Hand Painted Ceramic Decorative Moorish Plate 1950s

Vintage Polychrome hand painted and handcrafted ceramic wall decorative plate with polychrome floral design. This is an intricately, hand painted plate that was made in Turkey. Turkey is famous for its kiln products, such as tiles and pottery, which are glazed and multicolored. It has a beautifully hand painted flowers in burgundy, turquoise, light and dark blue and green foliage. An Islamic ceramic plate in the Iznik style. The back of the plate is stamped. Hand-painted with natural minerals by Turkish artisans. Great ceramic decorative Turkish ceramic Folk Art. There is a hole and string for hanging this piece on the wall. Size: 9" diameter x 1". Hand made in Turkey circa 1950s Under the direction of Ottoman Sultans, Iznik and Kutahya ceramics...

Polychrome hand painted and handcrafted ceramic wall decorative plate with polychrome Ottoman floral design and Islamic calligraphy writing in the ce...

Bottega Vignoli, Mediterranea large plate, hand-painted Italian majolica Approx. 55cm diameter Perfect décor for the wall or simply placed at the centre of a table, this stunning ...

Extraordinary modernist item by Swedish Tilgmans Keramik. Fully glazed centerpiece or wall decoration depicting a green faced woman with long stemmed yellow and blue flowers on a striped dark blue background created with the sgraffito technique. Manufactured in 1957 by German/Swedish Paul Harald Tilgman in his workshop in a small town close to Gothenburg in Sweden. Blue patterned glaze on the sides and muted blue leaves on the milky white glazed base. Signed and dated on base. A rare and unique piece in beautiful condition! Sweden, 1957. About Tilgmans Keramik: Paul Harald “Harry” Tilgmann was born in Dresden, Germany in 1904 and emigrated to Sweden during WWII where he started Tilgmans Keramik (= Ceramics) in 1948 in the small town of Utbynäs close to Gothenburg. Tilgman had 16 employees working for him and when he hired the Polish refugee Marian Zawadzki (1912-1978) as artistic director in 1953, Tilgman Keramik started experimenting with the distinct sgraffito technique. The sgraffito technique consists of carving fine lines into the background of a design through a light coloured glaze down to a dark grey clay slip. This created a unique textured ground which has become a style associated with Tilgmans Keramik in particular. The decorative elements also appear to be outlined with a carved line and then hand painted with overglazes where birds, fish, flowers, butterflies and other animals were a common theme. This type of work was the most popular in Mid Century Sweden alongside Tilgmans small animal figurines...