Postmodern Pink Ceramic Floral Vase

Incredible vintage postmodern ceramic vase. Features a gloss might green finish with a scalloped shape.

Exceptional postmodern ceramic floor vase. Features a hue blue green textured finish.

The Haeger Red Postmodern Vase is a stunning piece that effortlessly blends art and function, capturing the essence of postmodern design with its vibrant red hue and unconventional f...

Amazing vintage glass vase. Displays a back a red glass exterior with an orange interior.

Discover artistic flair with our Postmodern Blue and Pink Vase with a Sculpted Lid. With a unique 'cow patch' pattern, it's more than a vase, it's a work of art. Postmodern Blue and...

Step into the vibrant realm of Postmodern design with this Tri-color Circular Vase. A harmonious blend of pink, green, and peach, its round silhouette offers a fresh take on classic ...

A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...

A small Korean ceramic water dropper in square form on four corner feet, circa 19th century late Joseon Dynasty. The piece features an underglaze blue pa...

A small Korean ceramic water dropper in square form circa 19th century late Joseon Dynasty. It features an underglaze blue painting of a full cluster of ...

This is a very rare brush made with 5 rose pink rhodonite gemstones, each stone measuring at 1.25" wide. A healing crystal for the heart, it dissolves negative emotions and magnifies...

A ceramic bowl with celadon glaze from Korea, circa 14th century (late Goryeo Dynasty). The particular shape of the bowl suggests that it is likely a "Bo" (Chinese) or "Hattara" (Japanese "Oryoki"). This is a Buddhism term derived from Sanskrit word "patra", which means "vessel that contains just enough". The container was used traditionally by Buddhist monks to ask for alms (donated foods by laymen). The deep volume and the wide opening are conducive to its utility function. The bowl is covered in a jade-color celadon which has very fine and uniform crackles throughout. Upon close inspection of the exterior wall, one can detect a very light brush of white slip circumventing the body. The white slip brushing technique only became popular from 15th century on as a landmark of the Buncheong ceramics...

A ceramic dish with high cylindrical foot in white glaze from Korea, circa 19th century Joseon Dynasty. By shape, this piece is most likely a ceremonial vessel that was used to make offerings on the altar. Although without inscription, we can't rule out that it could be a household item for occasions that were less formal. Such as a private shrine in the household. During Joseon dynasty, the social morals were largely centered on the principles of Confucianism that originated from China. Many ritual ceramic wares were produced for rituals and worships on all level of the society. The ware were often modeled after the archaic bronze ware that elevated them from the aesthetic of daily use pieces. High foot dish like this were made in both round and square shape to suite different use but they were all distinguished with the inscription for their exclusive ceremonial purpose. Of elegant form and harmonious proportion, this stem dish...