Mariana van Allesch 1940s American Studio Pottery Bowl

Wonderful metalwork, mid-century form. Good size, just over 9 inches.

This large and striking bowl by Masuo Ojima (b 1949) has a beautiful deep emerald green glaze on the exterior and gunmetal on the interior. The wonderful physical presence makes it a...

A chic round off-white/antique white 'woven' 'wicker' pottery centerpiece bowl with soft edge, circa late-20th century to the early aughts. Beautiful as a standalone piece or fill wi...

A large American turned wood bowl with impressive burl grains and original surface circa early to mid-19th century, likely from Northeastern states. The hand-turned bowl was likely f...

A wonderful large 19th century American carved wood dough bowl with a wonderful shape, and an old iron repair. At some point in its lifetime, someone added a hanger on the back so it...

Article: Pottery ceramic shell bowl element Producer: Karlsruher Majolika, Germany Decade: 1950s Original vintage 195...

1980’s Studio ceramic bowl by Gary McCloy for Steve Chase. In beautiful vintage condition. Hand signed by Gary McCloy and retains the Steve Chase label. ...

Wonderful California utilitarian design with years of use and patina as intended. Cleaned to preserve past use. Showing a fleck to the rim, oil stains and utensil markings. The Top R...

Studio pottery Mid-Century Modern bowl by Theo and Susan Harlander of Brooklin Pottery, Brooklin, Ontario. This bowl was designed with a whimsical cub...

Sculptural, heavy Mid Century Modern dark green glass decorative bowl or ashtray was created by Carl Erickson for Erickson Glass Works. The bowl is decorated with controlled bubbles that are radiating from its center; four symmetrically placed indentations can serve as cigarette rests. The pontil is ground. The bowl is in good vintage condition with some age-appropriate signs of wear on the bottom. It is unsigned, as vast majority of Ericson piece were, and is missing its sticker, but can be clearly identified by multiple printed and online catalogues and other resources. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling display...