Collection of 16 Chinese Yellow Glazed Foo Dogs, Early 20th Century, China

A charming near pair of Chinese green glazed foo lion joss stick holders, late 19th century, China. The delightful foo lions, also referred to as foo dogs, crafted as joss (incens...

A wonderfully Chinese carved coral branch in the form of Shou Lao, also called Shouxing, the Chinese god of longevity, Republic period, early ...

A tall Chinese green and amber glazed figure of an attendant, Ming Dynasty, 16th-17th century, China. The figure stands upon an integral plinth, dressed in long robes...

An elegant Japanese cast bronze okimono of a swimming carp, Taisho Period (1912 - 1926), early 20th century, Japan. The graceful fish portrayed realistically in motion, as if swimmi...

A fantastic Chinese cast bronze censer in the form of two Buddhistic lions play fighting, late Qing Dynasty, late 19th century, China. The censer formed as a pair of Buddhistic li...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...

Bi-color green hardstone carved to represent a pair of traditional Chinese foo dogs and lions. The heads of these impressive creatures come off so they can be used as incense burners.

Extraordinary pair of fine glazed porcelain Foo dogs came to us out of an estate here in Savannah, Georgia, belonging to an old general that long ago brought them from Thailand. Used...

Extraordinary pair of fine glazed porcelain Foo Dogs. Incredible hand made details.

Two Chinese wood Foo Dogs Incense holder burners. Featuring a pair of highly detailed lion foo dogs, one male and one female which were thought to protect the home from harmful spiritual influences and harmful people that might be a threat. The Foo Dogs...

Vintage Chinese serpentine sculpture is a traditional decorative object realized in china in the early 20th century. Serpentine m...

A massive larger than life terracotta buddha bust of Guan Yin, China, early 20th century. Broken and restored with wear and tear from enduring exposure to the elements. Size: 75 cm high. Weight: 40 kg. Guanyin, Kwanyin, Guanshiyin or Guanyin Pusa is the Chinese interpretation of the bodhisattva Avalokiteśvara (the goddess of comfort and mercy). In addition, she is seen in Taoism as an immortal. The scripture dedicated to her is Dabeizhou. Guanyin is the goddess of compassion and the sea. She is one of the three saints of the western paradise, along with Mahasthamaprapta and Amitabha Buddha; they are worshiped to save departed loved ones from hell and grant them entrance to the western paradise. Guanyin Chinese name Traditional Chinese 觀音 Simplified Chinese 观音 Transcriptions Full Chinese name Traditional Chinese 觀世音 Simplified Chinese 观世音 Literal meaning "[The One Who] Perceives the Sounds of the World" Transcriptions Second alternative Chinese name Traditional Chinese 觀自在 Simplified Chinese 观自在 Literal meaning "Lord who Gazes down on the World" Transcriptions Burmese name Burmese ကွမ်ယင် IPA [kwàɴ jɪ̀ɴ] Tibetan name Tibetan སྤྱན་རས་གཟིགས Vietnamese name Vietnamese alphabet Quan Âm (Quán Âm) Quán Thế Âm (Quan Thế Âm) Quán Tự Tại Chữ Hán 觀音 觀世音 觀自在 Thai name Thai กวนอิม, พระอวโลกิเตศวรโพธิสัตว์ RTGS Kuan Im, Phra Avalokitesuan Korean name Hangul 관음, 관세음, 관자재 Hanja 觀音, 觀世音, 觀自在 Transcriptions Mongolian name Mongolian script ᠨᠢᠳᠦ ᠪᠡᠷ ᠦᠵᠡᠭᠴᠢ Japanese name Kanji 観音, 観世音, 観自在 Hiragana かんのん, かんぜおん, かんじざい Transcriptions Indonesian name Indonesian Kwan Im, Kwan She Im, Awalokiteswara Filipino name Tagalog Guanyin (ᜄᜓᜀᜈᜌᜒᜈ) Sanskrit name Sanskrit अवलोकितेश्वर (Avalokiteśvara) Khmer name Khmer អវលោកិតេស្វរៈ (Avalokitesvarak), អវលោកេស្វរៈ (Avalokesvarak), លោកេស្វរៈ (Lokesvarak) Hmong name Hmong Kabyeeb, Niam-Txiv Kabyeeb, Dabpog, Niam-Txiv Dabpog Guanyin (traditional Chinese: 觀音; simplified Chinese: 观音; pinyin: Guānyīn) is a Bodhisattva associated with compassion. She is the East Asian representation of Avalokiteśvara (Sanskrit: अवलोकितेश्वर) and has been adopted by other Eastern religions, including Chinese folk religion.[note 1] She was first given the appellation "Goddess of Mercy" or "Mercy Goddess" by Jesuit missionaries in China.[1] Guanyin is short for Guanshiyin, which means "[The One Who] Perceives the Sounds of the World."[2] On the 19th day of the sixth lunar month, Guanyin's attainment of Buddhahood is celebrated.[3] Some Buddhists believe that when one of their adherents departs from this world, they are placed by Guanyin in the heart of a lotus, and then sent to the western pure land of Sukhāvatī.[4] Guanyin is often referred to as the "most widely beloved Buddhist Divinity"[5] with miraculous powers to assist all those who pray to her, as is mentioned in the Pumen chapter of Lotus Sutra and Kāraṇḍavyūha Sūtra. Several large temples in East Asia are dedicated to Guanyin, including Shaolin Monastery, Longxing Temple, Puning Temple, Nanhai Guanyin Temple, Dharma Drum Mountain, Kwan Im Thong Hood Cho Temple, Shitennō-ji, Sensō-ji, Kiyomizu-dera, Sanjūsangen-dō, and many others. Guanyin's abode and bodhimaṇḍa in India is recorded as being on Mount Potalaka. With the localization of the belief in Guanyin, each area adopted their own Potalaka. In Chinese Buddhism, Mount Putuo is considered the bodhimaṇḍa of Guanyin. Naksansa is considered to be the Potalaka of Guanyin in Korea. Japan's Potalaka is located at Fudarakusan-ji. Tibet's Potalaka is the Potala Palace. Vietnam's Potalaka is the Hương Temple. There are several pilgrimage centers for Guanyin in East Asia. Putuoshan is the main pilgrimage site in China. There is a 33 temple Guanyin pilgrimage in Korea which includes Naksansa. In Japan, there are several pilgrimages associated with Guanyin. The oldest one of them is the Saigoku Kannon Pilgrimage, a pilgrimage through 33 temples with Guanyin shrines. Guanyin is beloved by most Buddhist traditions in a nondenominational way and found in most Tibetan temples under the name Chenrézik (Wylie: Spyan ras gzigs). Guanyin is also beloved and worshipped in the temples in Nepal. The Hiranya Varna Mahavihar located in Patan is one example. Guanyin is also found in some influential Theravada temples such as Gangaramaya Temple, Kelaniya and Natha Devale nearby Temple of the Tooth...