Ceramic Decorative Bowls

Minton Majolica centrepiece bowl which features three pigeons perched on a leafy oak branch, supporting a large basketweave bowl on their fan tails. Bowl is decorated with oak leaves...

A stylish Dutch Gouda art deco pottery lidded pot decorated in the Sydney pattern made at Plateelbakkerij Zuid-Holland (Plazuid) and dating from the 1920’s. The attractive and unusua...

This nice medium-sized bowl has underglaze and overglaze painted details and was made circa 1945 to 1950. It is decorated in an asymmetrical pattern of prunus and chrysanthemums with...

A beautiful white matte relief op-art porcelain vase from the 1960s designed by Cuno Fischer and executed by Rosenthal Studio-Line, Germany. In excellent condition.

Unique Danish Art Nouveau Royal Copenhagen bowl, circa 1940s. Stunning hand-painted naturalistic depictions of flowers, leaves and stems in dark brown, warm yellow and green colors o...

16th Century Spanish Terracotta Vase Hand made marks around the vase.

Sculptural and graphically stunning Scandinavian midcentury modern warm anthracite black and white decorative centerpiece bowl. Hand-carved organic animalistic relief pattern of styl...

A bowl in ceramic with handmade silver inlay from the 1930s Argenta collection made by Wilhelm Kåge for Gustavsberg, signature underneath. The now iconic argenta stoneware collecti...

A pair of Guatemalan clay cooking pots from the early 20th century. These antique vessels from Guatemala made of clay, each have rounded forms with rustic, decorative texture on thei...

This is a very good Chinese Cloisonné Charger or Large Plate / Dish that we date to the mid-19th century of the Qing dynasty, Circa 1970. The Charger is circular on a low foot. The decoration shows a large central 12-lobed flower head with further flowers and leaves off it, leading to a three section pattern with three mythical phoenix, all in many different coloured enamels against a deep red ground. The outer rim has a detailed plantain leaf border decoration. The reverse has an unmarked green base with three roundel designs on the rim, all against a blue ground. Overall a very decorative 19th C Qing period Chinese Plate.

I am offering you this fabulous Meissen reticulated fluted bowl from the 1880s. It has a beautifully painted central flower bouquet with accents of...

Elegant crackle glazed bowl with gilded banding on the rim and base. Made by KPM, Kjöbenhavns Porcellains Maleri, Denmark, 1930s. Great condition. ...

A fine vintage British studio pottery yunomi (teacup) by renowned potter Micki Schloessingk (b. 1949) and made in Swansea, Wales. The stoneware yunomi is of rounded cylindrical shape...

A large earthenware bowl with a deep and wide body supported on a foot ring decorated with incision and slip paint circa 11-12th from Iran when ...

Mid 20th Century Turkish Kütahya Pottery Hand Painted Wall Hanging Plate with Iznik Patterns. Large hand-made decorative ceramic wall art platter hand painted in polychrome Izink pat...

Discover the Sculptural Reef Large Low Stoneware Planter Bowl, the perfect large sized bowl to use as a planter for orchids or other succulents on your table. This exquisite piece is...

Discover the Relics Large Low Stoneware Planter Bowl, the perfect large sized bowl to use as a planter for orchids or other succulents on your table. This exquisite piece is handcraf...

Discover the Relics Large Low Stoneware Planter Bowl, the perfect large sized bowl to use as a planter for orchids or other succulents on your table. This exquisite piece is handcraf...

Engraved Face Plate by Pablo Picasso for Madoura.

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

LOUISE MACNAB - Vintage studio pottery center bowl - large size - wheel thrown - splash glazed decoration - signed on the base - Canada - late 20th centu...

EGISTO FANTECHI - Renaissance Revival hand painted majolica center bowl - large size - featuring elaborate multi-color swan handles and painted details throughout - round base with s...

Marked a seal mark at the base. China, 20th or 21st century. Additional information: Material: Porcelain & Pottery Decoration Type / Colour: Polychrome Region of Origin: China Perio...

Handmade stoneware bowl. Decorated with coffee glaze featuring relief patterns of spirals and squares. Designed by ceramist Joseph Simon and made at Søholm in Denmark between 1967-69...

A stunning English Art Nouveau large art pottery bowl decorated in flambe glazes by renowned artist Bernard Moore (British, 1850-1935) and dating from around 1910. The lightly potted...

Thorkild Olsenl terracotta matt glaze dish for Royal Copenhagen A large functional piece decorated with gilded band to rim Circa 1954 Stamped and numbered 3606 Height 2 inch, Diamete...

Imari palette shallow bowl decorated in Imari colors simulating the Chinese famille verte palette (green with accents of aubergine, oxide red and underglaze blue). The interior of th...

This antique Historism centerpiece / pedestal bowl is made of polychrom glazed majolica and features four cartouches decorated with high relief knight helmets and dragons. The manufa...

A rare and striking early Art Deco piece from the Czech manufacturer Ditmar Urbach. The Ditmar Brothers and the Urbach Brothers merged what was left of their ceramic companies in ...

Elegant Royal Copenhagen crackle glazed bowl with gilded banding on the rim and base. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. M...

*The price is for the complete piece made up of several pieces Italian Old kitchen tools or utensils made of wood and ceramin hanging from a hanging bar. Old kitchen appliance S...

Antique Edwardian quality Wedgwood Jasperware fruit bowl having traditional decoration in wonderful blue and white colours with a circular silver plated rim In perfect original co...

Beautiful early stoneware bowl by Edwin and Mary Scheier. Footed form in glossy copper, oxblood and blue. Signed in clay on bottom: Scheier E...

A beautiful and rare stoneware bowl with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature 'G.N.' and makers mark 'R' ...

Rare red pitcher ‘cantaro’ from Calanda, Aragon-Zaragoza area of Spain, circa 1750 a rare piece from a Private collection. Other examples can be seen in the Museo de Zaragoza. With ...

Qing dynasty an unique antique important rare Chinese enameled Famille rose porcelain bowl with mark DaQingDaoGuangNianZhi , hand painted. ...

Add a bold statement to your collection with this exquisite and rare Art Deco Crown Devon bowl, featuring the striking "Orient" design from 1932. Crafted in England, this octagonal p...

A stunning Japanese stoneware studio pottery chawan tea bowl that features a beautiful, heavy and sumptuously multi-glaze with wonderful shifts in color and texture. This bowl is wit...

This antique French Provincial Tian bowl, circa early 19th century, boasts a beautiful time-worn patina and a light yellow glaze. Discovered in Provence, France, this earthenware bow...

A very fine antique English creamware teabowl bat printed with scenes to two sides and attributed to Wedgwood and dating from around 1770. The teabowl is lightly potted standing raised on a narrow round foot rim with a simple raised round bowl shaped body. The teabowl is decorated to sides with black printed designs, one portraying a resting seated shepherd within a landscape with his dog and sheep...

A small sculpted ceramic dish that depicts a devil or demon emerging from a clam shell. Designed and made by the Danish artist and sculptor Karl Hansen Reistrup who was the artistic ...

Hand-picked by buyers at Ann-Morris Inc.

Stoneware ceramic bowl designed by Gunnar Nylund. Manufactured by Rörstrand in Sweden during the 1960s. Part of the "Rubus" series. Ceramic with blue mottled matte glaze, nubby surface.

A large ceramic bowl by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The deep form bowl features a robust body of thick wall, s...

Highly decorative with scalloped rim oval platter makes a wonderful decorative display piece on any table or cabinet. OFFERING FREE SHIPPING TO CONTINENTAL US. PLEASE JUST ASK FOR A...

Antique Weller Art & Crafts Floral Embossed Matt Green Pottery Bowl C1910 Measures- 3.5"H x 8.75"W x 8.75"D

This is a tea bowl for matcha. It was used to use during tea ceremony. This bowl is made with porcelain and it will come with a wooden box. This bowl was made with style Raku (Raku yaki...

Carl Harry Stålhane (1920-1990) for Rörstrand. Large bowl / dish in glazed ceramics. Beautiful glaze in brown shades. Mid-20th century. Measures: 29 x 7.5 cm. In excellent conditio...

Roseville Art Pottery Blue Console Bowl With Foxglove Pattern Mid 20thC. Measures- 3.5"H x 15.25"W x 7.75"D. A beautifully crafted Roseville Art Pottery console bowl featuring ...

La Borne Large black and brown stoneware ceramic bowl or plate Original perfect condition realised circa 1970 Height 7 cm Large 30 cm

This is a Large 10.6 inch diameter Chinese Export porcelain footed Bowl with hand painted Imari decoration, which we date to the second half of the 18th Century, Qing period, circa 1...

A Thomas-Victor Sergent nature plate in the style of Palissy, School of Paris, circa. 1875-79. An oval platter heaped with trompe l’oeil fish and crus...

Rare grey pitcher ‘cantaro’ from Calanda, Aragon-Zaragoza area of Spain. A rare piece from a Private collection, circa 1750. Other examples can be seen in...

A large and beautiful bowl with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1920s. Great conditio...

Extremely Rare Early Art Deco German Ceramic Nesting Bowls – Set of 6 by G.M.T. Co. (Gustav M. Thurnauer), Circa 1920s This exquisite and highly collectible set of six Early Art Dec...

A majolica Lobster covered pâté tureen by George Jones, Stoke-on-Trent, England, circa 1870. A scarce and highly desirable piece with collectors, a Palissy style oval basketweave ...

"Veckla" vase designed by Stig Lindberg for Gustavsberg. Stig Lindberg designed the series in 1950, the series was composed of 12 bowls and vases with sculptural free form shapes. Th...

Mid-Century German Studio Pottery Bowl by Erika Pierny, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Materials: ...