Fireplaces and Mantels

American Empire serpentine fire place fender with brass urn finials, brass rail top, and pleasing scrolled artistic wire work. New York, early 19th century.  

American Empire serpentine fire place fender with brass ball ringed finials, brass rail top, and pleasing scrolled artistic wire work. Boston, MA early 19th century.

American wire and brass fireplace fender with pleasing decorative wire work, Early 19th century.

Pair of American brass ball top finial andirons with turned ringed centered columns, squared plinths, matching log stops and terminating on spur legs with slipper feet, Early 19th ce...

Charlotte Perriand Corner fireplace hotel des 3 arcs The arches, 1969 Unique copies Hexagonal fireplace in the spirit of the station tables Steel...

American brass rail top fire fender with pleasing decorative intertwined scrolled wire work, vertical iron supports, and terminating on the original brass bun feet, Early 19th centur...

American Empire serpentine fire place fender with brass acorn finials, brass rail top, and pleasing scrolled artistic wire work. New York, Early 19th Century.     

American Empire serpentine fire place fender with bulbous faceted brass finials, brass rail top, and pleasing scrolled artistic wire work. Philadelphia, Early 19th century.  

American diminutive complex artistic wire work and brass rail gallery fire place fender with centered wrought iron supports and base. Early 19th century.

English polished steel and nickel silver footman trivet with open horizontal slats, decorative circular pierced skirt, interior wrought iron bars for ho...

English Regency brass hand chased and bossed fire fender with circular medallions, floral motif, and terminating on stylized paw feet, Early 19th century.

American hand painted wire and polished brass fireplace fender with interior vertical rod supports and iron base, Early 19th century.

French Regency brass scrolled acanthus foliage and berry motif folding fire place screen with egg and dart molded base, Early 19th century.

Stunning pair of solid brass and irons Dolphins andirons by Virginia Metalcrafters.

French Regency brass and polished steel fire place Chenet with scrolled foliage medallion, flanking brass balls, and centered polished steel rail. Early 19th century.

Early 19th century Regency neoclassical firegrate in the manner of Robert Adam. The pierced serpentine fretwork raised over square tapering leg on block foot surmounted by finials, w...

Pair of American brass and wrought iron lemon on lemon andirons with double lines of beading , circular turned round plinths, and terminating on spur le...

American serpentine fire place screen with a brass rail top, three centered brass urn finials, and pleasing artistic scrolled wire work. Early 19th century, Philadelphia.

American wire and brass fireplace fender with pleasing decorative wire work, Early 19th century.

Pair of English Regency tole chestnut urns with hand-painted floral decorative motif, removable lids with acorn finials, original lions head side ha...

French brass Chenet with flanking winged griffons, decorative hand chased egg and dart motif, lambs tongue motif, and terminating on rectangular plinths, Early 19th century.

A 19th century neoclassical Regency Statuary and Imperial Egyptian Porphyry antique marble fireplace surround, in the Egyptian Revival style. The neoclassical forms of this fireplace are the epitome of fashionable Regency taste. It features a simply moulded shelf resting above a panelled Egyptian Porphyry frieze centred by a crisply carved and bold statuary marble mask depicting Aurora, the Roman Goddess of dawn. Flanked by circular Imperial Egyptian Porphyry capitols to the end blocks, thus supporting Imperial Egyptian Porphyry tapered panelled jambs raised on plain foot blocks. The external return sections have a recessed panel with cock-beading. Shown with its original statuary marble kerb fender...

A very beautiful antique marble stone fireplace mantel from the 19th century in the Louis XV model. The fireplace needs to be placed in front of the chimney and is recuperated fro...

This is a very special piece in style of De Coene Frères, Belgium, 1960s. Shows absolutely stunning graphical patterns on its doors. Squares, crosses, triangles and diamonds are comb...

American Empire serpentine fire place fender with bulbous ringed brass ball finials, brass rail top, and pleasing scrolled artistic wire work, Philadelphia, Early 19th century.

Pair of Italian gilt figural mask wrought iron and poly chromed medallion andirons with flanking gilt foliage and painted ball finials, decorative scrolled gilt foliage iron work, ce...

English Regency brass fire fender with hand chased floral motif, bossing, circular medallions and terminating on lions paw feet, Early 19th Century.

New York, Fan-carved mantel in the Federal taste, circa 1812 Pine Measures: 66 1/4 in. high, 90 3/8 in. wide, 13 1/4 in. deep Within the genre of carved rather than plasterwork mantels of the Federal Period, no example that has come to light is more perfectly designed or more carefully wrought than the present one, which is an amazing symphony of fans, urns, beads, and other Neo-Classical devices, all ultimately influenced by the plasterwork designs of the English architects Robert (1728–1792) and James (1732–1794) Adam. Of a type that proliferated in the area bounded by the northern New Jersey counties of Bergen and Passaic, the Hudson Valley, and western Long Island, the mantel is representative of work that flourished in the first couple of decades of the 19th century. While most of the woodwork of this style that has survived is found in interiors, various examples of exterior doors and other trim have been noted, but most examples have disappeared as a result, variously, of natural deterioration and purposeful demolition in anticipation of development. Although considerably larger in scale and more elaborate in ornament than a mantel that has been in the collection of the Brooklyn Museum since 1944 (acc. no. 44.55; photograph in Hirschl & Adler archives), the present mantel is so close in style and conception to that example that it likely originated in the same house. The Brooklyn mantel is documented as having been removed from a house built by Judge Isaac Terhune (1762–1837), an eminent lawyer and judge. The house was situated on King’s Highway, at the corner of Mansfield Place, at the edge of South Greenfield, a village in northern Gravesend, Brooklyn. A photograph of the house, taken by the German e´migre´ photographer, Eugene Armbruster (1865–1933), is in the collection of the New-York Historical Society. Terhune is ultimately descended from the Dutch-Huguenot e´migre´ Albert Albertson Terhunen, who died in Flatlands, Brooklyn, in 1685.The family eventually spread out through New Amsterdam, Long Island, and Bergen County, New Jersey. Terhune’s great-grandson, also Albert (1715–1806), left a sizable estate to his six surviving children, including his second child and second son, Isaac. Judge Terhune lived in the house until his death in 1837, at which time, according to an article in The New York Times for November 27, 1910, he, having died without issue, “left the White Frame Mansion with its exquisitely carved doorway, beautiful mantels, and other interior adornments to his brother John” (Part Six, p. 11). The article continues: After the latter’s death, the house and its estate of about 70 acres passed through several owners, eventually being purchased in 1853 by Benjamin G. Hitchings [1813–1893]. The house next passed to Benjamin’s son, Hector, who had been born in the house, and then lived there for 25 years. He sold it in 1910 in partial payment for a Manhattan apartment house. After thus having been sold to a real estate developer, the Hitchings property was subdivided into Hitchings Homestead. The house survived until about 1928, at which time it was razed and a Deco-style apartment house with the address 2301 Kings Highway was constructed on the site and occupied in 1935. By 1910, the fate of the house, in an area of Brooklyn that was being rapidly developed, was becoming obvious. The Times article reported: The house has been well kept up, but fearing lest the hand of time or vandals might deal harshly with some of its choice bits of carving, Mr. Hitchings removed a few years ago a few beautifully carved wood mantels...

A 19th century neoclassical Regency statuary and Imperial Egyptian Porphyry antique marble fireplace surround, in the Egyptian Revival style. The neoclassical forms of this fireplace are the epitome of fashionable Regency taste. It features a simply moulded shelf resting above a panelled Egyptian Porphyry frieze centred by a crisply carved and bold statuary marble mask depicting Aurora, the Roman Goddess of dawn. Flanked by circular Imperial Egyptian Porphyry capitols to the end blocks, thus supporting Imperial Egyptian Porphyry tapered panelled jambs raised on plain foot blocks. The external return sections have a recessed panel with cock-beading. Shown with its original statuary marble kerb fender...

American wrought iron and brass rail top nursery wire fender with connecting swags and interior iron pan, Early 19th century. Pan can be removed if desired...

A fine and rare 19th Century Regency fireplace Insert grate, salvaged from Anne Street, Edinburgh Scotland. Circular rondel's to capitals with r...

Each jamb bears carved figures of classical Bacchic maidens, one carrying the wine cup, symbolizing revelry and intoxication, the other is accompanied by a burning torch, symbolizing...

A good quality period Regency fireplace in statuary white marble, with adorned brass ormolu enrichments. The frieze with finely carved centre blocking of tied swags, ribbons and flow...

Pair of Italian brass floral acanthus and rope motif ball top andirons with wrought iron twisted column, acanthus centered plinths, pleasing decorative scroll work and terminating on...

Pair of American brass urn finial andirons with turned bulbous faceted plinths, matching urn log stops, flanking pierced galleries, double spur legs, and...

This set of Mid-Century Modernist Chrome Fire Tools feature lucite handles and a stand with a circular base. The top of the stand has a circular lucite support with cut-outs to hang ...

A simple Victorian style cast iron arched fireplace insert of good proportions. The highlighted front arch with generous outer plate, complete wi...