Baroque Decorative Boxes

A late 18th century blacked wooden sewing box with gold painted decoration all around brass engraved lock and hinges Aged patina 17 x 10.5 cm, total heigth 10.5 cm

Very special Baroque box with carved decorations of mythical creatures and figurative scenes Carved monogrammed initials "HPP" + Family Crest, origin: Gudbrandsdal, Norway, circa 174...

RARE IBERIAN SAFE from the first half of the 17th Century in painted and gilded carved wood decorated with plant motifs. Small defects. Dim.: 34 x 43 x 35 cm

Snuff Box noble coat of arms is in 925/1000 sterling silver. Snuff Box noble coat of arms has White fired enamels on guilloché and handpainted miniature of arabesques with noble coat...

Round snuff box in 925/1000 sterling silver gold plated with fired enamel on the enameled edge with vertical stripes and fine monochrome miniature hand painted by the painter Renato Dainelli. Diameter cm. 6.2 cm high. 3.4. Weight gr. 222. Designed by Franco Salimbeni in 1967 and produced in Florence in the Salimbeni company headquarters with manual workmanship by skilled artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Rather large and rare miniature chest of drawers in late baroque from the early 18th century. Made in Walnut with key-plate in brass. All the drawers in the dresser with original loc...

France Late 18th century silver carriage shape box in Regency Style This magnificent piece of art of silver jewelery. It is an example of h...

Baroque style shaped table box in 925/1000 sterling silver gold plated with fine hand engraving interspersed with spaces with translucent fired enamels on guillochè and a beautiful h...

Rectangular box with inward corners in sterling silver 925/1000 gold plated with beautiful miniature fire enameled and hand painted by the painter Beatrice Mellana depicting the painting "The Turkish slave" by Francesco Mazzola known as "il Parmigianino" (National Gallery of Parma). Dimensions cm. 8.5 x 11.5 x 3. Weight gr. 345. Designed by Franco Salimbeni in 1965 and manufactured in Florence in numerous specimens with various different subjects, in the headquarters of the Salimbeni company with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enameled firings at about 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Rectangular table box in sterling silver 925/1000 gold plated with very fine hand-engraving Baroque style on the lid, fire-enamelled in 2 colours. In the center an ancient oval plate...

18th century Italian painted and parcel gilt reliquary box. This lovely large Italian Baroque box is made of painted and parcel gilt wood surrounded by ...

A fine example of an early 17th century Italian wooden casket or box, possibly pine, with slightly vaulted lid covered with red silk and adorned with appliqued foliate velvet with em...

Hinged top, decorated overall with incised carving, lock plate and side handles.

Rare and precious Venetian domed case made of richly lacquered and gilded wood, early 17th century, depicting "The Conquests of Venice." Caskets like this one are more unique than ...

Step back in time with this exquisite find: the lid of a rare hatbox dating back to the early 18th century, circa 1740. Crafted from solid wood and ado...

Fine 18th century baroque chinoiserie chest, circa 1750, Sweden. The chest is wrapped in canvas that's been beautifully painted upon, this canvas can be seen in some places where...

Baroque guild drawer with side brass handles and domed lid. The body stands on pressed ball feet, has rounded corners and is veneered on all sides in walnut with strapwork marquetry.

Portuguese Rosewood Baroque Chest, Circa 1830 Suited for Jewelry, Occasional Storage, or Decorative Use Sourced by Martyn Lawrence Bullard from Lisbon, Portugal

Unusual carved box with a dome top cover and one-drawer. Nice dried out light color.

A fine and extremely rare figured walnut and seaweed marquetry 'lace box', circa.... let’s break it down - Seaweed marquetry first appeared in Englis...

Hand-carved and painted, arched-top, Chinoiserie decorated hinged wig box with original bronze hardware. The top featuring a trio of figures in a lush landscap...

An elegant, molded sterling silver, hinged top box. The top features an onyx panel.