Chinese Tang Style Terracotta Horse Sculpture in Dark Blue Glaze and Drippings

Chinese glazed porcelain roof tile of a warrior riding a monkey. The manufacture of glazed tiles was standardized in the Ming Dynasty and during the Qing Dynasty into the Republican Era, glazed tiles became ever more popular for top-tier buildings, including palace halls in the Forbidden City and ceremonial temples like the Heavenly Temple. The piece is signed and mounted on a presentation display stand. The monkey is the ninth of the 12-year cycle of animals which appear in the Chinese zodiac related to the Chinese calendar. The Year of the Monkey...

Chinese glazed porcelain roof tile of a warrior riding a dragon turtle. The manufacture of glazed tiles was standardized in the Ming Dynasty and during t...

A Japanese Haniwa depicting the head of a young woman in unglazed terracotta, produced 3rd to 4th century AD, during the Kofun or Tumulus period (c. AD...

A Chinese ceramic vase, produced circa 1930s-1940s, flame glazed in deep red. Includes marks to base. This piece remains in very fine condition, wear to base consistent with age. 10434

Chinese blue and white porcelain vase hand-painted with double happiness symbols upon a scrolling foliate ground, with two figural animal...

Chinese polychrome glazed ceramic figural sculpture of the immortal Fu, god of happiness, depicted holding a child, his robe elaborately decorated. Me...

This rare sencai glazed man on a horse is a stunning example of funerary pottery figures used as spirit objects or Mingqi in Chinese burial tombs for millennia. This Tang style horse, rider, and dog appear to be a hunting trio--possibly representing the provision of ample game and sustenance for the deceased in the afterlife. The facial expressions of the hunter and dog...

Chinese Sancai Glazed Tang Horse, funerary ceramic in the shape of a Fereghana stallion, standing four-square on a flat unglazed base, arched neck, well-defined head, ears pricked fo...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then lightly glazed. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then lightly glazed. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign, The Empress Wu Zetian (625-706). Comes with Lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then lightly glazed. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with Lucite display stand...

Simply gorgeous and so delicately and beautifully made. This work has been molded in a whitish, dense terracotta, typical of the region of the capital of Luoyang, and then attractively glazed over with various yellow, green, brown, colored glazes. We are not sure how to date this work. We believe, based on comparisons, that this piece could date as far back as the Tang Dynasty (though we are not experts and have not had this verified by one. Again, this is not our area of expertise). The white terracotta and glaze appear correct as does the figures stately pose and elaborate hairstyle which was a characteristic feature of Tang pottery women. The people of ancient China believed that some part of the essence and life force of a human being was contained in the hair. Much time and effort went into this to create elaborate coiffures that the woman proudly displayed when in public. The Tang Dynasty is also the only period in Chinese History to have known a female sovereign - The Empress Wu Zetian (625-706). Comes with Lucite display stand...