Stoneware Decorative Bowls

Lovely “Farsta” vase by Wilhelm Kåge in a small design with thick sides. Beautiful scalloped pattern and rich green glaze running over the body, gathering ...

Handcrafted Textured Ceramic Bowl — Earth Meets Fire, Beauty Meets Purpose Dimensions: Approx. 18 cm diameter x 8 cm height Origin: Lithuania Materials: Stoneware ceramic, renewable...

A large and beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Imp...

Midcentury Swedish bowl from Rörstrand, designed by Carl-Harry Stålhane. It is 15.5 cm in diameter and is in excellent condition and marked as 1st quality. Carl-Harry Stålhane is o...

A large brown bowl designed by Berndt Friberg at Gustavsberg. It is 31 cm in diameter and 8.5 cm high and in very good condition except from a tiny mark in ...

Small ceramic bowl by French artist Jacques Blin, made in France during the 1950s. The bowl is glazed in green shades with an incised leaf pattern. Signed on the bottom.

Axel Salto, Danish 1889-1961 A Royal Copenhagen stoneware bowl by Axel Salto, decorated with fluted pattern in a brown /gray sungglaze. Measures: Diameter 19.5 cm, height 8 cm Sig...

A beautiful and unique hand thrown stoneware bowl, with amazing glaze. Made by Liisa Hallamaa at Arabia, Finland, 1960s. Excellent condition. Incised signature "LH" and "ARABIA". Liisa Kaarina Hallamaa was a Finnish ceramist. She graduated from the ceramics department of the Central School of Art and Industry in 1949. She started working at Arabia as early as 1945 and worked as an artist in its art department from 1957 to 1971. Her work was characterised by large vases and vases. The materials used were chamotte and stoneware. He also worked as an assistant to Aune Siimes...

Gunnar Nylund "ASH" blue & ochre 3 wave small bowl signed Rorstrand Sweden 1950s. Beautiful stoneware bowl by Gunnar Nylund for Rörstrand in shades of blue ...

A beautiful triangular stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incis...

Large beautiful stoneware bowl handmade at Søholm Stoneware, Denmark in the 1970s. The bowl is hand decorated with a Japanese inspired floral motif depicting a stylized "Lily of the valley" and finished with a wonderful speckled glazing. Soft earth tones. Stamped underneath. The Søholm Pottery on the small island of Bornholm in Denmark was established in 1836 and closed in 1996. They were one of Denmarks finest ceramics workshops. With traditional names such as "Søholm", "Michael Andersen" and "Hjorth's Keramik", Bornholm has managed to place itself heavily on the Danish map within ceramics and handicrafts. Just like Japanese ceramics, Bornholm ceramics...

Eli Keller (b. 1942), Sweden. Unique bowl in glazed stoneware. Japanese style. 21st Century. Measures: 18.5 x 8.5 cm. In excellent condition. Signed.

A beautiful and rare stoneware bowl with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature 'G.N.' and makers mark 'R' ...

A beautiful stoneware art deco footed bowl. Amazing glaze with details in hand-painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great cond...

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Stamped with...

Height 2 cm Width 4 cm Depth 4 cm Height 2 cm Width 2.5 cm Depth 2.5 cm Height 2 cm Width 2.5 cm Depth 2.5 cm This set of 3 miniature bowls was designed by John Andersson for ...

Scandinavian Modern hand built bowl by artist Bengt, Berglund. The asymmetric form are typical for Bengt Berglunds design series with organic shapes produced at Gustavsberg Studio be...

Lovely “Pungo” vase by Stig Lindberg, made in smooth carrara stoneware. Streamlined, plunging, ingenious design.

Bring a touch of artisanal charm to your space with this vintage boho studio pottery bowl. Handcrafted with a beautiful blend of soft beige and green hues, this unique ceramic piece ...

Product Description:  At the age of 19 Stålhane joined Rörstrand as a decorator and was together with his teacher Gunnar Nylund responsible for Rörstrand's golden age. The work at s...

Huge ceramic bowl by Guido Gambone with brown and orange glaze. Signed on the bottom with the donkey mark. Guido Gambone (1909 – 1969) is one of ...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signatur...

An absolutely gorgeous and wonderfully glazed large bowl by famed Japanese American pottery master Toshiko Takaezu. The bowl features a quite rare luminescent, dark oxblood red drip ...

Striking, large “Veckla” bowl by Stig Lindberg. Rare model with the characteristic, smoothly folded design. Made in carrara stoneware.

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Georges Jouve (1910-1964), France. Unique bowl in glazed stoneware. Beautiful glaze in blue and light earth tones. Mid-20th century. Measures: 29 x 6.3 cm. In excellent condition. ...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-1941. Exquisite glaze. Excellent condition. Impressed 'Rörstrand...

Handcrafted Japanese ceramic bowl signed Jin Kobayashi. Large stoneware plate hand made and hand painted with autumn leaves design. Hand-carved ge...

This sculptural ceramic vessel features a meticulously hand-built, layered exterior that evokes the quiet strength of geological formations or fossilized bark. Made using sustainable...

Wide poche dish by E. ST. N for Saxbo, Denmark. Delicate light-green harefur glaze and incised modernistic center-motif'. Measurements: D 26.5 cm (10.35 inches), H 5 cm (2 inches). C...

JOHN WARD (BRITISH 1938-2023) Stoneware Bowl with Wide Flanged Rim dark glazes with striped design impressed JW seal 36cm diameter, 13.5cm high Condition appears excellent, with no d...

St. Clement, France. Colossal organically shaped bowl in hand-painted glazed stoneware. Beautiful glaze in yellow shades. Mid-20th century. Measures: 51 x 19 cm. Height: 9.5 cm. ...

Create a sculptural arrangement of organic shapes, combining style statement and functionality with these Italian vintage earthenware Art pieces: a group of 4 Mid-Century Modern different ceramics is available, 3 vases and a bowl/catch-all, by Bertoncello and designer Roberto Rigon, showing inspiration from Barbara Hepworth and Henry Moore work. This particular postmodern sculpture bowl is quite innovative in its aerodynamic shape for the period and particularly in the mid-20th-century ceramic sector, glazed in a beige terracotta...

Handcrafted Textured Ceramic Bowl — Earth Meets Fire, Beauty Meets Purpose Dimensions: Approx. 18 cm diameter x 8 cm height Origin: Lithuania Materials: Stoneware ceramic, renewable...

Organic Textured Ceramic Bowl — Sun-Bleached Earth, Hand-Fired with Purpose Dimensions: Approx. 23 cm diameter × 6 cm height Origin: Lithuania Technique: Hand-built, renewable-energ...

An interesting bowl washed with cinnamon red, chocolate browns, pea greens, and ocean blues by Wilhelm Kage. Eye catching pattern on both the inside and outside of the bowl. Incised ...

Discover the unparalleled beauty of the Mokuzai Open Vessel at The Shine Studios. the New Mokuszia Finish captures a timber-inspired design in a ceramic form. Through high-definit...

Stonware decorative bowl / catch all. Bottom is signed by the artist.

A deep off-white coffee table pottery bowl with abstract volcanic bottom interior. Heavily influenced by the work of Georges Jouve, with the thick freeform walls.

Midcentury stoneware splatter bowl. Perfect for keys or candy on an entry way table. Unknown signature on the bottom.

Discover the unparalleled beauty of the Mokuzai Open Vessel at The Shine Studios. the New Mokuszia Finish captures a timber-inspired design in a ceramic form. Through high-definit...

Gunnar Nylund "ARO" medium stoneware bowl by Rorstrand, Sweden, 1960s. Measures: Height 3 1/4" (8cm) Width 6 1/4" (16cm) Depth 4 3/4" (12cm) Incised "R (three crowns) Swed...

Gunnar Nylund ARO stoneware bowl with hares fur glaze Rorstrand Sweden 1960s Measurements: 4" wide, 3" deep, 1" high in center and 1.5" high edges. In...

Discover the unparalleled beauty of the Mokuzai Open Vessel at The Shine Studios. the New Mokuszia Finish captures a timber-inspired design in a ceramic form. Through high-definit...

Found like an ancient relic.. created from found clay slabs throughout the studio. Glazed and finished in old world - deep earth toned glaze mix of color and texture . This h...

European studio ceramicist. Unique bowl on foot in hand-painted glazed stoneware, Late 20th century. Measures: 14 x 5 cm. In excellent condition. Signed.

Wilhelm Kåge Stoneware Bowl "Wave" by Gustavsberg. White stoneware with Carrara Glaze. 1940s. Fantastic condition. An eye-catcher object, for every design hunter.

A wonderful and quite impressive large, heavy, hand-decorated bowl by Ohio-born Midwest American master potter/ artist Cyde Burt who early in his career studied under Maija Grotell...

Longwy, France. Art Deco bowl in glazed stoneware on a tripod. Crackle design. 1940s. Measures: 31 x 8.5 cm. In excellent condition. Unstamped.

Maxime Fillon (1920-2003), France. Giant bowl in glazed stoneware. Beautiful glaze in gray and red shades. Dated 1956. Measures: 50 x 26 cm. In excellen...

Svend Hammershøi for Kähler, Denmark. Bowl in glazed stoneware. Beautiful black-green double glaze. 1930s / 40s. Measures: 16 x 7 cm. Signed. In excellent condition.

European studio ceramicist. Large unique bowl / dish in glazed stoneware with patterned decoration. 1980s. Measures: 30 x 5.7 cm. In excellent condition. Signed.

Modernist design, stepped undulating edge. Bright blue glaze. Shown in natural light and under studio cool lights.

A large late 18th century Spanish Granada Fajalouza "Lebrillo" Glazed Terracotta Bowl. Featuring a lead glaze decoration in morisco green over a milk...

Knut Paul. Six small bowls in glazed stoneware. Beautiful polychrome glaze. Mid-20th century. Knut Paul worked for Richard Kjærgaard in the period ...

Discover the exquisite Black and Gold Bloom Bowl at The Shine Studios. Each one is unique, featuring levels of hand-sculpted stoneware to create a one-of-a-kind low, wide vessel. Exp...

Scandinavian Modern very unusual hand built double bowl by artist Bengt Berglund. The asymmetric form are typical for Bengt Berglunds design produced at Gustafsbergs Studio between 1...

Handmade California studio stoneware bowl with abstract modern carved design created by Dora De Larios of Los Angeles, California. Bowl measures 3.5" by 7.5" and is signed Dora de La...

Stunning deep bowl by Jennifer Lee (British, born 1956). This hand-built coloured stoneware bowl with oxide burnished on the surface is entitled by the...

Danish Mid-Century Modern Blue rectangular Stoneware bowl by Stogo Rectangular stoneware vase designed by Danish ceramist Preben Herluf Gottschalk Olsen...

Heavily textured footed mortar / decorative bowl with sgraffito decoration throughout. The main color is ochre with an attractive top banding of blue and green. The interior design i...