Lee Barnes Peck Abstract Bronze Etched Plate

Circa 1965-1975 by Lee Barnes Peck and his wife Naomi Peck. Both were highly trained and skilled craftsmen of the modernist era and Lee Barnes was an instructor as well a jeweler. Hi...

Modernist wall mounted print art work. Earth Tone pastels, by C. Dunlap for Harris Strong, circa 1970. Measures: 17.5" x 15.5" 1.25" deep Original mixed media art signed by the artis...

Fabric produced in 1971 by Francisca Reichardt and known as Omahar". 91.75 x 48.75 and 1" deep. Mounted about 9 years ago with a walnut frame. This provides an explosion of color and...

Arte Vetraria Muranese (A.Ve,M.) Italy, 1950s Murano glass Measures: 6.5 diameter x 2.5" tall Produced in Italy and featuring a mix of colors with gold fleck, this table center...

1970s Original Bernhard Rohne Etched Brass Geometric Abstract Plaque For METALLIC DESIGN STUDIO, 1970. Bernard Rohne Has Become Quite Famous For His Work With Mastercraft, But Als...

1980s abstract Modernist pottery optical art plate Signed by artist Melching 1980 Measures: 13.38 x 14.25 x 2.25 D Preowned Original vintage condition. See images provided.

1950s Carl Wyman Modernist Copper Enamel Square Plate Ohio African Motif  .5 x 4 x 4 Preowned unrestored vintage  See images provided.

Elegant and rich Mid Century Modern Copper Enamel Platter by Harold Tishler from the 1950s. The vivid copper background shines through the very dark gray enameling fading into a very light gray outer edge. The edges are folded in to create a softer feel. Two small drilled holes are on the bottom edge, probably needed during firing. Signed on the bottom center H. Tishler. Condition: Very Good. There are two small holes on either side of rim that were intentionally done, maybe for firing. Some rubbed spot on bottom by signature. Please look at all images and view our other H. Tishler listings. Measurements: 13 3/4 inches diameter x 2 1/4 inches high Harold Tishler (1893, Odessa – 1993, Florida) Studied engineering in 1910 at University of Grenoble but did not finished his studies and moved to New York 1913. During WWI, he joined the Merchant Marines and while visiting Japan was introduced to the art of Cloisonne enameling. In 1927, Tishler went to Vienna to study under Josef Hoffmann. Upon his return to NYC in 1932, he began producing copper and silver enamels that were sold at high-end stores. In 1935, Tishler visited a fellow student from the Kunstgewerbeschule in Vienna, Edward Winter in Cleveland. Tishler was impressed by Winter’s enameling...