Stoneware Decorative Bowls

Handmade Swedish midcentury modern decorative bowl manufactured by Upsala Ekeby in the 1960s, model 4360. Soft slight asymmetrical bowl on round foot. Hand-carved relief lined graphi...

394 hand crafted blossoming stoneware bowl by Helen Prior A delicate hand-crafted bowl, organic in shape with a torn clay rim in natural speckled stoneware clay. Part of the Cros...

Lovely “Farsta” vase by Wilhelm Kåge in a small design with thick sides. Beautiful scalloped pattern and rich green glaze running over the body, gathering ...

Superb mid-century Scandinavian or German free form bowl in the dada style. Intricate glazed stoneware ceramic work. The artist's signature is present. This signature bears similarit...

Signe Persson-Melin, a Copenhagen and Konstfack-educated artist, established her Malmö workshop in 1951. Renowned for her spice jars, pitchers, and bowls, she later collaborated with iconic brands like Boda Nova and Höganäs Keramik. As a two-time professor at Konstfack, she also left her mark on public spaces, crafting ceramic installations in the Stockholm subway. This unique 1960s/70s bowl...

A striking mid-century modern stoneware bowl or bonsai planter with a distinct Brutalist aesthetic. Raised on four sturdy legs, this sculptural piece features a rough-textured exteri...

A lovely serving dish in shape of a leaf in faience designed by Stig Lindberg at Gustavsberg Studio, it´s 31,5 x 11 cm. It´s close to mint condition. It´s marked with the Stig Lindbe...

Wonderful Fajance square bowl from the Baca line by Nils Thorsson for Royal Copenhagen, circa 1960s. The stunning gold and brown gla...

Carl Halier (1873-1948) for Royal Copenhagen, bowl in stoneware with sung glaze. Model number 21822. Marked. First factory quality. Dimensions: D 15.5 x H 3.5 cm.

Georges Jouve (1910-1964), France. Unique bowl in glazed stoneware. Beautiful glaze in blue and light earth tones. Mid-20th century. Measures: 29 x 6.3 cm. In excellent condition. ...

A beautiful and unique stoneware bowl with amazing glaze. Made by Rolf Palm, in the artist's studio, Mölle, Sweden, 1978. Excellent condition. Incised ’Palm / Mölle / G8’ and ma...

A spectacular example of the possible results from a wood firnig. This small hand built ceramic bowl is truly unique, from the rustic hand formed shape and rim to the surface treatme...

Stunning large hand thrown stoneware plate by Swedish artist Marianne Westman from the 1960s. On the inside there is spiral shape in a beautiful green ...

Stoneware dish / plate made by Norwegian ceramic artist Jens von der Lippe. Earth colored wabi-sabi style.

Gunnar Nylund ARO stoneware bowl with hares fur glaze Rorstrand Sweden 1960s Measurements: 4" wide, 3" deep, 1" high in center and 1.5" high edges. In...

A beautiful stoneware bowl with an amazing glaze. Made by Arthur Andersson for Wallakra, Sweden, 1950s Great condition. Impressed with makers mark 'Wallåkra'. Arthur Andersson was...

A small studio pottery dish by significant 20th Century ceramicist Otto Heino. This example features the finger ribbing with a blue and red glaze, blending to a purplish haze in some...

A beautifully handcrafted cream toned pottery stoneware bowl with ocean blue fish and bubble designs by artist Carl Harry Stalhane . The blue glaze on the body of the bowl gives the ...

Beautiful stoneware platter in a leaf shape by Gunnar Nylund. Purplish brown glaze with contrasting bright blue areas. Gunnar Nylund was one of the most influential ceramicists and designers of the Swedish mid-century period. He was Rörstrand’s creative leader from 1931 until 1949 and as such propelled the artistic work at the factory and served as mentor to younger artists, among them Carl-Harry Stålhane and Hertha Bengtsson. Nylund was a dedicated functionalist, who brought ideas of democratizing stoneware and creating beautiful, qualitative and affordable everyday items for the people to Rörstand in the mid-1920s. The factory had at the time lost its former leading market position, but Nylund’s efforts gave it a great reboot. He designed ceramic kitchenware...

This small hand built ceramic bowl is truly unique, from the rustic hand formed shape to the surface treatment. It was wood-fired in an "Anagama" kiln in Upstate New York, a traditional Japanese kiln. These kilns are made of special bricks built on a slowly slanting hillside with several firing chambers. Wood must be added to the fire over several days and nights. Heat and smoke from the ash swirls through the kiln, landing almost randomly on the work. Depending on its location in the kiln and any glaze that was applied, the effects can vary widely. This piece has a traditional Shino Glaze...

Mari Simmulson (1911-2000) for Upsala-Ekeby. Large bowl in hand-painted glazed stoneware. Mid-20th century. Measures: 29 x 16 cm. In excellent condition. Stamped.

A charming late 20th century American studio pottery bowl with an etched duck motif and glazed in earthy browns, blues, and whites, perfect for catching your pocket change...

St. Clement, France. Colossal organically shaped bowl in hand-painted glazed stoneware. Beautiful glaze in yellow shades. Mid-20th century. Measures: 51 x 19 cm. Height: 9.5 cm. ...

Carl Halier (1873-1948) for Royal Copenhagen, bowl in stoneware with sung glaze. Model number 21822. Marked. First factory quality. Dimensions: D 15.5 x H 3.5 cm.

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Stamped with...

Keramos Sèvres, France. Large bowl in glazed stoneware. Beautiful turquoise glaze. Clean design, mid 20th century. Measures: 30.5 x 26 x 8.5 cm. In excellent condition. Signed.

This set of 6 miniature bowls was designed by Gunnar Borg for the Swedish manufacture Höganäs Keramik during the 1960s. Handmade by the Master, with the utmost care and attention to ...

This beautifully hand-crafted Scandinavian modern merlot red stoneware decorative bowl by Andersson & Johansson, Höganäs, features an organic shape with a flat outer surface. Inside,...

Exceptional and beautiful large platter designed by Birger Kaipiainen for Rörstrand in limited edition, number 294/500. Decor with apples, plums and bunches of grapes. Birger Kaipiainen has been called "the master of ceramics" and "the undisputed ruler of decorative art". Highlights of iridescent glaze. The platter is in mint condition. No sign of use. Birger Kaipiainen began his career at the Arabia Art Department in 1937 and quickly found his own way to make art. The soon-to-begin Winter War and several losses in his personal life cast a dark shadow over the beginning of his artistic career, and this manifested as sadness and longing in his early works. They are dominated by ethereal, fairy-tale-like characters depicted in pastel tones, with references to early Italian Renaissance and longing for a more beautiful world. Kaipiainen graduated from the School of Arts & Crafts (later known as the Aalto School of Arts of Helsinki). After graduation he went to work for Finnish ceramics...

Large and unique stoneware bowl designed by Stig Lindberg and produced in Gustavsberg studios in the 1960s. Graphic pattern with a beautiful turquoise matt glaze. Marked with sig...

Friedl Holzer-Kjellberg Mid-Century Modern stoneware plate glazed deep red and vibrant blue made for Arabia, Finland. Kjellberg's design style has been characterized as 'modern class...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1962. Great condition. Incised signa...

Rare pair of Swedish mid century ceramic / stoneware "Rubus" bowls by Gunnar Nylund for Rörstrand Sweden, 1950s. In good original condition and signed by the artist. Dimensions: H:...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-1941. Exquisite glaze. Excellent condition. Impressed 'Rörstrand...

Unique stoneware bowl with amazing celadon crackle glaze. Made by Carl-Harry Stålhane at Rörstrand Ateljé, Sweden, 1960s. Good condition. Factory second due to dark spots in the bot...

European studio ceramicist. Large unique bowl in glazed stoneware with checkered pattern. Dated 1988. Measures: 37.5 x 8 cm. In excellent condition. Signed.

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Ingrid Atterberg for Upsala Ekeby, Sweden. Oblon...

Gutte Eriksen (1918-2008), own workshop. Ear bowl with handles in glazed stoneware. Danish design, mid 20th century. Measures: 16.7 x 6 cm. In excellent condition. Signed.

Wilhelm Kåge (1889-1960) for Gustavsberg. Large bowl of stoneware, decorated with brown and blueish glaze. Stamped. Gustavsberg Kåge Verkstad. In perfect condition. Measures 20.5...

Lovely “Veckla” bowl by Stig Lindberg, white carrara stoneware. Folded form. Good vintage condition, wear and patina consistent with age and use. Blemishes as seen on the pictures.

Height 2 cm Width 4 cm Depth 4 cm Height 2 cm Width 2.5 cm Depth 2.5 cm Height 2 cm Width 2.5 cm Depth 2.5 cm This set of 3 miniature bowls was designed by John Andersson for ...

Three stunning 'Surrea' stoneware bowls with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Excellent condition. Stamped 'Gustavsberg'. This is a ...

Karen Boel stoneware bowl

Maxime Fillon (1920-2003), France. Giant freeform bowl in glazed stoneware. Mid-20th century. Measures: 50 x 26 cm. In excellent condition. Signed.

Vintage Danish Stoneware Vase and Bowl by Jørgen Mogensen 1970s Set of vase and bowl in stoneware designed by Danish artist Jørgen Mogensen. Tall square vase with abstract motifs in...

Gunnar Nylund "ARO" medium stoneware bowl by Rorstrand, Sweden, 1960s Measures: Height 3 1/4" (8cm) Width 6 1/4" (16cm) Depth 4 3/4" (12cm) Incised "R (Three Crowns) Sweden GN ARO".

Pair of Chinese Jun ware bowls, Yuan dynasty (circa 1250-1400): Large Jun Yao, purple splashed stone ware bowl Yuan Dynasty, China. Well potted, on a neatly cu...

A beautiful lidded stoneware bowl. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent condition. Signed 'BÅM'. T...

A unique bowl designed by Carl Harry Stålhane for Rörstrand. Bowl features a dramatic dark almost black glaze with speckles. The inside has hues of dark brown transitioning to light ...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Jules Guérin 'Sang de Boeuf' Unique Studio Pottery Dish. Belgium, 1960s. This is a wonderful unique studio pottery dish by the famous Belgian pottery workshop Guérin, at that time...

A beautiful lidded stoneware bowl with amazing glaze. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent conditio...

1. Height 1 cm Width 3 cm Depth 3 cm 2. Height 1 cm Width 3 cm Depth 3 cm 3. Height 1 cm Width 2 cm Depth 2 cm 4. Height 1 cm Width 2 cm Depth 2 cm This set of 4 miniature b...

Hertha Bengtson (1917-1993) for Rörstrand. Large unique bowl in glazed stoneware. Mid-20th century. Measures: 30 x 9 cm. In excellent condition. Signed.

Guido Gambone Vessel Glazed Stoneware Italy, 1955c Tribal diamonds and squares in brown with green outlines Glazed signature with donkey mark to underside: [Gambone Italy] Dimensions...

Axel Salto for Royal Copenhagen. Stoneware bowl, modelled in organic form, decorated with glaze in aubergine-coloured tones. Signed Salto. Stamped and dated 1958 In perfect conditio...

French ceramicist. Large bowl in modernist style. Organic form in glazed stoneware. Beautiful glaze in azure shades. Unique ceramics of high quali...

A deep off-white coffee table pottery bowl with abstract volcanic bottom interior. Heavily influenced by the work of Georges Jouve, with the thick freeform walls.

Midcentury stoneware splatter bowl. Perfect for keys or candy on an entry way table. Unknown signature on the bottom.

Jørgen Mogensen for Royal Copenhagen, stoneware dish with motif of beetles. Model 21871. In perfect condition. Marked. First factory quality. Dimensions: L 21.5 x D 15.5 x H 3.5...