Burmese Black Lacquer Hsun-Ok, c. 1900

This seated Burmese figure captures a musician in eternal song. The wooden figure is hand-carved with a seated posture, legs crossed and arms outstretch...

This pair of decorative red lacquer signs dates to the late 19th century and is carved in relief with a poetic couplet. Carved to resemble ink calligraphy, the couplet reads: "Do good deeds without questioning your happiness, pursue knowledge without forgetting your principles." The long, vertical signs...

This round tray dates to the early 20th century and is a simple example of Burmese lacquerware. The tray is formed of thin bamboo strips that have been woven and coiled into shape, h...

In many southeast Asian cultures, offering guests a betel quid to chew was the fundamental symbol of hospitality. A blend of leaves, nuts, seasonings, and sometimes tobacco, betel was kept in finely worked and decorated boxes. This round container was originally the lid to a Burmese betel box...

This round tray dates to the early 20th century and is a simple example of Burmese lacquerware. The tray is formed of thin bamboo strips that have been woven and coiled into shape, h...

Tea drinking has been an integral part of Chinese culture for centuries, resulting in a wide range of social customs and material traditions. In addition to tea leaves, water, and heat, the art of drinking tea (chayi) calls for a variety of teaware and utensils - both practical and decorative. This charming teapot dates to the late Qing dynasty and is hand-carved from a hollow length of bamboo in the shape of a ripe pomegranate. The handle is carved to resemble a thin branch, which forks to either side of the teapot bearing long, slender leaves. The teapot has a squat, rounded form and a dark brown finish, reminiscent of Yixing red clay teapots...

Beautiful and unique wood bowl by David Auld. World renowned American-born Haitian wood working artist David Auld creates one of a kind pieces that catapu...

The titled collection by Emmanuel Babled is a 2013 collection of nine domes each with a self-explaining title. The top victory series is one of the three part of the series. Handmade...

A Burmese embossed silver presentation chalice Burmese, early 20th century Measures: Height 31cm, diameter 16.5cm, weight 937 grams This remarkable and beautiful silver chalice,...

The formal concept of fruit bowl cordilheira derives from the distortion in 3 axes of a grid of triangles, which results in a complex geometry of recesses and protrusions for storage. The name cordilheira (mountain range in English) is precisely due to the result that refers to an organic form through polygons (low poly...

An exceptional, fine and impressive antique Chinese Export Silver bowl; an addition to our Asian silverware collection. This exceptional Chinese Export Silver bowl has a plain circular form onto a plain circular swept, spreading foot. The body of this antique Asian silver bowl is embellished with chased traditional oriental chrysanthemum floral and foliate designs, all on a matte background. The decoration to the body incorporates a large shield shaped vacant cartouche to one side. The upper portion of this impressive bowl is encircled with a plain applied moulded border to the incurved shaped rim. The hallmarks struck to the underside of the bowl include: Origin mark: Shanghai (??) Maker's mark: Bao Cheng Branch name: DE JI Artisan silversmith mark: Fang (?) Condition This antique Asian silver bowl is an exceptional gauge of silver, exceptional quality and in exceptional condition. The chased decoration is all very sharp. The CES hallmarks struck to the underside of the bowl are all very clear. Reflections in photographs may detract from the true representation of this antique Asian bowl...

This exceptional, fine and impressive antique French silver nef* has been realistically modelled in the form of a ship. The surface of the vessel is o...