E.W. Godwin. An Anglo-Japanese Ebonised Dinner Gong.

Anglo Japanese ebonised purdonium. Attributed to E. W. Godwin. Probably made by William Watt. The square sectioned gallery top and moulded shelf supported on fine angle brackets and ...

Edward William Godwin made by William Watt, with applied enamel label. An Important Anglo-Japanese ebonised display cabinet with an upper and...

Edward William Godwin (attributed), an Anglo-Japanese walnut side chair, circa 1875, probably by William Watt. With a lattice back, a later overstuffed gi...

Edward William Godwin (attributed), a walnut four-fold screen, bevel glazed, with woven silk and velvet panels. This incorporates many design details of Godwin's Anglo-Japanese works...

E W Godwin, attributed, probably made by Collinson & Lock. A rare and exceptional Anglo Japanese mahogany side table with semi-circular legs. The sem...

E.W. Godwin style of. An Anglo-Japanese ebonized side chair with new laid rush.

A fan shape black lacquer tray from Japan circa 1910-30s, late Meiji to early Showa era. Elaborated decorated with a bundle of yomogi blossom in a very fine Maki-e technique using both gold and silver powders. There is a Japanese symbol on the top left, which represents yomogiu, stemming from yomogi (蓬), a wild plant that belongs to the chrysanthemum family and widely grown in Japan. This name yomogui is from a scene in the Tale of Genji...

A superb quality Aesthetic Movement Anglo-Japanese dinner gong in the manner of Edward William Godwin, Circa 1880 in date. This fabulous gong is...

An extremely well detailed wood carving of Ebisu, as a fisherman. Beautiful and well detailed sculpture, created in Japan during the Meiji dynastic period (1868-1912) back in the 1890's. This piece represent the god of good fortune Ebisu. Was exceptionally carved and executed from one solid single piece of rose wood, showing a gorgeous face expression, with intricate details in the hands and feets, he's carrying as usual a rod and a fish. Ebisu (yebisu), ???, god of fortune, the ocean and fisherman. In the japanese mythology is one of the seven gods of luck, sichi-fuku-jin, the patron of the fisherman and tradesmen. he is depicted as a bearded, smiling fisherman with formal long court ropes, often carrying a rod in one hand and a tai, symbolic fish of the good luck, in the other. The height is 14.25 inches (36.20 cm) and the base measurements is 6.5 by 6.45 inches (16.5 x 16.38 cm). Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign...

Burmese spinning temple gong (Kyizi) from Mandalay, Burma, early 20th century. Made of cast bronze in the shape of a temple pagoda with fine green patina.

Anglo Raj antique, early 20th century brass Indian temple oil lamp. Whale oil lamp with 4 wick burners. Fantastic patina and great scale. Used fo...

Fine antique Anglo-Indian hand carved wooden jewelry box inlaid. Nice Indian Mughal pen box handcrafted in very fine Sadeli micro mosaic...