Postmodern Green Rippled Ceramic Floor Vase

Incredible vintage postmodern ceramic vase. Features a gloss might green finish with a scalloped shape.

Exceptional vintage postmodern ribbed ceramic floor vase. Features a beige finish with a purple brushed accent.

Exceptional vintage Postmodern ceramic floor vase. Features a glossy pink finish with flowers etched around the bust and base.

The Haeger Red Postmodern Vase is a stunning piece that effortlessly blends art and function, capturing the essence of postmodern design with its vibrant red hue and unconventional f...

Elevate your space with the Postmodern Hand Painted and Carved Large Floor Vase, a true artistic statement piece. This vase showcases bold colors and abstract designs typical of the ...

Elevate your decor with this Postmodern Polished and Raw Tessellated Stone Floor Vase. Featuring a mix of polished and raw stone, this vas...

An extremely finely carved antique Chinese Qing dynasty, Celadon green triple vase/brush washer with an Imperial Dragon from behind attacking a bird in fro...

A fine and well carved Chinese spinach jade incense tool vase, Qing Dynasty, Qianlong or Jiaqing Period, 18th/19th century, China. The small jade vase ...

A six-panel painted folding floor screen from Korea circa early 20th century. This type of screen is called Chaekgeori (books and things) which is quite unique to Korea. It became popular at the end of 18th century favored and encouraged by King Jeongjo (1752-1800) as a political tool to promote social conservatism such as the traditional Confucianism value, especially considered important in a time when waves of new ideology influx came to Korea. Initially commissioned for the royal court, they became increasingly popular with the scholars of noble and affluent household and used it widely in their halls and studies. Early screens were painted with trompe-l’oeil bookcases displaying books and arrays of collectibles. Later, the bookcases were eliminated to focus on the assemblage of neatly stacked books and objects of scholarly pursue. On this screen, the six panels were neatly presented and framed in woven brocade borders. Among the stacked volumes, one can find many fine porcelain vases with flowers, potted orchids, pen holders with brush pens and scroll paintings, incense burner, ink stone, teapot, fan with ink painting, vessels of fruits, exotic plants such as lotus, plumeria and even a pair of glasses. It feels like a pleasant visual measure hunting for the viewers. Several words in Chinese found their way into the picture as well, including filial (xiao), longevity (shou) and luck (fu). The painting was done in a meticulous way with no details overlooked and also with a rather western still-life dimensional perspective. In a rather unusual maximal but also minimalistic way, the screen exudes a folky charm but appears modern at the same time. Each panel is 17.5"w by 70.2"h. For general information on the subject see reference: Chaekgeori the Power and Pleasure of Possessions in Korean Painted Screens...

A small Korean ceramic water dropper in square form on four corner feet, circa 19th century late Joseon Dynasty. The piece features an underglaze blue pa...

A small Korean ceramic water dropper in square form circa 19th century late Joseon Dynasty. It features an underglaze blue painting of a full cluster of ...

A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...