Armillary Sphere by John Hardacre

Large Garden Armillary with oxidized finish. It is 64" wide at the arrow x 36" deep x 68" high. Statement piece for any garden.

Large garden Armillary that sits on the ground. Would look great with plantings around it. The length of the arrow is 81.5", the sphere is 50" and its 47' high. Great statement piece

This figural armillary of Atlas, constructed of metal with a copper numeric banding, hails from Sweden. Original matte black finish and mounted on a well-proportioned custom wooden pedestal also painted in black lacquer. It is missing one strip of numbers on the inside ring but makes a beautiful over-sized sculpture for a variety of decor styles. Please note the listing is for the sculpture only. The antique white pedestal...

A Swedish garden armillary, manufactured in the 1950s in Sweden.

A Swedish garden armillary on a metal base made of metal and cement plate. Total height approx. 132 cm.

An impressive antique sundial pairing a mid 19th century gothic style stone pedestal by Austin and Seeley (unsigned) circa 1840, with a 20th century s...

Add style to your garden with this reclaimed neoclassical style armillary sundial. It features a steel late 20th century garden armillary sphere above an early 20th century limestone...

This reclaimed armillary sundial is a handsome focal point for a walled garden or courtyard. The sundial features a steel garden armillary sphere dating from the late 20th century ab...

A striking antique Georgian style armillary sundial featuring an unusual 20th century armillary sphere mounted upon a beautifully weathered Georgian era red sandstone column plinth. ...

A striking focal point for any garden, this impressive sundial pairs a mid 19th century gothic style stone pedestal by Austin and Seeley (unsigned) circa 1840, with a 20th century steel armillary sphere. Coupling composition stone intricacy with a contemporary armillary, this garden sundial offers a beautiful blend of antique and modern, perfect for instilling a courtyard or patio with history and interest. This gothic style pedestal appears in appears in Austin & Seeley’s catalogue dated 1841 (pictured). Here it is described as a ‘Rich Gothic Font, designed from Henry VII’s Chapel’ of Westminster Abbey, London. The drawing also appears in an advertisement from The Civil Engineers and Architects Journal 1839 (pictured), suggesting that this stone pedestal could date from even earlier. Austin and Seeley works were rarely stamped with makers marks. Austin & Seeley In 1828, Felix Austin established his own independent stone works...