Japan Meiji Period 1890 Fubako Box Letters Lacquered Polychromate Wood Polychrom

Folk art desk barrel box. Very unusual piece of folk art, created around the 1930. This is a mechanical desk barrel box carved in wood and decorated with painting. Shown a man dre...

Miniature hanagamidai cabinet from the Japan meiji (1858-1912) period. Gorgeous and rare miniature drawers hanagamidai (cosmetic cabinet), created in the imperial Japan during the...

Japanese vase from the Meiji Period (1868-1912). Beautiful antique decorative vase, created in Japan during the Meiji period (1868-1912), circa 1890s. It was carefully crafted in so...

An extremely well detailed wood carving of Ebisu, as a fisherman. Beautiful and well detailed sculpture, created in Japan during the Meiji dynastic period (1868-1912) back in the 1890's. This piece represent the god of good fortune Ebisu. Was exceptionally carved and executed from one solid single piece of rose wood, showing a gorgeous face expression, with intricate details in the hands and feets, he's carrying as usual a rod and a fish. Ebisu (yebisu), ???, god of fortune, the ocean and fisherman. In the japanese mythology is one of the seven gods of luck, sichi-fuku-jin, the patron of the fisherman and tradesmen. he is depicted as a bearded, smiling fisherman with formal long court ropes, often carrying a rod in one hand and a tai, symbolic fish of the good luck, in the other. The height is 14.25 inches (36.20 cm) and the base measurements is 6.5 by 6.45 inches (16.5 x 16.38 cm). Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign...

Japanese Inro from the Meiji Period (1868-1912). Beautiful Inro, created in Japan during the Meiji imperial period, circa 1870. It was carefully crafted in carved precious wood with...

Sculptural signed Okimono from the Japanese Meiji period (1868-1912). Very rare, unusual and large sculptural assembling of a dysplaying piece of okimono. Created in Japan during the imperial period of the Meiji (1868-1912). This extraordinary okimono was carefully carved depicting a group of three intricately and realistically rendered carousing skeletons (Gaikotsu) in relax and resting position, drinking and smoking. Two of them, probably males representations are resting on a wicker sofa. The third, is a woman seated in a lower stool offering drinking cups of sake on a round tray. A small rectangular bench is arranged in the scene. The composition is displayed on a four-legged carved wood platform with an inlaid red plaque engraved with the artist's signature. The level of detail and the quality of the carving is truly exceptional. Has an exact measurements of 209.55 mm by 196.85 mm by 127.76 mm (8.25 x 7.75 x 5.03 Inches). After an extensive collection of data, comparables and references to this piece, we have only been able to find only three okimono sculptures like this with similar themes and the same quality of work. References Note: A similar carving of four skeletons playing an animated game of dominos, signed Shutaro in an inlaid rectangular red plaque, was sold in London by Christie’s South Kensington in October 14 2014, Lot 120 Sale 5546. References Note: A similar carving with four skeletons in an otherwise typical victorian scene of a photographer and three sitters signed Shutaro in an inlaid rectangular red plaque, was sold in Edinburgh at Lyon & Turnbull in November 7, 2018. References Note: A similar carving with five skeletons seated, playing cards and drinking, was sold in London by John Nicholson Fine Art on September 26, 2018. Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keio era and was succeeded by the Taisho era, upon the accession of Emperor Taisho. Okimono, is a Japanese term meaning for display an ornament; art object; or decorative object, usually displayed in a tokonoma or butsudan "Buddhist altar". It is an ornament or figure, especially one placed in a guest room. An okimono may be a small Japanese...

A fine and impressive Japanese gold maki-e decorated black lacquer five-tier jubako with presentation tray, two lids, and the original tomobako storage box, Meiji period, late 19th c...

Meiji period small lacquer box with hinged lid, Japanese. Finely decorated - bits of abalone inlay add sparks in several areas. The recessed circle...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

A delightful and intricately decorated lacquer box for storing incense, kogo, in the form of a traditional farm house, Meiji period (1864 - 1912), late 19th century, Japan. The kogo, or small box for storing incense, takes the whimsical form of a traditional Japanese home, minka, with the removable high, thatched roof serving as the cover for the box. The exterior of the home has been painstakingly decorated in maki-e lacquer against a matte black lacquer ground. Traditional shoji doors, bamboo blinds...

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

A black lacquer tebako (hand box) with maki-e decoration and silver trim, circa late 19th century, Meiji period. The surface of the lid features a Rinpa style maki-e paint depicting ...