Postmodern Red Ceramic Vase by Haeger

Introducing the Postmodern Circular Cream Vase by Haeger, an elegant piece that doubles as both a functional vase and a standalone sculpture. Its balanced, circular design and cream ...

Introducing the Postmodern Cream Pyramid Vase by Haeger, a unique blend of geometric design and soft neutral tones. Not only does it serve as a functional vase for floral arrangement...

Immerse in the allure of postmodern design with this Black Gloss Vase by Haeger. With its captivating gloss finish and angular form, this vase is more than just a container—it's a ...

Amazing vintage glass vase. Displays a back a red glass exterior with an orange interior.

Exceptional vintage Postmodern ceramic floor vase. Features a glossy pink finish with flowers etched around the bust and base.

Incredible vintage postmodern ceramic vase. Features a gloss might green finish with a scalloped shape.

Tri-pod ceramic bowl likely used as an incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji period. The signature indicates that it was produce...

A small Korean ceramic water dropper in square form on four corner feet, circa 19th century late Joseon Dynasty. The piece features an underglaze blue pa...

A small Korean ceramic water dropper in square form circa 19th century late Joseon Dynasty. It features an underglaze blue painting of a full cluster of ...

A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...

A Korean ceramic water dropper in the form of fog circa early 20th century likely from Japanese colonial time post 1910s. The animal form features under...

A ceramic bowl with celadon glaze from Korea, circa 14th century (late Goryeo Dynasty). The particular shape of the bowl suggests that it is likely a "Bo" (Chinese) or "Hattara" (Japanese "Oryoki"). This is a Buddhism term derived from Sanskrit word "patra", which means "vessel that contains just enough". The container was used traditionally by Buddhist monks to ask for alms (donated foods by laymen). The deep volume and the wide opening are conducive to its utility function. The bowl is covered in a jade-color celadon which has very fine and uniform crackles throughout. Upon close inspection of the exterior wall, one can detect a very light brush of white slip circumventing the body. The white slip brushing technique only became popular from 15th century on as a landmark of the Buncheong ceramics...