Contemporary Japanese Red Brown Gold Leaf Porcelain Charger by Master Artist

Superb museum quality Japanese large contemporary gold leaf porcelain charger, beautifully hand painted in a stunning iris motif in vivid purple/blue, white and green on an exquisite...

Exquisite contemporary Japanese porcelain decorative charger, intricately hand painted in vivid blue, red and green, a signed piece by ...

Exceptional breathtaking museum quality contemporary Japanese signed porcelain decorative charger in an elegant rectagular shape, with a unique interpretation of zebras in a stunning...

Exquisite contemporary Japanese Ko-Imari style very large decorative porcelain charger, hand painted in gold, blue, pink and red, a signed masterpiece by highly acclaimed award-winni...

This large Japanese Kutani charger, measuring 18 " in diameter, was created during the late 19th-century Meiji period. Its decoration features intricate hand-painted designs depictin...

On offer is a truly impressive blue and white porcelain plate of Hizen ware, from Arita in Japan, circa mid to late-19th century. The plate was made by Kajiwara Kikujiro (菊次郎, the second Kiku son) and/or Kajiwara Kikusaburo (菊三郎, the third Kiku son who died in 1883) of the Kajiware Family Kiln of in Arita. It was decorated in a superb design with blue under-glaze, clearly out of a hand of a master. In a Classic Japanese composition that was popular in the Meiji Period, the plate displays a riot of auspicious elements, arranged still in a surprisingly harmonious manner. Anchoring the center of the design is an eagle perched on the branch of a blooming cherry tree, its talons clenching the bark and its wings about to open. The motion of the its immediate taking off is palpable. The trunk and the branches of the old cherry tree provide a spacial frame for the arrangement of large peonies with foliage, bundles of chrysanthemums, Chinese bell...

This gorgeous Chinese porcelain charger, hand-painted in the Imari style, dates back to the Qianlong period of the Qing dynasty, circa 1760....

A gorgeous, substantial work. Beautifully designed and made. Signed/ chop stamped by the artist on the base. From a prominent Los Angeles collection of Japanese and Asian ceramics ...