20th Century Antique Tibetan Bronze Bodhisattva Tara Statuary

Featured a beautiful bronze sculpture of Tibetan Tara. This Tara is decorated with flowers, lariats, ankle bracelets. She wears an elaborate crown and is seated on a lotus throne. Up...

This magnificent Tibetan Antique Bronze Buddha Statuary was hand crafted from Tibetan Bronze with intricated carving works all over the Buddha. It shows the Buddha seated on a double...

Manjushri is the Bodhisattva of keen awareness in Buddhism. A disciple of the historical Buddha Shakyamuni, he represents wisdom, intelligence and realization, and is one of the most popular Bodhisattvas following Avalokitesvara. Look at this statue, it shows very detailed bronze carving works on it. You can see from the pictures that they are in many years history with some age wears. Now you can have them on your collection shelf. They are not only a great adornment but also a wonderful gift! Size: 11.25in H x 9.5in W x 5in D Origin: Tibet Circa: 1900 - 1940 Material: Bronze Condition: Original condition, hand made, normal age wear. Disclaimer: Due to differences in monitor/screen settings, product colors may differ slightly between product photos...

This magnificent Chinese antique Famille-Rose Porcelain Kwan Yin Statuary was 100% hand made and hand craft seating Kwan Yin Statue with marks on th...

Look at this magnificent Chinese Antique Famille-Rose Porcelain Kwan Yin Statuary. It shows very detailed hand carving works on it. It is all hand m...

This magnificent Chinese wood carved Quan Yin Statuary. It shows very detailed hand carving works on it. It is all hand made and hand carved Quan Yin standing on the dragon from boxw...

A nice vintage early to mid-20th century gilt bronze sculpture of the Buddhist deity Avalokiteshvara in his four armed form, known as Chaturbuhja, or Chenrezig in Tibet. Chenrezig, a form of Avalokiteshvara, the bodhisattva of compassion (known as Guan Yin or Kwan Yin in Chinese), sits in vajrasana upon a high double lotus pedestal. One pair of hands is clasped in prayer at heart level, the other pair of hands raised upwards at shoulder lever and holding discreet attributes, a mala (prayer beads) in one hand, a lotus blossom in the other. Chenrezig is dressed in an elaborately patterned floral dhoti that covers his lower half. His torso bare, shoulders covered with a shawl and scarves that billow out around him. He is festooned with jewels, necklaces, bracelets, armlets, earrings, belt and a five pointed crown. The earrings studded with coral. The crown studded with turquoise. His face is cold painted with beautiful details. The hair has been pigmented blue with crushed lapis, indicating his peaceful nature. The copper base plate is inscribed with a visvajra (double vajra...

A beautiful and unusual gilt bronze figure of a Bodhisattva, possibly Amoghapasha, Nepal, early to mid-20th century, circa 1930s or 1940s. The regal figure possibly depicting the bodhisattva Amoghapasha, the Unfailing Lasso. The enlightened being is portrayed seated upon a high double lotus pedestal. He is dressed as an Indian prince, wearing a luxurious foliate patterned dhoti around his waist and a billowing scarf around his shoulders. . His torso bare save for the jeweled necklaces and the sacred thread. A five pointed crown with an image of Amitabha Buddha in the central point graces his head. His princely face cold painted with beautiful detail, his hair colored blue with crushed lapis lazuli, indicating his peaceful nature. Amoghapasha holds a lasso in one hand, an axe in the other. He is considered an emanation of Avalokiteshvara. A bodhisattva of compassion, Amoghapasha is so named because of the lasso he holds in his hand. The lasso represents his vast compassion which is thought to extend to encompass all beings, bringing them into a state of perfection and enlightenment. The copper base plate, seemingly a later replacement, has been inscribed with a visvajra (double vajra...

13/14th century Tibetan Bronze Buddha/Bodhisattva . Superb example- finely cast, beautifully sculpted, with a beautiful untouched non-guilt patina Note ...

This is a fantastic piece. Perhaps part of a Tibetan temple shrine at one time. Beautiful faded gilt coloring and patina. We believe this is the Tibeat figure of the white Tara, the goddess of great compassion. She is akin to the Chinese figure of Quan Yin.  We are listing as 20th century but could be older. Nice size and weight. Would be a great addition to any collection and sure to stand out in any setting. From a large collection of Chinese and Tibetan antiques...

On offer is an impressively large and finely cast Sino-Tibetan gilt antiquebronze statue of Vajrasattva Bodhisattva, circa 19th century maybe earlier. The deity is depicted seating i...

An impressive larger than life-size cast and gilt bronze left hand and arm of a bodhisattva, late 19th century or earlier, Tibet. The over-sized arm and hand of graceful proportions. The arm tapering down to a slender wrist embellished with a simple bracelet hiding the join between the hand and arm. The hand and arm richly gilt. The join to the elbow visible and exposed. The hand heavily cast, with nice detail to the fingernails and cuticles. The palm with simple incised lines. The hand, with the pointer and pinky fingers raised, and the middle and ring finger folded down touching the thumb, performs the gesture known as karana mudra, the gesture of dispelling evil. (Here in Texas we refer to this gesture as "Hook'em Horns!") Karana mudra is often associated with Avalokiteshvara, the bodhisattva of compassion, known in Tibet as Chenrezig, and in China as Guanyin. The hand and arm would originally have been part of a much larger sculpture. Unfortunately many Tibetan Buddhist sculptures...