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Fine Antique Anglo Indian Mughal Carved Box
About the Item
Fine antique Anglo-Indian hand carved wooden jewelry box inlaid.
A Nice Mughal Anglo Indian Pen Box
19th Century
The box with a Mughal Indian palace architectural motif design intricately carved.
Mosaic marquetryl, satinwood adorn this exquisite 19th century inlay box.
The inside is lined with royal deep wine red velvet.
No key.
The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials.
Museum quality Mughal Islamic artwork like the ones in Doris Duke Islamic Art Museum.
Craftsmen made the first boxes to be decorated with Sadeli mosaic, incised to give further definition to the decoration, directly inlaid into the wood. The shape of the early boxes was either sloping at the front with a flatter section at the back, reminiscent of English writing slopes, or rectangular. Artisans inlaid the borders with stylized floral scrolls and the centers with a single floral motif following a circular or oval symmetrical or asymmetrical pattern.
- Creator:Rajhastani (Artist)
- Dimensions:Height: 2.5 in (6.35 cm)Width: 10.75 in (27.31 cm)Depth: 4 in (10.16 cm)
- Style:Agra (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1880
- Condition:Wear consistent with age and use. missing some pieces on one side.
- Seller Location:North Hollywood, CA
- Reference Number:Seller: A7201stDibs: LU906819838272
About the Seller
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History of the Anglo-Indian Boxes
Beginning in the early part of the 18th century, Indian artisans made what came to be known as Anglo-Indian boxes for the English residents living in India, who eventually brought or sent them back to England. At the beginning of the 19th century, India began exporting these boxes commercially, although not in any significant numbers until the 1850s. People valued them so highly that manufacturers of tins copied the designs on them in the late 19th and early 20th century.
Anglo-Indian boxes fall into four groups: Rosewood or ebony boxes inlaid;
sandalwood boxes veneered; sandalwood boxes covered with Sadeli mosaic; and carved boxes often combined with Sadeli mosaic/
The first two categories came from Vizagapatam in East India while the last two came from Bombay in West India.
English traders discovered the rich woods and intricate workmanship of Indian artisans, so colonial government officials began to recognize the work of the Indian artists and craftsmen as a source for satisfying the need for furniture and boxes, which would both serve to enhance English households in India. This gave rise to the cabinetmaking workshops in Vizagapatam between Calcutta and Madras.
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