18th/19th Century Italian Baroque Architectural Frieze Panel

An early 19th century pair of Baroque hand carved and painted wooden architectural salvaged exterior building elements, now repurposed and fashioned for use as one-of-a-kind pedestal tables. Intricately detailed, whimsical sulptural design, executed in classical corinthian column capital form, having spiral scroll volutes, acanthus leaf carvings, figural ancient mask...

An exceptional architectural high relief hand carved stone band of running scroll decoration frieze panel, with beautiful scrollwork, representing wind or water, and mythological creature, perhaps a dragon or grotesque griffin. The characters in the center may be Asian hieroglyphs (Japanese kanji). The top side has a dovetail joinery cutout from where it would have attached and fit into place before cementing it in place. 19th century or earlier. This antique architectural salvage building element is a beautiful and artful display of history, and a quick way to add texture, character, rustic charm and interest. Will make a wonderful decorative object within your home or office. Provenance: Personal property of Genshiro Kawamoto. A Japanese real estate billionaire and avid art collector who owned numerous multi-million dollar properties in Hawaii and was building one of the most expensive homes in Hawaii prior to his tax evasion arrest, followed by prison sentence in Japan. He had bought multiple properties to convert into museums in order to display his personal decorative arts collection, but due to his legal and financial problems, his items were all auctioned...

A majestic pair of antique architectural salvaged Chinese temple corbels, now mounted as one-of-a-kind wooden sculptures on custom floor standing display pedestal stands. Originally commissioned for an important religious temple in China, the impressive large scale wall bracket corbels were notoriously difficult as they had to serve as both highly decorative temple ornaments and structural building elements used to support the weight of a wall. Hand-crafted in the early 19th century, smilarly styled design, each exceptionally hand carved, sculpted, and painted by highly trained artisans. Profusely carved and decorated, featuring very fine quality high relief work throughout, extensive bas relief, pierced openwork, rich carvings and intricate incised detailing, depicting various Chinese folk religion figures and imagery. Rising on bespoke handmade stands, consistenting of sturdy rectangular shaped thick plank plinth base embellished with foliate carvings, held upright by turned column single support. Rich in culture and history, interesting, unusual, highly decorative, whimsical and artistic, sure to add sophisticated elegance, rustic character, color, space, texture and lots of visual interest. Dimensions, largest (approx): Each: 32.5" H, 19" W, 7.25" D. Please note, the objects were sourced and transported both legally and ethically, retaining partial original red wax export seal to top. Display the three Sanxing, in their iconic representation as three, old, bearded, wise men, which dates back to the Ming dynasty, when the Gods of the three stars were represented in human form for the first time. One panel having two monumental smiling figures with hand painted eyes and tongue, the other fragment depicting four figures, seated and standing, likely Immortals, Gods, Shen deity, and other characters from ancient Chinese mythology and folklore. Both pieces with elaborate lotus and pine tree motif, a powerful symbol of wisdom and longevity. Sanxing figures are an important part of Asian culture. Statues of these three Gods...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

18th century Italian wall decorative panel frieze with stunning hand-carved gilded relief. The decorative gilt relief motif is very classical, hand-carved with alternating love knots...

19th Century Italian carved marble Architectural Frieze Sculpture of Caesar, Of rectangular form the finely carved Carrera Marble 50" x 20" slab w...

Beautiful refined baroque style outdoor architectural frieze, circa 1920s in cement. Beautiful baroque revival with curls, swirls and a large central shell. This type of architectura...

An antique Portuguese Baroque architectural wall frame made of partly gilded Pinewood, in good condition. The tall, surround is particularized by ...