“Sommerso a bollicine” bowl mod. 4117 for Venini
View Similar Items
“Sommerso a bollicine” bowl mod. 4117 for Venini
About the Item
- Creator:Carlo Scarpa (Designer),Venini (Manufacturer)
- Dimensions:Height: 3.55 in (9 cm)Diameter: 5.52 in (14 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1936
- Condition:Wear consistent with age and use.
- Seller Location:Koper, SI
- Reference Number:1stDibs: LU8892239487982
Carlo Scarpa
Carlo Scarpa was born in Venice in 1906 and became one of the leading figures of architecture and international design during the 20th century. At merely 21 years old — and still a student at the Academy of Fine Arts — Scarpa began working as a designer for master Murano glassmaker M.V.M. Cappellin. Within a few years, he completely revolutionized the approach to art glass.
In a short time, under the guidance of Scarpa, the Capellin furnace not only established itself as the top glass company, but above all it introduced modernity and international fame to Murano glassmaking. Scarpa created a personal style of glassmaking, a new vision that irreversibly changed glass production.
The young Scarpa experimented with new models and colors: his chromatic combinations, impeccable execution and geometric shapes became his modus operandi. Thanks to Scarpa’s continuous research on vitreous matter, Cappellin produced a series of high-quality glass objects, that saw the company revisiting ancient processing techniques such as the watermark and Phoenician decoration.
When he encountered the challenge of opaque glass, Scarpa proposed introducing textures of considerable chromatic impact, such as glass pastes and glazed glass with bright colors. Scarpa also collaborated in the renovation of Palazzo da Mula in Murano, the home of Cappellin. At the academy, he obtained the diploma of professor of architectural design and obtained an honorary degree from the Venice University Institute of Architecture of which he was director.
In 1931, Scarpa's collaboration with Cappellin ended, following the bankruptcy of the company because it was not able to withstand the economic crisis linked to the Great Depression. But Scarpa did not go unnoticed by Paolo Venini — in 1933, the young designer became the new artistic director of the biggest glass company in Murano.
Master glassmakers thought Scarpa's projects and sketches were impossible, but the passionate and curious designer always managed to get exactly what he wanted. Until 1947 he remained at the helm of Venini & Co., where he created some of the best known masterpieces of modern glassmaking. Scarpa’s work with Venini was characterized by the continuous research on the subject, the use of color and techniques that he revisited in a very personal way, and the development of new ways of working with master glassmakers.
At the beginning of the 1930s, "bubble", "half filigree" and "submerged" glass appeared for the first time on the occasion of the Venice Biennale of 1934. A few years later, at the Biennale and the VI Triennale of Milan, Venini exhibited its lattimi and murrine romane pieces, which were born from a joint idea between Scarpa and Paolo Venini.
In 1938 Scarpa increased production, diversifying the vases from "objects of use" to sculptural works of art. In the same year he laid the foundation for the famous "woven" glass collection, exhibited the following year. In the subsequent years, Scarpa–Venini continued to exhibit at the Biennale and in various other shows their the "black and red lacquers," the granulari and the incisi, produced in limited series, and the "Chinese," which was inspired by Asian porcelain.
Scarpa's creations for Venini garnered an international response and were a great success, leaving forever an indelible mark on the history of glassmaking. The last Biennale in which Carlo Scarpa participated as artistic director of Venini was in 1942. He left the company five years later.
The time that Scarpa spent in the most important glass factory in Murano would attach a great artistic legacy to the company. His techniques and styles were resumed in the postwar period under the guidance of Tobia Venini, Paolo's son. In the 1950s, after the departure of Scarpa, Fulvio Bianconi was the new visionary at the Biennials with Venini.
On 1stDibs, vintage Carlo Scarpa glass and furniture are for sale, including decorative objects, tables, chandeliers and more.
(Biography provided by Ophir Gallery Inc.)
Venini
Beginning in the 1930s — and throughout the postwar years especially — Venini & Co. played a leading role in the revival of Italy’s high-end glass industry, pairing innovative modernist designers with the skilled artisans who created extraordinary chandeliers, sconces and other lighting in the centuries-old glass workshops on the Venetian island of Murano.
While the company’s co-founder, Paolo Venini (1895–1959), was himself a highly talented glassware designer, his true genius was to invite forward-thinking Italian and international designers to Murano’s hallowed workshops to create Venini pieces — among them Gio Ponti, Massimo Vignelli, Finnish designer Tapio Wirkkala, Thomas Stearns of the United States and Fulvio Bianconi.
Paolo Venini trained and practiced as a lawyer for a time, though his family had been involved with glassmaking for generations. After initially buying a share in a Venetian glass firm — he and antiques dealer Giacomo Cappellin established Vetri Soffiati Cappellin Venini & C. in 1921 — Venini took over the company as his own in 1925, and under his direction, it produced mainly classical Baroque designs.
In 1932, Venini hired the young Carlo Scarpa— who would later distinguish himself as an architect — as his lead designer. Scarpa, working in concert with practiced glass artisans, completely modernized Venini, introducing simple, pared-down forms; bright primary colors; and bold patterns such as stripes, banding and abstract compositions that utilized cross sections of murrine (glass rods).
Paolo Venini’s best designs are thought to be his two-color Clessidre hourglasses, produced from 1957 onward, and the Fazzoletto (“handkerchief”) vase, designed with Bianconi in 1949. Bianconi’s masterworks are considered by many to be his Pezzato works — colorful vases with patterns that resemble those of a patchwork quilt.
Other noteworthy and highly collectible vintage Venini works include Ponti’s dual-tone stoppered bottles (circa 1948); rare glass sculptures from the Doge series by Stearns, the first American to design for the firm; Vignelli’s striped lanterns of the 1960s; the Occhi vases with eyelet-shaped patterns by Tobia Scarpa (son of Carlo); and, with their almost zen purity, the Bolle (“bubbles”) bottles designed by Wirkkala in 1968.
With these works — and many others by some of the creative titans of the 20th and 21st centuries — Venini has produced one of the truly great bodies of work in modern design.
Find antique and vintage Venini chandeliers, serveware, table lamps, decorative objects and other furniture on 1stDibs.
- Complete Set of 3 Mid-Century "Maldive" Bowls by Bruno Munari for Danese, 1960sBy Bruno MunariLocated in Koper, SIThe Maldive bowl was created by the Italian artist and designer Bruno Munari in 1960, and produced by Danese Milano. This piece is no longer being produced. This is a rare complete s...Category
Vintage 1960s Italian Mid-Century Modern Decorative Bowls
MaterialsSheet Metal
- Black Marble Ashtray Mod. 8532 for Knoll by Angelo Mangiarotti 1967By Angelo Mangiarotti, KnollLocated in Koper, SIAngelo Mangiarotti has been developing a long-lasting relationship with marble in his carreer, as a natural element part of the Italian territoire. Faithful to his idea to design sma...Category
Vintage 1960s Italian Mid-Century Modern Ashtrays
MaterialsMarble
- Ico & Luisa Parisi Early Mod. 65 Serving Cart for De Baggis, 1950sBy Ico Parisi, Luisa ParisiLocated in Koper, SIThis elegant midcentury serving cart was designed by Italian design master Ico Parisi together with his wife Luisa, that together had founded Studio La Ruota in Como, their architect...Category
Mid-20th Century Italian Mid-Century Modern Carts and Bar Carts
MaterialsGlass, Wood
- Minimalistic Mod. 613 Articulating Desk Lamp by Paolo Rizzatto for Arteluce 1975By Arteluce, Paolo RizzattoLocated in Koper, SIThis lamp was designed by Italian architect and designer Paolo Rizzatto in 1975, and was his second project, the table version of the 265 wall lamp. This lamp was conceived to cover ...Category
Vintage 1970s Italian Post-Modern Table Lamps
MaterialsMetal
- Gino Sarfatti Yellow Mod. 33 Midcentury Directable Wall Light for Arteluce 1950sBy Gino SarfattiLocated in Koper, SIThis fully directable wall light was designed by Italian lighting master Gino Sarfatti for his own company Arteluce in the 1950s. This model was mostly manufactured in black or cream...Category
Vintage 1950s Italian Mid-Century Modern Wall Lights and Sconces
MaterialsBrass, Sheet Metal
- Mod. 2P Vintage Wash Paper Table Lamp by Isamu Noguchi for Akari AssociatesBy Isamu Noguchi, AkariLocated in Koper, SIBeautiful light sculpture by the Japanese design master Isamu Noguchi, known as model 2P. This is a vintage original piece, purchased by the previous owner in New York in the 1980s. ...Category
Vintage 1950s American Mid-Century Modern Table Lamps
MaterialsMetal
- VENINI - CARLO SCARPA - Sommerso Bollicine Green Glass Bowl, Italy, Circa 1940By Carlo Scarpa, VeniniLocated in Chatham, ONVENINI (Manufacturer) - CARLO SCARPA (Designer, 1906-1978) - Mid Century studio glass Sommerso Bollicine bowl with gold inclusions - featuring over-all bubble decoration - striking J...Category
Mid-20th Century Italian Mid-Century Modern Decorative Bowls
MaterialsArt Glass
$1,645 Sale Price30% Off - Carlo Scarpa Sommerso a Bollicine BowlBy Carlo ScarpaLocated in Brooklyn, NYElegant sommerso a bollicine Murano glass bowl, designed by Carlo Scarpa for Venini. Hundreds of air bubbles in the case glass form create a light-catching...Category
Vintage 1940s Italian Mid-Century Modern Decorative Bowls
MaterialsMurano Glass
- Carlo Scarpa Venini Murano Bollicine White Gold Flecks Italian Art Glass VaseBy Carlo Scarpa, VeniniLocated in Kissimmee, FLBeautiful antique Murano hand blown Sommerso clear white bubbles and gold flecks Italian art glass mini vase / vide poche. Documented to the Venini company, and created by master des...Category
Mid-20th Century Italian Art Deco Decorative Bowls
MaterialsGold Leaf
$1,050 Sale Price25% Off - Carlo Scarpa Venini Murano Signed Bollicine Gold Leaf Italian Art Glass AshtrayBy Carlo Scarpa, VeniniLocated in Kissimmee, FLBeautiful antique Murano hand blown Sommerso clear bubbles in champagne or caramel color with gold flecks Italian art glass ashtray. Documented to Venini company, and created by mast...Category
Mid-20th Century Italian Art Deco Decorative Bowls
MaterialsGold Leaf
$1,280 Sale Price20% Off - Murano Sommerso A Bollicine Vase, designed by Carlo Scarpa for Venini 1930sBy Carlo Scarpa, VeniniLocated in Bochum, NRWMurano Sommerso A Bollicine Vase, designed by Carlo Scarpa for Venini &C circa 1936 Carlo Scarpa, Sommerso vase featuring ribbed internal glass l...Category
Vintage 1940s Italian Vases
MaterialsMurano Glass
- Venini Murrine Romane Multicolor Bowl by Carlo ScarpaBy Carlo Scarpa, VeniniLocated in Brooklyn, NYVenini Murrine Romane bowl in multicolor by Carlo Scarpa. Numbered Edition. These Murrine are called “roman” due to their graphic signs and because they...Category
21st Century and Contemporary Italian Modern Decorative Bowls
MaterialsGlass