Tequila Sunrise, OC, signed, dated and titled by Gary Niblett, 1985

Seasonal autumn Chinese hanging scroll featuring a painting of delicate flowers with a calligraphy signature and date. Crafted on hand-made mulberry paper...

Yasse Tabuch Signed Dedicated and Dated Watercolor Asian Fine Art Painting Yasse Tabuchi’s paintings belongs to the same line as that of the group of pai...

Seasonal autumn Chinese hanging scroll painting depicting colorful Camellias with a calligraphy signature and date. Crafted on hand-made mulberry paper wi...

A Modern oil painting of a harbor town with the water and mountains views in the distance. It is signed on the bottom left hand corner Ataka and dated '30 (1930). The brushwork is ...

An impressionist painting of a trees in snow on a wooden board in period carved gilded frame. It is signed on the bottom right hand corner S Kitayama and dated 1912. Further inscription in Kanji on the back of the frame. Frame measures 17 x 20 1/2 inches Painting measures 9 1/4 x 12 3/4 inches Frame is original to the painting and of the period. The painter is most likely Seitaro Kitayama (Japanese, 1888-1945), an important figure in late Meiji period credited with being the father of Japanese animation before Walt Disney started his company. The painting style is impressionism which was keenly followed by a new generation of Japanese artists who either traveled to Europe for training or received Western publications on artists and gallery shows at home. Kitayama, Seitaro was born on March 3, 1888 in Wakayama, and died on February 13, 1945. In 1911, Kitayama became an apprentice to Tojiro Oshita and, while studying painting, also helped out with editing the art magazine Mizue. He soon moved to Tokyo and established the Western Art Guild of Japan and published Contemporary Western Art. He later joined the Fusain Art Group as a manager where he would support young western-style artists such as Ryusei Kishida and Sohachi Kimura by providing art supplies, in addition to holding exhibitions and publishing catalogues. On the other hand, he entered the Nikkatsu Mukojima Studio in 1916, proposed the inclusion of illustrations in intertitles, and made this his work. It was there that one of the first Japanese animations...

Showing talent from an early age, Polish-born artist Zamy Steynovitz used rich, vibrant color in his works after a trip to South America in the 80s increased his interest in bright, ...