Chinese Floral Offering Bowl, c. 1850

This colorful porcelain bowl dates to the mid-19th century and was originally used as a serving dish for ritual offerings, placed before a home altar and piled high with fruit, baked goods, and other foods. The dish has a shallow cartouche-shaped body and a short footed base decorated with crashing waves. Decorated in the famille rose style, the dish is painted with overglaze enamels with a scene of three mythical figures surrounded by cloud-like ribbons. The scene is bordered by butterflies and flowers symbolizing the four seasons - peonies for spring, lotus for summer, chrysanthemums for autumn, and plum blossoms for winter. The exterior is painted with ripe peaches, symbols of longevity, and bats carrying interlocking golden coins...

During the 18th century, Europeans provided an eager market for Chinese export porcelain, especially the colorful and fanciful ware known as “famille rose.” Named for a palette of opaque overglaze enamels that favored roses and pinks, famille rose porcelain ware was crafted with the same technical virtuosity as imperial porcelain but designed for Western tastes. This famille rose bowl...

This colorful porcelain bowl dates to the mid-19th century and was originally used as a serving dish for ritual offerings, placed before a home altar and piled high with fruit, baked goods, and other foods. The dish has a shallow cartouche-shaped body and a short footed base decorated with crashing waves. The dish is painted with overglaze enamels in the famille rose style, with a scene of three mythical figures on a floating, heavenly island. The central figure depicts the 3rd-century warrior Guan Yu, also known as the God of War...

Dated to the mid-19th century, this small, round tray was likely once used as a shallow offering bowl atop a home altar. Comprised of finely woven bamboo sides and a thin wooden base...

This colorful porcelain bowl dates to the mid-19th century and was originally used as a serving dish for ritual offerings, placed before a home altar and piled high with fruit, baked...

This 19th-century porcelain bowl has a delicate, tapered form, finely potted with a short footed base and thin walls that flare slightly at the lip. The interior is decorated in low ...

A chinese Tongzhi floral offering bowl from the 19th Century. This porcelain bowl was utilized as a serving vessel for ceremonial tributes, positioned ...

Antique 18th century Qianlong period Chinese Chinoiserie export shallow porcelain bowl or serving dish with a delicate famille rose design featuring interlaced waves of pattern and s...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

A finely cut and polished crystal regency style Waterford Louise Kennedy bowl . The Regency shape is a time-honored style for good English cut crystal a...

Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine Eclipse bowl from Kiwano. Expertly crafted and finished by hand, our travertin...