Japanese Meiji Noh Mask of Okina

Japanese early Meiji period Noh theater mask made of carved wood with gofun layers. The piece was made in Japan in circa 1880 and is signed on the back. In great antique condition wi...

Japanese Meiji period puppet for the traditional Bunraku ningyo joruri puppet theater. The piece has a carved wood head and is adorned with richly detai...

A Japanese Noh theatre sculpted wood mask of Ko-Omote, a young girl. The mask was crafted in the early 20th century and is in great vintage condition.

A rare Edo period (17th century-18th century) Japanese lion mask for the Gion Festival. This mask was part of a two-man costume, with one man holding the mask and the other at the back covered with fabric to perform the traditional Lion Dance...

An extremely rare Japanese Edo period Kyogen mask of a Nio guardian king, a ferocious native deity often associated with the Naga Dragon Kings, who convert...

Japanese Edo period carved, lacquered and gilt cypress wood Noh mask of Obeshimi. Made in the circa late 17th century, this extremely rare piece represents th...

This a well-preserved lion mask that dates to the 18th century (possibly earlier). Lion masks were used in the traditional Gion Matsuri festival lion dances...

A Japanese Edo period "Noh" theater mask from the 17th to 19th century. Created in Japan during the Edo period (1603-1868), this mask captures our attention with its striking expression and contrasting colors. Noh, a form of theater involving music, dance and drama and originating in the 14th century, uses...

A signed Okimono from the Japanese Meiji period (1868-1912). Very rare, unusual and large sculptural assembling of a dysplaying piece of okimono. Created in Japan during the imperial period of the Meiji (1868-1912). This extraordinary piece okimono sculpture depict a group of four intricately and realistically rendered carousing males skeletons representations (Gaikotsu) standing in several position. One skeleton is crouched down playing with mouses in the floor. The second is seated resting in the other's back, peacefully smoking opium. The others two are fully standing in interacting position. The entire composition is arranged freely displayed on the wood base including a woven basket, apparently with food and four playfull mouses. There are an extra five mouses in different positions, freely playing around, all of them with the eyes accented with carved black ebony. The composition is displayed on a four-legged free form carved wood platform with an inlaid red plaque engraved with the artist's signature. The level of detail and the quality of the carving is truly exceptional. Has an exact measurements of 216.15 mm by 139.7 mm by 359.41 mm (8.51 x 5.5 x 14.15 Inches). After an extensive collection of data, comparables and references to this piece, we have only been able to find only three okimono sculptures like this, with similar themes and the same quality of work. References Note: A similar carving of four skeletons playing an animated game of dominos, signed Shutaro in an inlaid rectangular red plaque, was sold in London by Christie’s South Kensington in October 14 2014, Lot 120 Sale 5546. References Note: A similar carving with four skeletons in an otherwise typical victorian scene of a photographer and three sitters signed Shutaro in an inlaid rectangular red plaque, was sold in Edinburgh at Lyon & Turnbull in November 7, 2018. References Note: A similar carving with five skeletons seated, playing cards and drinking, was sold in London by John Nicholson Fine Art on September 26, 2018. Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keio era and was succeeded by the Taisho era, upon the accession of Emperor Taisho. Okimono, is a Japanese term meaning for display an ornament; art object; or decorative object, usually displayed in a tokonoma or butsudan "Buddhist altar". It is an ornament or figure, especially one placed in a guest room. An okimono may be a small Japanese carving...

Tenjin-Sama, Shinto Deity of Learning and Wisdom, Meiji Period Tenjin,-Sama, Deification of Sugawara no Michizane, was a famous scholar, poet and politician of the Heian period. In...

Singed Okina Noh mask old male with long white beard expressing wisdom Mid 20 th century Size: 15 x 19 x8 cm ( 6x 7.5 x 3 inch ) Weight: 230g ( 0.5 lb ) Material: wood with go...

An extremely well detailed wood carving of Ebisu, as a fisherman. Beautiful and well detailed sculpture, created in Japan during the Meiji dynastic period (1868-1912) back in the 1890's. This piece represent the god of good fortune Ebisu. Was exceptionally carved and executed from one solid single piece of rose wood, showing a gorgeous face expression, with intricate details in the hands and feets, he's carrying as usual a rod and a fish. Ebisu (yebisu), ???, god of fortune, the ocean and fisherman. In the japanese mythology is one of the seven gods of luck, sichi-fuku-jin, the patron of the fisherman and tradesmen. he is depicted as a bearded, smiling fisherman with formal long court ropes, often carrying a rod in one hand and a tai, symbolic fish of the good luck, in the other. The height is 14.25 inches (36.20 cm) and the base measurements is 6.5 by 6.45 inches (16.5 x 16.38 cm). Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign...