Lovely Nihonga Scene Meiji/Edo Period Scroll Japan Artist Flowers and Snow

It is a work drawn by Furuichi Kintomi as you can see. In addition to the fantastic depth of willow under the moon, the Egret that shines in the night view is a truly delicious pie...

It is a work drawn by Yusen Okajima known as a Japanese painter of the Shijo school as you can see. It is a waterfall map that makes you feel momentum from the top to the bottom, a...

Lovely Nihonga scene Meiji/Taisho period scroll Japan artist painting. Painting size: (Width x height) mm 525 x 1499.

Early summer rice planting and poultry drawing drawn by Keibun Matsumura As you can see, there are two folding screens. It is an interesting work that shows the bird's figure flyin...

Also known as Suzuki Kason (????) primary name: Suzuki Kason Details individual; painter/draughtsman; Japanese; Male Life dates 1860-1919 Biography Painter. Suzu...

Reika Yoshikawa (Reika Yoshikawa, Meiji eight years (1875) May 4 days-Showa 4 years (1929) March 25), the Meiji Taisho era Japan painter. His real name is Hitoshi, commonly known as Saburo. Yamato-e basic widely while the oriental of classical learning in art, line drawing, especially in Seiga paintings representation by taking advantage of beautiful thin line, such as flow, "draw" from "null" to the center of gravity is going modern...

This is a wonderful example of a Meiji Period screen painting of Japanese Tanuki or racoon dogs in a landscape. The Tanuki is considered to be a mythical creature Japanese culture. T...

This is a picture of a cat drawn by a person named "Toshizumi Nitta" from the end of the Edo period to the beginning of the Meiji period. She is a very simple and cute cat. He is a vassal of the Tokugawa Shogunate, born in Ota City, Gunma Prefecture (southern part of Gunma Prefecture). He was related to the Tokugawa family and lived in a large mansion in the Ota clan in Gunma prefecture. However, the Nitta family's territory was very small, and they were by no means a wealthy vassal. He seems to have lived quite poorly. So he painted cats and sold them to people. The Nitta family continued to draw pictures of this cat for four generations. "Nitta toshizumi" is equivalent to the fourth generation. During the Edo period, sericulture was thriving in the Kanto region. Cats were said to be the gods of silkworms, as they drive away mice, the natural enemies of silkworms. It was the Nitta family who drew such a cat on paper, pasted it in the silkworm chamber, and sold it as a mouse repellent. There were also other monks who painted pictures of cats, but the Nitta family in particular was related to the Tokugawa family, so people believed that paintings of cats had special powers. , a lot of paintings...

A Japanese hanging silk scroll by late Edo period painter Haruki Nanmei (1795-1878). The gouache painting was in the tradition of Kano school and depicts an old scholar dressed in lo...

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as Kakejiku or sometimes Moji mandala. Termed as gohonzon in Japanese, it is a venerated object within Nichiren Buddhism (Hokkeshu; lotus sect). The originally concept was developed by the 13th century Buddhist priest Nichiren to guide the energy of the devotional chanting to...

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as Kakejiku or sometimes Moji mandala. Termed as gohonzon in Japanese, it is a venerated object within Nichiren Buddhism (Hokkeshu; lotus sect). The originally concept was developed by the 13th century Buddhist priest Nichiren to guide the energy of the devotional chanting to...

A Japanese hanging scroll attributed to Edo period painter Hanabusa Itcho (1652-1724). The artwork features a silk roundel nicely mounted in golden brocade background. The painting depicts a robed Daruma seated in meditation with his eyes widely open. The rendition of the famous monk, one of the most beloved subjects in Japanese art, was extremely minimalistic. With just a few effective ink strokes and patches of watercolor, it managed to successfully highlight the essence and spirit of Daruma. The roundel was possibly a center fragment of a larger painting by the artist and was remounted historically. Signed with one of his artist's names. It comes with a wood scroll box with ink inscription of title and artist formal name. For a painting with the same signature, see number 1881,1210,0.1719 in the collection of the British Musuem. Also a horizontal scroll...