Mid-Century Modern Squared Brass Tray by Cleto Munari, circa 1970

A silver plated square tray designed by Mattia Pastorino for Forme Contemporanee di Cleto Munari, other important designers like Carlo Scarpa and Gio Ponti cooperate for this series ...

The glass tray designed by Andy Warhol for Rosenthal is a decorative tray that features Warhol's iconic Campbell Soup can designs. This tray was created in the 1990s by Rosenthal, a German porcelain and glassware manufacturer, as part of a limited edition series of home decor items featuring Warhol's artwork. It's in perfect condition, probably never used, and signed by Andy Warhol on the front and labeled by Rosenthal on the bottom. The tray is made of clear glass and has a square shape with rounded corners, making it a compact but eye-catching piece of decor. The tray's surface features a continuous, colorful reproduction of one of Warhol's Campbell Soup can designs, which were first created in the 1960s as part of his exploration of consumer culture and advertising. The tray's design is simple but bold, and its use of vibrant colors and familiar imagery make it a great conversation starter and a fun addition to any room. As a limited edition item designed by a well-known artist, the tray may have some collectible value among fans of Warhol's work or collectors of vintage glassware...

A vintage appetizer tray designed and manufactured by the Italian design company Alberto Sordi during the 1970s in lovely conditions. The tray featu...

This rectangular Italian Tray is a stunning example of the design aesthetic that was prevalent during Seventies. This tray embodies the key ch...

A brass and smoked glass rectangular tray designed and manufactured in the Seventies in the style of Tommaso Barbi, it's in good conditions overall with normal signs of use and age. ...

A Modernist Fake Tortoise Lucite and Brass vintage tray designed and manufactured by the Italian design company Guzzini during the 1970s in lovely conditions. The Guzzini company is a well-known Italian brand that specializes in the production of high-quality household items and designer tableware...

Contemporary handmade square tray model "Aeolos" with a solid marble surface on an oxidized brass base in a linear motif. Variations are available in custom size, type of marble, c...

Vintage serving platter tray designed by Arthur Umanoff for Raymor, circa 1960's. This solid piece is made out of Taverneau wood and features ...

French ceramic decorative dish with fish motif (circa 1970s) by Albert Thiry. A rectangular-shaped ceramic dish has rounded edges with a chalk-white glaze surface. Within the dish's ...

Large midcentury Hollywood Regency drinks tray, Stand, holder or serving platter made in Italy, circa 1970s. Made of bamboo and weaved / woven rattan with a polished brass rim detail...

Amazing mid-century silver plate serving plate. Gio Ponti designed and signed this astonishing item for Cleto Munari in Italy during the 1980s. The flat and efficient design on two round levels, make this piece simply irresistible and iconic for midcentury lovers. This piece will smarten a midcentury living room or minimal and chromed bar. This wonderful piece is in very good condition. Dimensions (cms): Diameter - 32 Giovanni “Gio” Ponti, (Milan, November 18, 1891 - Milan, September 16, 1979), is one of the Italian masters of architecture. He was also a designer and essayist and one of the most important of the twentieth century. Other than the great architectural works which carry his unmistakable signature, he created a vast amount of work in the furniture sector. This is demonstrated in his three Milanese houses which were fully furnished in the "Ponti" style. The houses in via Randaccio, 1925, Casa Laporte in via Brin, 1926 and the last in via Dezza, in 1957 is an "expression" of his home design ideas. Gio Ponti was an Italian promoter of industrial design and introduced the idea of interior furnishing ranges produced as being a "sophisticated," economic, "democratic" and modern. Molteni&C managed a reissuing project of furniture and furnishings designed by Gio Ponti for products for these private homes and limited editions. After a long journey of research, selection and study of prototypes, the collection was exhibited at the Salone del Mobile 2012. This was thanks to the cooperation and the exclusively signed agreement of the Ponti heirs and the artistic director of Cerri & Associati Studio. Gio Ponti graduated in Architecture at the Polytechnic of Milan at the end of World War I, after he fought on the front line earning military decorations. In 1921 he married Giulia Vimercati, with whom he had four children: Lisa, Giovanna, Letizia and Giulio. In 1927 he opened a studio in Milan with the architect Emilio Lancia. From the beginning of the 1920’s until 1938 he worked with Richard-Ginori Manufactory and renewed its production. In 1928 he founded the Domus magazine with Gianni Mazzocchi. In 1933 he became the artistic director of Fontana Arte which was another success after the one he obtained with Richard-Ginori. In the 1930’s he participated in the Triennale exhibitions and later he successfully managed a few of them. From 1936 to 1961 he was a professor at the Milan Polytechnic, and in 1933 was associated with Antonio Fornaroli and Eugenio Soncini, until 1945. From this partnership major projects were born, including the Montecatini Palace in Milan from 1936 to 1938, in which Ponti created the "integral design" of the building and the interiors. Other works of the period were civil architecture, including the Littoria Tower in Milan in 1933, school buildings such as the School of Mathematics at the University City Rome in 1934 and the Humanities Faculty and the Rectorate of the University of Padua in 1937. There were also residential projects such as Casa Marmont in 1934 and Milan "Domus" from 1931 to 1936. The richness of the artistic production of Cleto Munari, arises out of the discovery that every boundary is undefined, and the consequent need to create a “collection about syllables” or rather a “collection of figures” which, because of their incompleteness, luminously suggest the irrepressible quest of man’s intelligence to transfigure the world, according to his own vision. It is this a perfect complicity between the whisper of the “heart...

Mid-Century Modern brass and rattan round tray basket or centerpiece. It has a brass trim covering the top and brass handles at both sides. Handcraft...