Walnut Scholar's Objects
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Material: Walnut
Antique Gentleman's Writing Slope, English, Walnut Correspondence Box, Victorian
Located in Hele, Devon, GB
This is an antique gentleman's writing slope. An English, burr walnut and leather correspondence box, dating to the mid Victorian period, circa 1850.
Delightful craftsmanship with ...
Category
Mid-19th Century British Mid-Century Modern Antique Walnut Scholar's Objects
Materials
Walnut
Antique Artist's Box, English, Walnut, Paint Palette, Winsor & Newton, Victorian
Located in Hele, Devon, GB
This is an antique artist's box. An English, walnut and ebony paint palette case by Winsor & Newton of London, dating to the late Victorian period, circa 1890.
Appealing Victorian artist's box from a renowned paint supplier
Displaying a desirable time worn patina and remnants of enthusiastic use
Walnut stocks present fine grain interest and rich caramel hues
The lid edge accentuated with an ebonised corner finish
Dressed to the fascia with a brass lined lock escutcheon — in working order, key present
Interior offers a suite of compartments over pin-secured lower drawer
Lift-out paint tray annotated with colour names and several vintage paint pots...
Category
Late 19th Century British Late Victorian Antique Walnut Scholar's Objects
Materials
Ebony, Walnut
Chinese Early Qing Dynasty Walnut Folding Table, 17th-18th Century, China
Located in Austin, TX
A very fine and rare Chinese Qing Dynasty walnut wood (hetao mu) kang table with folding legs, 17th to 18th century, China.
Crafted in walnut wood (hetao mu), this ingenious table...
Category
Early 18th Century Chinese Qing Antique Walnut Scholar's Objects
Materials
Walnut
Chinese Eighteen Luohan Walnut Shell Snuff Bottle, c. 1900
Located in Chicago, IL
A mixture of finely powdered tobacco, herbs, and spices, snuff was introduced to China in the 17th century by Western diplomats. Initially reserved for ranking members of Qing-dynast...
Category
Early 20th Century Chinese Qing Walnut Scholar's Objects
Materials
Plastic, Walnut
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The painting was done in a meticulous way with no details overlooked and also with a rather western still-life dimensional perspective. In a rather unusual maximal but also minimalistic way, the screen exudes a historical charm with a folky flair but appears modern at the same time.
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