English George III Satinwood Inlaid 'Aesop's Fables' Tea Caddy, circa 1800

An extremely fine circa 1800 English George III period rosewood and satinwood 'Sheraton' pembroke table of rectangular double sided form, the top having drop 'D' shaped ends above full length drawer and false reverse-side all with finely cast brass knob pulls...

A spectacular and exceptionally rare pair of English, possibly Irish, George III circa 1800 wall brackets or shelves in 'Rustic' style, the cusped shaped tops in original 'red ochre' paint with period brass hanging tabs, the tapering 'bodies' composed of fully gilded twigs and rootwood in original finish. Provenance: The collection of Sir John Boorman at The Glebe, Annamoe, County Wicklow, Ireland. The 'Rustic' style in design emerged in Great Britain from the 'Picturesque' movement within Romanticism of the 18th century as a quiet rebellion against the formality of Baroque and Neoclassical architectural styles and was largely ephemeral due to it's inherently specific application; that it being intended for the 'cottage orné', follies, and grottos of the landed gentry. Frances Collard states "Rustic furniture, particularly that made of untrimmed branches and roots, appeared in the designs of Thomas Chippendale and Thomas Johnson and were featured in an anonymous work published by Josiah Taylor's 'Architectural Library, "Ideas for Rustic Furniture", from 1790-5". The Duke of Buccleuch...

A fine circa 1790 English George III period mahogany hall bench having 'saddle' or 'navette' form seat with center 'S' pierced hand 'grab' over conforming seat rails on square tapere...

An elegant circa 1800 Prussian Baltic Directoire style three drawer commode having luminescent mahogany veneered and satinwood line-inlaid oak and pine case, the thick slab top above locking top drawer with center cornucopia and foliate scroll gilt-metal keyhole escutcheon...