Indian Boxes

Exquisite handcrafted red jasper box, measuring 8" x 6", featuring striking natural banding and patterns in deep red, cream, and earthy tones. Expertly made in India, this polished s...

Vintage trinket, trinket box made of inlaid camel bone, purple velvet inside, with a brass clasp, India, 70s. Beautiful and qualitatively made with brass inlaid details, the object ...

This box is a vintage Indian camel bone jewelry box. Rectangular shape with hand hammered brass details. Cover has pierced leaf pattern details and bra...

A stunning camel bone, ebony and metal inlaid sadeli work box with portable writing desk, Bombay, circa 1850. The sandalwood body of faceted rec...

This fine Regency period quill work, bone, ivory & sandalwood sewing box with intact interior w sewing implements.

Vintage Rajasthani Indian vaulted dowry jewelry box, hand painted with Indian lovers enjoying each other, while beautiful court musicians accompany them ...

Antique Persian Khatam Micro Mosaic Inlaid Jewelry Box with Miniature Polo Scene, circa 1940s This exquisite Persian Khatam Kari trinket box is a rare example of masterful micro mosaic marquetry, handcrafted in the 1940s using the ancient Persian art of inlay. Featuring an intricately detailed geometric design and a miniature hand-painted equestrian scene on the lid, this museum-quality piece is a stunning representation of Indo-Persian and Moorish craftsmanship. Khatam Kari, or Persian marquetry, is a centuries-old decorative art that flourished during the Safavid dynasty. It involves the meticulous inlay of thousands of tiny pieces of wood and bone into intricate, repeating geometric patterns—each symbolic of harmony and cosmic order. The top of this box is adorned with a finely rendered painting of royal figures on horseback, possibly princes engaged in a ceremonial game of polo, echoing the refined court culture of the 19th-century Persian and Mughal aristocracy. The box’s micro mosaic surface is covered in richly detailed star and polygon motifs typical of Khatam and Sadeli mosaic traditions. These patterns require precise mathematical planning and exceptional artisanal skill, resulting in a surface that is as intellectually complex as it is visually stunning. Details: * Origin: Asia Indo-Persian * Date: Circa 1940s * Materials: Inlaid woods, camel bone, hand-painted miniature * Style: Islamic Art, Moorish, Anglo-Indian, Micro Mosaic * Dimensions: Height 1.5 in. x Width 6.5 in. x Depth 4.25 in. * Condition: antique condition with minor wear consistent with age These boxes were traditionally used to store writing instruments or jewelry, and today they serve as timeless collectors' pieces, suitable for display or thoughtful gifting. Comparable examples can be found in major Islamic art collections, including the Doris Duke Museum of Islamic Art. Keywords: Persian Khatam Box...

An Exquisite Masterpiece of Mughal Splendor: A Rare Gold-Mounted Jade Box with Diamonds and Semi-Precious Stones Introduction to a Regal Artifact: This exceptional jade box, hailing from the storied Mughal Dynasty, is an unparalleled exemplar of imperial artistry and luxury. Acquired from the prestigious Spink & Son of London, this artifact transcends its material beauty to stand as a significant piece of historical and cultural importance. With its rich provenance and intricate craftsmanship, this jade box embodies the opulence and refined tastes of one of history’s most powerful and influential empires. Craftsmanship: The Art of Mughal Luxury: At the heart of this piece lies a finely carved jade...

An unusually large stag horn veneered sandal wood sewing box from Vizagapatam, India. This large, fitted box in the Regency taste has tapered sides and a two-tiered sloped lid, all c...

Early 20th Century hand carved Kashmiri royal cavalry cigar box A rare survivor from the 1st world war in the form of a hand carved Kashmiri cigar box. Covered in ornate relief flora...

Traditional Indian exotic silver keepsake box. Wide and low with lobed sides; cover hinged and flat with. Rests on 4 peg supports. Chased and engraved leafing scrollwork and pierced ...

Antique handcrafted wooden Persian khatam pen box. This Pen Box is completely Khatam handmade design very detailed fine work in and out. Middle Eastern Persian...

Antique 19th century Anglo-Indian jewelry, trinket footed box, inlay with ebony, mosaic marquetry Sadeli work and a carved Hindu scene on top. The box case is made from sandalwood wi...

Impressive antique British colonial lidded box handcrafted in mahogany and decorated with porcupine quills and bone dots. The interior has a removable tray with nine compartments all...

Vintage Moorish Mughal Raj jewelry box inlaid with semi-precious agate stones and covered with silvered metal filigree. Moorish Middle East jewelry...

Vintage Sajai metal and agate talisman box coin purse, Handmade in India, Handmade Sajai metal cross body purse with multi-colored agates and intric...

Rajasthani Mughal Decorative Copper Lidded Betel Spice Pandan Caddy Box. Handcrafted decorative North India round metal Asian copper Mughal Raj, Indian lidded , spice, pandan betel box with latch and a top handle. Of dome form with lotus-shaped finial, with spiralling bosse designs, Delicately and intricately hand-chased and hammered with geometric Anglo-Indian designs. Consuming betel leaves with several ingredients such as wet lime paste, katechu, areca nut, cloves and even tobacco leaves has been popular in India from the fourth century AD. The box was probably used to store the betel leaf used in the preparation of paan. Lime paste is mixed with grated areca nut and flavourings and the resulting mixture is rolled in the betel leaf to form a small parcel which can then be chewed. As well as being an integral part of Indian hospitality paan is believed to possess medicinal properties and was also taken as an aphrodisiac. The present box, which was elaborately designed for this purpose, would have been taken out ceremoniously on special occasions. Exquisite conversation museum quality piece with a very nice antique patina. Fine intricate artwork with conical form lid with Moorish pierced designs. Islamic Mughal Indo Persian...

An Exquisite and Large Indian 22K Gold, Enamel, and Diamond Snuff Box, Jaipur A very fine quality 22k gold box set with 40 diamonds, painted with the fi...

1950s Anglo Indian Micro Sadeli Mosaic Inlaid Jewelry Box. DIMENSIONS: 7ʺW × 7ʺD × 2.5ʺH. Indo Persian Moorish style micro mosaic inlaid jewelry box with lid. Intricate inlaid Anglo ...

A gleaming maroon straw marquetry box with a gold foiled base. Compact, refined and irresistibly cosmic in its allure. The finishes, colours, size can be customised according to spec...

Vintage 1950's Agra Indian Shell and Black Marble Box with The Taj Mahal Inlays.Onyx Black Marble Box with Pietra Dura Intricate Abalone Inlay of the Taj Mahal.Fine Quality Shell Inlaid Taj Mahal Box.Black marble trinket box with an inlaid image of the Taj Mahal. This unusual piece has the details drawn on the white shell in black ink, giving it the appearance of a micro mosaic. The surface catches the light and shows some iridescence at different angles.The Anglo Indian style box is lined with black velvet.A Very fine intricate work of Islamic Art.From Agra, India. Circa 1950's.Great gift to express your Love.From a Private Estate Encino Collection. DIMENSIONS: Height: 1.75 in.Width: 3.75 in.Depth: 2.75 in.About the Taj Mahal: The Taj Mahal is a world-renowned monument located in Agra, India. It is considered one of the most iconic examples of Mughal architecture and is recognized as a UNESCO World Heritage Site. Here's some information about the Taj Mahal: 1) History: The Taj Mahal was built by Emperor Shah Jahan in the 17th century as a mausoleum for his beloved wife, Mumtaz Mahal. Construction of the Taj Mahal began in 1632 and was completed in 1653. 2) Architecture: The Taj Mahal combines elements of Islamic, Persian, Ottoman Turkish, and Indian architectural styles. It is primarily made of white marble, with intricate inlay work using semi-precious stones. The central structure is a large dome surrounded by four minarets at each corner. 3) Symbolism: The Taj Mahal is often regarded as a symbol of love. It was built as a testament to Emperor Shah Jahan's eternal love for his wife, Mumtaz Mahal. The gardens and reflecting pool in front of the Taj Mahal add to its romantic ambiance. 4) Location: The Taj Mahal is situated on the right bank of the Yamuna River in Agra, Uttar Pradesh, India. Agra is located approximately 200 kilometers (125 miles) southeast of India's capital, New Delhi. 5) Visitors: The Taj Mahal attracts millions of visitors from around the world each year. It is open to the public, except on Fridays when it is reserved for Islamic prayers...

A BRASS MUGHAL INDIAN OVAL BETEL PANDAN BOX Northern India, early 19th century. Length: 5 1/4" in. (13.3 cm.) height: 3 1/4" in. (8.3 cm.) width: 4" in. (1...

A South Indian 19th century cash box from Kerala with ornate brass hardware and weathered appearance. Step into the rich history and intricate artistry of South India with this 19th-...

Beautiful handcrafted decorative round tinned copper Mughal Indian box with lid, latch and handle. Antique South Asian Mughal Round Tinned Copper Box with L...

1920s Anglo-Raj Hand-Painted Rajasthani Dowry Box A striking early 20th-century Anglo-Raj decorative wooden box, hand-painted and richly detailed with romantic and courtly scenes. Or...

An exquisite Indian Koftgari work box, or jewelry box, circa 1900, in oval shape. Featuring very fine, gold thread decoration with three silvered bun feet and a silvered base. The li...

Tree Full of Parrots Trinket Box in Brass & Semi Precious Stone, Viya by Vikram Goyal A tree full of parrots is a sign of success in aspirations and future endeavours. According to the 17th century Indian manuscript...

A 19th century Mughal dowry chest with carved patterns from India. This chest wooden chest with a slanted top strengthened by metal hardware reinforcements. The front displays lightly carved geometrical friezes. A large carved geometrical medallion adorns the triangular lid. The chest rests on four conical legs. This chest opens thanks to an door on the centre of its top. This unusual item was used as a dowry chest in India. This 19th century, Indian Mughal wood dowry chest...

Antique Hindu brass decorative box. This is an antique Mughal style brass Indian ornate locking trinket box container. It has six compartments that lock ...

This is a small antique apprentice-piece chest. An Anglo-Indian, carved teak Colonial keepsake box, dating to the late Victorian period, circa 1880....

Vintage Mid Century Moorish Sajai Box Inlaid with Agate Semi precious Stones box with semi-precious stones. Made in India, circa 1950. The box measures 1 inches high x 3 inches in di...

A beautiful colorful decorative box with a lid created from Carrara marble and inlaid with a variety of semi-precious stones. The sides are inlaid with a variety of stones in abstrac...

Decorative Antique Asian round wood box container with lid and brass pull. Vintage collectible Asian wooden tobacco or opium round container. Round shaped lidded opium container...

Collection of 19th century Kashmiri items A highly decorative collection of 19th Century hand crafted Kashmiri objects including 6 different shaped boxes, a working lamp and urn....

Inlaid table cabinet with six compartments and two handles. This is a beautifully decorated crafted box reflecting the craftsmanship and cultural influences of Goa during the colonia...

Contemporary Indian black and white stripe bone box. Hinged lid. White with inlaid black strips. Part of a large collection of bone boxes and trays

A very attractive vintage inlaid rosewood Indian jewelry box. The hinged box made is from solid figured rosewood and finely and is sumptuously inla...

Beautiful white marble jewelry box with floral inlay, made with different semi preciouses stones such as Malachite, Lapis Lazuli and Carnelian. It was made in India in the 1960's.

This silver trinket or jewelry box dates to the late 19th century and is presumed have been made in India. The silver tests to between .850 and 900 and as such, is slightly below .92...

PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85. Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns. The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay. Edged with faux ivory and banded with a different pattern of sadeli mosaic. Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY! The mosaic work is FABULOUS! Box opens to reveal its original blue velvet lining. It sits on 4 (recently added) silvered button feet. SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

This lovely small round 2 part box is an early piece of the designs of MIchael Aram's work from the early 90's. It is a tooled design silver metal on the top of the box with a black...

Exquisite Indian craftsmanship made of teak with decorative brass on a patinated surface. The brass fittings are hand-beaten, showcasing the exceptional skill of the artisans who cre...

Beautiful old camel on wheels, trinket or spice box, vintage toy from the second half of the 20th century, made of solid red-colored wood, probably from India. The object has a beau...

Decorative Box for Cigarettes in wood brown color India

Anglo Indian carved mahogany cat with ebonized stripes and a curious expression, featuring a secret compartment on the bottom.

Exquisitely crafted early 20th century Anglo Indian micro mosaic Sadeli box with gorgeous antique Persian geometric pattern. The finely detailed box featu...

1920s Hand Painted East Indian Decorative Box. An antique Rajasthani Indian hand painted wood box, early 20th century. The box is handcrafted of wood and feature a hinged lid that can be opened and closed to access the contents inside. Hand painted colorful Indian box with lid depicting human figures and flowers. Style: Anglo Raj, Paint, Wood, Hand-Crafted Place of Origin: India. Anglo Raj Vintage Wooden Box Hand Painted Indian Chest Trinket 1920s. Large Trinket Box Folk Art Hand Painted Colorful Asian Jewellery Chest...

A wonderful hand-painted papier-mâché box beautifully decorated in a blue and gold. Kashmir, India, circa turn of the century.

An Indian antique box from the 19th century with metal sheathing and bracketed base. Created in India during the 19th century, this antique box features a linear silhouette made of m...

A large brass pandan box North India, 19th century The body with rounded profile and hinged raised lid with engraved and punched decoration centering ...

Beautiful handcrafted antique tinned copper decorative octagonal betel box with with lid, handle and brass latch. The metal is delicately and int...

Blackbuck Round Trinket Box in Brass & Semi Precious Stone, Viya by Vikram Goyal In "The Book of Dreams”, the 17th century Indian manuscript, a glim...

Saffron Tissue Box White Large in Lacquer Wood & Brass, Viya By Vikram Goyal With moniker’s such as red gold, exquisite thread or golden light, saffron captivates us all. Ancient Ro...

Beautiful blue Lapis Lazuli and Carrara marble stone jewelry box. Created from genuine blue Lapis Lazuli, this box is low in profile and rectangular in form. This lovely jewelry or trinket box features a lid that fits onto its base. Both of which are completely covered in this beautiful blue stone. The interior of the box's base and lid, are created using Carrara marble. The lid features stays, which retrofit into the base, and allow the top to hold to the base without sliding or moving. The exterior is flanked with the gorgeous richly hued blue lapis lazuli. How we would style it: This blue stone box...

Vintage hand carved wood jewelry trinket storage box with brass inlaid. Hand-carved large wooden Anglo-Raj jewelry box. Found in Kashmir, India. Mi...

PRESENTING A LOVELY 19th century Anglo-Indian Carved Teak Wood and Sadeli Mosaic Box, featuring a carving of a Hunt Scene. Made circa 1870 in Bombay, India during the Rule of the Br...

Impressive Anglo Indian box crafted in mahogany and clad in tortoise shell decorated with bone straps, carved and painted floral panels, and paw feet. The inside has a mirror and bon...

Impressive antique Anglo Indian lidded box handcrafted in indigenous hardwoods clad in tortoise shell and decorated with elaborate lacy bone designs, featuring an etched and painted ...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Elegant and finely crafted rosewood and ivory inlay traveller's writing desk from the late Mughal period of British India (circa 1825), on low bun feet. In excellent condition, with ...