Andalusian Pottery Bowl

A monumental-scale mid-20th century American studio hand-thrown glazed ceramic bowl with fantastic texture and earthy neutral glaze colors. Signed illegibly on the bottom.

A wonderful late 20th century American Studio Pottery platter with a large stylized grape vine with grape clusters and a wonderful splatter glaz...

A fantastic large Japanese bowl carved of one piece of pine and with a beautiful Yakisugi, or burned wood, finish. Traditionally, a yakisugi finish is a...

A beautiful vintage Mexican terracotta bowl with two handles, a ruffled lip, two large drip glazed splotches inside. The exterior is unglazed. Perfect f...

An impressive Cornish studio pottery bowl applied with barnacle designs by Bob Fierek and dating from the latter 20th century. The bowl is of wide rounded form standing on a narrow r...

Simon Moore studio hand made ceramic, pottery bowl, free form. White color, signed. Japanese style, very delicate and light.

A wonderful, whimsical work by Japanese American, California architectural potter/ artist Kazuko Matthews. This large black and white checkboard rhombus-shaped bowl/ vessel is signed on the base by Matthews. The piece is reminiscent of the works of Peter Shire. Mathews previously studied with famed ceramists couple Otto and Vivia Heino at Chouinard and also with Raku master potter Paul Soldner at Scripps...

A stunning Canadian studio pottery miniature bowl decorated in yellow glazes with an associated pottery stand by Lane Gordon Thorlaksson (Canadian, 1937-2009) dated 1976. Lane Gordon Thorlaksson was born in 1937 in Winnipeg, Manitoba and moved to Vancouver as a child. In his twenties, he represented Canada in the 1959 Chicago Pan-American Games, running alongside Henry 'Harry' Winston Jerome in both the 100 yard and 220-yard dash. Following this, he attended San Jose University of California and in 1966 received a BFA in Ceramics. Working with clay was Thorlaksson’s passion. He was fascinated with Asian ceramics, in particular the Song dynasty Chinese pot forms and glazes. In 1985, the Mayor of Vancouver, Mike Harcourt, visited China on a goodwill mission for the twinning of Vancouver with Guangzhou China. As gifts, he took with him several of Thorlaksson’s ceramics and presented them to Cao Yun-ping, Secretary-General of the People's Municipal Government of Guangzhou. The pieces were well received and local Chinese potters were interested to learn about his glazing techniques. In 1987, Thorlaksson was invited to visit China’s Guangzhou University to exhibit more of his work. He was aided in this exchange by Joanne Mah, the Director of Intercultural Training and Educational Consultants (ITEC), who had worked with the Harcourt exchange. In 1988, she and her husband sponsored a pre-gallery showing of Thorlaksson’s ceramics at the ITEC’s Hong Kong office, prior to an exhibition at Alvin Gallery in Hong Kong. Thorlaksson was celebrated and introduced to academics and the media, including the head of ceramics at the Guangzhou Institute of Fine Arts. Local Chinese potters were eager to learn about his firing techniques, which used multiple firings to create special glaze characteristics. They were also intrigued to understand how he designed his own stands as an integrated part of his presentation. Unlike Asian potters who used wooden stands, Thorlaksson produced his stands in clay, matching each stand in aesthetic and tone to its pot. This two-part process elevated his pieces to sculpture. He believed that ceramics should be viewed as fine art and not craft. He was inspired by the female form and was quoted as saying 'Most potters make pots; I make parts of people'. The bowl is of wide squat rounded form with a fold over rim and is decorated in pale yellow glazes over a brown ground and stands on a narrow round unglazed foot. The design is probably based and inspired by a Chinese brush washer...