China Fine Pair of Gold & Silver Buddha Hair Pins kanzashi, Qing Dynasty

Japan, an elegant and fine seated Amidha Nyorai Buddha with fingers clasped in a pensive "Dhyani" Mudra pose, a superb work of art cast in bronze. It dates to the 19th century Meiji...

A Chinese huge antique bronze "4-clawed" dragon- fine quality, late Qing dynasty, 1900 Quality: finely cast details head, flame, eyes, tail, scales, and four (4) claws, and scales....

Rare find Impressive wall display of two (2) Chinese dream stone "Landscape Paintings" with original period frames these wonderful round natura...

Chinese "Wavy" Mountains Stone Landscape Screen With Original Black wood Display Stand Signed lower right. Impressive work of art with original wooden display stand. Dimensions: ...

Our 34 inch tall Chinese Caishen's name is often invoked during Chinese New Year celebrations! This is a large and unusual antique hand carved limestone Wealth God Caishen- coming from an old New England collection Hand Made and Hand Carved Measurements: 34 inches high and 15 inches wide, Period: late Qing dynasty, late 19th-early 20th century. This god grasps a silver sycee (an ancient form of silver wealth). Provenance: Coming from an old New England collection and originally acquired from a Shanghai private collection decades ago. History of China's Wealth God Caishen: Caishen's name is often invoked during the Chinese New Year celebrations! Caishen (simplified Chinese: 财神; traditional Chinese: 財神; literally: "God of Wealth") is the Chinese god...

China antique monumental Wooden Pagoda, total height is 70 inches, hand carved and hand painted wood, seven hexagonal sections plus finial, late Qin...

Chinese Qing Dynasty Bronze Statue of Seated Happy Maitreya Buddha. A Chinese bronze statue from the late 18th century Qing Dynasty period is ca...

Qing Dynasty Chinese Ancestor painting. Antique Chinese Ancestor paintings are sought after for their warm colors and traditional pa...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

Antique pair of Qing dynasty ancestor portraits depicting a male and a female. Hand painted on silk and framed under glass within a large te...

Antique pair of Chinese 18th century Qing dynasty openwork wood carving Gilded screen work wall hanging architectural elements. This pair of Chinese pan...

A large and graceful carved nephrite jade conjoined double vase in the form of a pair of Buddha's hands fruit (finger citron), late Qing Dynasty, circa 1900, China. The large and heavy vase carved from a single piece of celadon nephrite jade, with areas of lighter brown "sugar" skin. The vase ingeniously carved as a pair of Buddha's hand fruit, also known as finger citron, rising from a gnarled, leafy branch. The smaller Buddha's hand with a pair of bats. The Buddha's hands fruit with elegant and naturalistic curved "fingers". The "fingers wonderfully shaped and reticulated. The body of the fruit with simple stippling, in imitation of the textured surface of the real fruit. The interior of each fruit well hollowed and able to hold water. Buddha's hands fruit are auspicious in Chinese culture. Their name in Chinese "Fo Shou" is a homophone for "Happiness and Longevity. They are often placed as offerings on Buddhist altars...