Italian Grand Tour Style, Pietra Dura & Leather Humidor Or Vanity Box

Italian, early to mid 20th century. A pair of leather boxes, each having tooled gilt leather to the border of a finely inlaid Pietra Dura top. The tops set with various semi-preciou...

This diminutive yet opulent 18th or 19th-century French snuff box exemplifies the Boulle-style, renowned for its intricate gilt and inlaid brass decoration against a tortoiseshell ba...

This is a beautifully crafted lacquer box with a cloisonné enamel mount, featuring an intricate design that combines traditional craftsmanship with vibrant artistry. The lid showcase...

English, circa 1870. A Regency Tunbridge Ware & Penwork Tea Caddy Box of Hexagonal form. Featuring a decorated Neo Classical taste top centering the goddess Ceres recumbent upon her...

Late 19th century Italian box with pietra dura panelled top. The box of ebony & mahogany (small loss to underside of bottom). Fine pietra dura floral spray. Three faint hairlines in ...

A highly attractive and rare floral Grand Tour micromosaic jewelry or trinket box made by Cesare Roccheggiani in Rome, Italy, c. 1875. This is a beautifully detailed micro-mosaic box. The panel in the lid depicts a lush bouquet of spring flowers, including roses, forget-me-nots, daffodils, buttercups and crocus, amongst others. These are described in brightly coloured stone micromosaic inlaid into a black surround, lending the piece wonderful contrast. The more common subjects for similar micro mosaic boxes are architectural views of Rome; floral examples such as this are much harder to find. The panel is mounted in a box gilded in 24 carat gold. Another distinctive feature is the granulated finish around the lid and to the underside of the box: it is most unusual and lends the piece a lovely texture. A hand-painted champlevé enamel frieze wraps around the central body of the gilt metal box, depicting scrolling turquoise vines blooming with red berries along with blue, green and yellow vine leaves. The interior is lined in the original silk and in very good original condition. The maker’s name ‘C. ROCCHEGGIANI ROMA’ is emblazoned in gold to the interior of the lid beneath the motif of a cross surmounted by a crown. The lining of both the lid and body are bordered with a ropetwist detail. The lid closes with hooked clasp, and the hinge is in good condition. Cesare Roccheggiani was one of the most successful mosaicists in the late 19th century in Rome. He probably worked in Michelangelo Barberi’s workshop, and was in all likelihood related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni, and Nicolo Roccheggiani who worked on the Achilles Shield tabletop commissioned by Napoleon Bonaparte, and later gifted to Charles X of France, now in the collection of the Louvre. Cesare Roccheggiani opened his premises on Via Condotti in Rome in 1874, and ran a production workshop including mosaicists, goldsmiths and other craftsmen. He was renowned as a source for fine quality Grand Tour mosaics...

A charming and extremely decorative Italian 19th century Florentine st. Ebony and Pietra Dura marble box. The box is raised by an elegant stepped mottled base with striking wonderful...

An antique Japanese late Meiji era covered Totai enamel on porcelain trinket or jewelry box. Circa: late 19th century to early 20th century. The ware is enameled with a polychrome floral medallion with butterflies and berries, on the top of the cover, surrounded by floral, and foliage patterns made in the Cloisonne technique. A hand painted image of a flower, under the cover. Dated, 01.12.08, and probably numbered, 6, on the bottom. Totai Shippo...