibly older) that carries the spiritual essence and artistry of a bygone era. Carved from natural stone, this enigmatic fragment measures 27.9 cm high, 7.5 cm wide, and 23.2 cm deep, its weathered surfaces etched with traces of intricate motifs—perhaps floral patterns, divine figures, or celestial symbols—that once adorned a grand Hindu or Jain temple. Originating from India, where temple construction flourished under dynastic patronage, this piece reflects the mastery of stonemasons who transformed rugged stone into narratives of devotion, likely part of a pillar, frieze, or sanctum wall. Weighing 2.1 kgs, its compact yet evocative form bears the patina of centuries, with softened edges and mineral deposits that testify to exposure to the elements and ritual use. The fragment’s abstract geometry and symbolic carvings hint at its original context, whether depicting deities like Shiva, Vishnu, or Tirthankaras, or cosmic themes central to Indian spirituality. Created during a period of architectural splendor under empires like the Mughals or regional kingdoms, it bridges the tangible and the divine, offering a tactile link to India’s temple...